{"id":10435,"date":"2013-12-16T10:12:25","date_gmt":"2013-12-16T15:12:25","guid":{"rendered":"http:\/\/www.artsjournal.com\/herman\/?p=10435"},"modified":"2018-02-12T11:26:06","modified_gmt":"2018-02-12T16:26:06","slug":"aletheia-a-work-in-progress","status":"publish","type":"post","link":"https:\/\/www.artsjournal.com\/herman\/2013\/12\/aletheia-a-work-in-progress.html","title":{"rendered":"&#8216;Aletheia,&#8217; a Work-in-Progress"},"content":{"rendered":"<blockquote><p>&#8220;Aletheia&#8221; is chamber music theater work about a musician in a dressing room preparing to perform for a gala benefit for an opera house that is taking place in the courtyard below her window.  Though excited at first, she can&#8217;t bring herself to go down and perform.  As her sense of isolation increases, she becomes, in a sense, her own choir.  Her voice splits into the harmonies of several voices that accompany her into a new level of being. <strong><em>&#8212; William Osborne<\/em><\/strong><\/p><\/blockquote>\n<div id=\"attachment_10469\" style=\"width: 570px\" class=\"wp-caption aligncenter\"><a href=\"http:\/\/www.osborne-conant.org\/liminal.htm\"><img loading=\"lazy\" decoding=\"async\" aria-describedby=\"caption-attachment-10469\" data-attachment-id=\"10469\" data-permalink=\"https:\/\/www.artsjournal.com\/herman\/2013\/12\/aletheia-a-work-in-progress.html\/aletheia-conant-osborne\" data-orig-file=\"https:\/\/www.artsjournal.com\/herman\/wp\/wp-content\/uploads\/2013\/12\/aletheia-conant-osborne-e1387207166200.jpg\" data-orig-size=\"560,429\" data-comments-opened=\"1\" data-image-meta=\"{&quot;aperture&quot;:&quot;0&quot;,&quot;credit&quot;:&quot;&quot;,&quot;camera&quot;:&quot;&quot;,&quot;caption&quot;:&quot;&quot;,&quot;created_timestamp&quot;:&quot;0&quot;,&quot;copyright&quot;:&quot;&quot;,&quot;focal_length&quot;:&quot;0&quot;,&quot;iso&quot;:&quot;0&quot;,&quot;shutter_speed&quot;:&quot;0&quot;,&quot;title&quot;:&quot;&quot;}\" data-image-title=\"&amp;#8216;Aletheia&amp;#8217; performed by Abbie Conant\" data-image-description=\"\" data-image-caption=\"&lt;p&gt;&amp;#8216;Aletheia,&amp;#8217; a chamber music theater work performed by Abbie Conant, with a score by William Osborne.&lt;\/p&gt;\n\" data-medium-file=\"https:\/\/www.artsjournal.com\/herman\/wp\/wp-content\/uploads\/2013\/12\/aletheia-conant-osborne-300x229.jpg\" data-large-file=\"https:\/\/www.artsjournal.com\/herman\/wp\/wp-content\/uploads\/2013\/12\/aletheia-conant-osborne-e1387207166200.jpg\" src=\"http:\/\/www.artsjournal.com\/herman\/wp\/wp-content\/uploads\/2013\/12\/aletheia-conant-osborne-e1387207166200.jpg\" alt title=\"&#039;Aletheia,&#039; a chamber music theater work performed by Abbie Conant, with a score by William Osborne. Click and scroll down for slide show.\" width=\"560\" height=\"429\" class=\"size-full wp-image-10469\" \/><\/a><p id=\"caption-attachment-10469\" class=\"wp-caption-text\"><br \/><\/p><\/div>\n","protected":false},"excerpt":{"rendered":"<p>&#8220;Aletheia&#8221; is chamber music theater work about a musician in a dressing room preparing to perform for a gala benefit for an opera house that is taking place in the courtyard below her window. Though excited at first, she can&#8217;t bring herself to go down and perform. As her sense of isolation increases, she becomes, [&hellip;]<\/p>\n","protected":false},"author":3,"featured_media":10469,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_genesis_hide_title":false,"_genesis_hide_breadcrumbs":false,"_genesis_hide_singular_image":false,"_genesis_hide_footer_widgets":false,"_genesis_custom_body_class":"","_genesis_custom_post_class":"","_genesis_layout":"","jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_publicize_message":"","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":true,"jetpack_social_options":{"image_generator_settings":{"template":"highway","default_image_id":0,"font":"","enabled":false},"version":2}},"categories":[20,22,17,25],"tags":[],"class_list":{"0":"post-10435","1":"post","2":"type-post","3":"status-publish","4":"format-standard","5":"has-post-thumbnail","7":"category-media","8":"category-music","9":"category-political-culture","10":"category-theater","11":"entry"},"jetpack_publicize_connections":[],"jetpack_featured_media_url":"https:\/\/www.artsjournal.com\/herman\/wp\/wp-content\/uploads\/2013\/12\/aletheia-conant-osborne-e1387207166200.jpg","jetpack_shortlink":"https:\/\/wp.me\/pbvgEs-2Ij","jetpack_sharing_enabled":true,"_links":{"self":[{"href":"https:\/\/www.artsjournal.com\/herman\/wp-json\/wp\/v2\/posts\/10435","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.artsjournal.com\/herman\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.artsjournal.com\/herman\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.artsjournal.com\/herman\/wp-json\/wp\/v2\/users\/3"}],"replies":[{"embeddable":true,"href":"https:\/\/www.artsjournal.com\/herman\/wp-json\/wp\/v2\/comments?post=10435"}],"version-history":[{"count":1,"href":"https:\/\/www.artsjournal.com\/herman\/wp-json\/wp\/v2\/posts\/10435\/revisions"}],"predecessor-version":[{"id":28442,"href":"https:\/\/www.artsjournal.com\/herman\/wp-json\/wp\/v2\/posts\/10435\/revisions\/28442"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.artsjournal.com\/herman\/wp-json\/wp\/v2\/media\/10469"}],"wp:attachment":[{"href":"https:\/\/www.artsjournal.com\/herman\/wp-json\/wp\/v2\/media?parent=10435"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.artsjournal.com\/herman\/wp-json\/wp\/v2\/categories?post=10435"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.artsjournal.com\/herman\/wp-json\/wp\/v2\/tags?post=10435"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}