{"id":1039,"date":"2005-02-08T11:03:04","date_gmt":"2005-02-08T19:03:04","guid":{"rendered":"http:\/\/www.artsjournal.com\/herman\/wp\/2005\/02\/with_liberty_and_retribution_f\/"},"modified":"2005-02-08T11:03:04","modified_gmt":"2005-02-08T19:03:04","slug":"with_liberty_and_retribution_f","status":"publish","type":"post","link":"https:\/\/www.artsjournal.com\/herman\/2005\/02\/with_liberty_and_retribution_f.html","title":{"rendered":"WITH LIBERTY AND RETRIBUTION FOR ALL"},"content":{"rendered":"<p><P>When a majority of American voters re-installed Georgie Boy in the White House, it signalled<br \/>\nnot just a callous affirmation of his criminal regime, or a foul disregard of human rights at home<br \/>\nand abroad, but most of all an overarching moral hypocrisy. Well, it&#8217;s payback time for the<br \/>\nmajority&#8217;s willingness to look the other way when odious policies are carried out in its name.<br \/>\nIronically, none other than Georgie Boy &#8212; a man you can trust to screw the stupid American<br \/>\npeople &#8212; and his minions have come up with the <A class=inline\nhref=\"http:\/\/www.latimes.com\/news\/politics\/la-na-assess8feb08,0,7191816.story?coll=la-home-he\nadlines\" target='new\"'><B><FONT color=#003399>all-time monster<br \/>\npayback<\/FONT><\/B><\/A>. <\/P><br \/>\n<P>Last week&#8217;s item, <A class=inline\nhref=\"http:\/\/www.artsjournal.com\/herman\/archives20050201.shtml#95859\"\ntarget='new\"'><FONT color=#003399><STRONG>Welcome to the dark<br \/>\nages<\/B><\/STRONG><\/FONT><\/A>, concluded: &#8220;Who said you can&#8217;t turn back the clock?&#8221;<br \/>\nThis morning, <A class=inline\nhref=\"http:\/\/www.nytimes.com\/2005\/02\/08\/opinion\/08krugman.html?oref=login&#038;hp\"\ntarget='new\"'><B><FONT color=#003399>Paul Krugman writes<\/FONT><\/B><\/A> in The<br \/>\nNew York Times, &#8220;&#8230; now that the right is running Washington, it&#8217;s trying to turn the clock back<br \/>\nto 1932.&#8221; Which is all part of Georgie Boy&#8217;s payback. &#8220;The attempt to &#8216;jab a spear&#8217; through Social<br \/>\nSecurity complements the strategy of &#8216;starve the beast,&#8217; long advocated by right-wing intellectuals:<br \/>\ncut taxes, then use the resulting deficits as an excuse for cuts in social spending.&#8221; I think of it as<br \/>\nAmerica&#8217;s comeuppance. And who better to deliver the screwing than Georgie Boy. <\/P><br \/>\n<P>Give him enough rope and he&#8217;ll hang all of us. See Jane Mayer&#8217;s <A class=inline\nhref='http:\/\/www.newyorker.com\/fact\/content\/?050214fa_fact6#top\"' target='new\"'><B><FONT\ncolor=#003399>&#8220;OUTSOURCING TORTURE<\/FONT><\/B><\/A>&#8221; in the current New Yorker<br \/>\nand Michiko Kakutani&#8217;s <A class=inline\nhref=\"http:\/\/www.nytimes.com\/2005\/02\/08\/books\/08kaku.html\" target='new\"'><B><FONT\ncolor=#003399>&#8220;Following A Paper Trail To the Roots Of Torture,&#8221;<\/FONT><\/B><\/A> also in<br \/>\nthis morning&#8217;s Times, for more reasons to detest him, his regime&#8217;s war crimes and America&#8217;s moral<br \/>\nhypocrisy.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>When a majority of American voters re-installed Georgie Boy in the White House, it signalled not just a callous affirmation of his criminal regime, or a foul disregard of human rights at home and abroad, but most of all an overarching moral hypocrisy. Well, it&#8217;s payback time for the majority&#8217;s willingness to look the other [&hellip;]<\/p>\n","protected":false},"author":4,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_genesis_hide_title":false,"_genesis_hide_breadcrumbs":false,"_genesis_hide_singular_image":false,"_genesis_hide_footer_widgets":false,"_genesis_custom_body_class":"","_genesis_custom_post_class":"","_genesis_layout":"","jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_publicize_message":"","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":false,"jetpack_social_options":{"image_generator_settings":{"template":"highway","default_image_id":0,"font":"","enabled":false},"version":2}},"categories":[4],"tags":[],"class_list":{"0":"post-1039","1":"post","2":"type-post","3":"status-publish","4":"format-standard","6":"category-main","7":"entry"},"jetpack_publicize_connections":[],"jetpack_featured_media_url":"","jetpack_shortlink":"https:\/\/wp.me\/pbvgEs-gL","jetpack_sharing_enabled":true,"_links":{"self":[{"href":"https:\/\/www.artsjournal.com\/herman\/wp-json\/wp\/v2\/posts\/1039","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.artsjournal.com\/herman\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.artsjournal.com\/herman\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.artsjournal.com\/herman\/wp-json\/wp\/v2\/users\/4"}],"replies":[{"embeddable":true,"href":"https:\/\/www.artsjournal.com\/herman\/wp-json\/wp\/v2\/comments?post=1039"}],"version-history":[{"count":0,"href":"https:\/\/www.artsjournal.com\/herman\/wp-json\/wp\/v2\/posts\/1039\/revisions"}],"wp:attachment":[{"href":"https:\/\/www.artsjournal.com\/herman\/wp-json\/wp\/v2\/media?parent=1039"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.artsjournal.com\/herman\/wp-json\/wp\/v2\/categories?post=1039"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.artsjournal.com\/herman\/wp-json\/wp\/v2\/tags?post=1039"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}