{"id":1031,"date":"2005-02-13T11:58:36","date_gmt":"2005-02-13T19:58:36","guid":{"rendered":"http:\/\/www.artsjournal.com\/herman\/wp\/2005\/02\/the_gates_color_them_purple\/"},"modified":"2016-01-03T12:27:59","modified_gmt":"2016-01-03T17:27:59","slug":"the_gates_color_them_purple","status":"publish","type":"post","link":"https:\/\/www.artsjournal.com\/herman\/2005\/02\/the_gates_color_them_purple.html","title":{"rendered":"&#8216;THE GATES&#8217;: COLOR THEM PURPLE"},"content":{"rendered":"<p><IMG src=\"http:\/\/www.artsjournal.com\/herman\/images\/gatesDAILYNEWS.jpg\" width=180\nalign=right>For an opening-day news story about the &#8220;The Gates&#8221; in New York&#8217;s Central Park, you might as well read the London <A class=inline href=\"http:\/\/observer.guardian.co.uk\/international\/story\/0,6903,1411897,00.html\" target='new\"'><B><FONT color=#003399>Guardian&#8217;s report<\/FONT><\/B><\/A>, which offers a more than adequate overview. For an opening-day appraisal, you might as well read the front-page appraisal in The New York Times by <A class=inline href=\"http:\/\/www.nytimes.com\/2005\/02\/13\/arts\/13kimmelman.html\" target='new\"'><STRONG><FONT color=#003399>art critic Michael Kimmelman<\/B><\/FONT><\/STRONG><\/A>, who spares no purple prose: &#8220;In the winter light, the bright fabric seemed to warm the fields, flickering like a flame against the barren trees.&#8221;&nbsp;The image, right, from the front page of New York&#8217;s Daily News, also tells the story.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>For an opening-day news story about the &#8220;The Gates&#8221; in New York&#8217;s Central Park, you might as well read the London Guardian&#8217;s report, which offers a more than adequate overview. For an opening-day appraisal, you might as well read the front-page appraisal in The New York Times by art critic Michael Kimmelman, who spares no [&hellip;]<\/p>\n","protected":false},"author":4,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_genesis_hide_title":false,"_genesis_hide_breadcrumbs":false,"_genesis_hide_singular_image":false,"_genesis_hide_footer_widgets":false,"_genesis_custom_body_class":"","_genesis_custom_post_class":"","_genesis_layout":"","jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_publicize_message":"","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":false,"jetpack_social_options":{"image_generator_settings":{"template":"highway","default_image_id":0,"font":"","enabled":false},"version":2}},"categories":[4],"tags":[],"class_list":{"0":"post-1031","1":"post","2":"type-post","3":"status-publish","4":"format-standard","6":"category-main","7":"entry"},"jetpack_publicize_connections":[],"jetpack_featured_media_url":"","jetpack_shortlink":"https:\/\/wp.me\/pbvgEs-gD","jetpack_sharing_enabled":true,"_links":{"self":[{"href":"https:\/\/www.artsjournal.com\/herman\/wp-json\/wp\/v2\/posts\/1031","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.artsjournal.com\/herman\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.artsjournal.com\/herman\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.artsjournal.com\/herman\/wp-json\/wp\/v2\/users\/4"}],"replies":[{"embeddable":true,"href":"https:\/\/www.artsjournal.com\/herman\/wp-json\/wp\/v2\/comments?post=1031"}],"version-history":[{"count":2,"href":"https:\/\/www.artsjournal.com\/herman\/wp-json\/wp\/v2\/posts\/1031\/revisions"}],"predecessor-version":[{"id":19299,"href":"https:\/\/www.artsjournal.com\/herman\/wp-json\/wp\/v2\/posts\/1031\/revisions\/19299"}],"wp:attachment":[{"href":"https:\/\/www.artsjournal.com\/herman\/wp-json\/wp\/v2\/media?parent=1031"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.artsjournal.com\/herman\/wp-json\/wp\/v2\/categories?post=1031"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.artsjournal.com\/herman\/wp-json\/wp\/v2\/tags?post=1031"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}