{"id":10308,"date":"2013-11-28T09:22:29","date_gmt":"2013-11-28T14:22:29","guid":{"rendered":"http:\/\/www.artsjournal.com\/herman\/?p=10308"},"modified":"2013-11-28T09:23:10","modified_gmt":"2013-11-28T14:23:10","slug":"alain-arias-misson-antwerp-public-linguistic-poem","status":"publish","type":"post","link":"https:\/\/www.artsjournal.com\/herman\/2013\/11\/alain-arias-misson-antwerp-public-linguistic-poem.html","title":{"rendered":"<center>Antwerp Public Linguistic Poem<\/center>"},"content":{"rendered":"<p>\u202a<center><iframe loading=\"lazy\" width=\"560\" height=\"315\" src=\"\/\/www.youtube.com\/embed\/0e7GJ_rIQgA\" frameborder=\"0\" allowfullscreen><\/iframe><\/center><br \/>\n<center>&#8220;It doesn&#8217;t matter what happens. I like it when there are accidents. If anybody starts to argue that&#8217;s OK. &#8230; This is a public poem. This is the work I do for 45 years. I am completely <em>meshuga<\/em>. I do one every year.&#8221; &#8212; <a href=\"http:\/\/www.ariasmisson.com\/bio.html\">Alain Arias-Misson<\/a><\/center><\/p>\n","protected":false},"excerpt":{"rendered":"<p>\u202a &#8220;It doesn&#8217;t matter what happens. I like it when there are accidents. If anybody starts to argue that&#8217;s OK. &#8230; This is a public poem. This is the work I do for 45 years. I am completely meshuga. I do one every year.&#8221; &#8212; Alain Arias-Misson<\/p>\n","protected":false},"author":3,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_genesis_hide_title":false,"_genesis_hide_breadcrumbs":false,"_genesis_hide_singular_image":false,"_genesis_hide_footer_widgets":false,"_genesis_custom_body_class":"","_genesis_custom_post_class":"","_genesis_layout":"","jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_publicize_message":"","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":true,"jetpack_social_options":{"image_generator_settings":{"template":"highway","default_image_id":0,"font":"","enabled":false},"version":2}},"categories":[19,20],"tags":[],"class_list":{"0":"post-10308","1":"post","2":"type-post","3":"status-publish","4":"format-standard","6":"category-art","7":"category-media","8":"entry"},"jetpack_publicize_connections":[],"jetpack_featured_media_url":"","jetpack_shortlink":"https:\/\/wp.me\/pbvgEs-2Gg","jetpack_sharing_enabled":true,"_links":{"self":[{"href":"https:\/\/www.artsjournal.com\/herman\/wp-json\/wp\/v2\/posts\/10308","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.artsjournal.com\/herman\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.artsjournal.com\/herman\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.artsjournal.com\/herman\/wp-json\/wp\/v2\/users\/3"}],"replies":[{"embeddable":true,"href":"https:\/\/www.artsjournal.com\/herman\/wp-json\/wp\/v2\/comments?post=10308"}],"version-history":[{"count":0,"href":"https:\/\/www.artsjournal.com\/herman\/wp-json\/wp\/v2\/posts\/10308\/revisions"}],"wp:attachment":[{"href":"https:\/\/www.artsjournal.com\/herman\/wp-json\/wp\/v2\/media?parent=10308"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.artsjournal.com\/herman\/wp-json\/wp\/v2\/categories?post=10308"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.artsjournal.com\/herman\/wp-json\/wp\/v2\/tags?post=10308"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}