{"id":1025,"date":"2005-02-10T10:11:02","date_gmt":"2005-02-10T18:11:02","guid":{"rendered":"http:\/\/www.artsjournal.com\/herman\/wp\/2005\/02\/message_from_beyond\/"},"modified":"2005-02-10T10:11:02","modified_gmt":"2005-02-10T18:11:02","slug":"message_from_beyond","status":"publish","type":"post","link":"https:\/\/www.artsjournal.com\/herman\/2005\/02\/message_from_beyond.html","title":{"rendered":"MESSAGE FROM BEYOND"},"content":{"rendered":"<p><P>For the record:<BR><br \/>\n<BLOCKQUOTE><br \/>\n<P><B>From Name:<\/B> Jim in Texas<BR><B>Email Address:<\/B><br \/>\n&#8212;&#8212;&#8212;<BR><B>Comments:<\/B> Noam Chomsky is a lying evil whore of Zarqawi&#8217;s murdering<br \/>\ncriminals and mass murdering lying tyrants like Fidel Castro, Kim Il Sung, and Saddam Hussein<br \/>\nand we are going to send every last one of his leftwing Fascist thug&#8217;s to Hell. In a century from<br \/>\nnow Chomsky will be an unremembered footnote in history burning in Hell like a pre-Civil War<br \/>\nwhitewasher of slavery, as you will be.<\/P><\/BLOCKQUOTE><br \/>\n<P><\/P><br \/>\n<P>Dear Jim &#8212;<BR>Thanks so much for your enlightened opposition.<BR>&#8212; Straight Up&#8217;s staff<br \/>\nof thousands<BR><\/p>\n","protected":false},"excerpt":{"rendered":"<p>For the record: From Name: Jim in TexasEmail Address: &#8212;&#8212;&#8212;Comments: Noam Chomsky is a lying evil whore of Zarqawi&#8217;s murdering criminals and mass murdering lying tyrants like Fidel Castro, Kim Il Sung, and Saddam Hussein and we are going to send every last one of his leftwing Fascist thug&#8217;s to Hell. In a century from [&hellip;]<\/p>\n","protected":false},"author":4,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_genesis_hide_title":false,"_genesis_hide_breadcrumbs":false,"_genesis_hide_singular_image":false,"_genesis_hide_footer_widgets":false,"_genesis_custom_body_class":"","_genesis_custom_post_class":"","_genesis_layout":"","jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_publicize_message":"","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":false,"jetpack_social_options":{"image_generator_settings":{"template":"highway","default_image_id":0,"font":"","enabled":false},"version":2}},"categories":[4],"tags":[],"class_list":{"0":"post-1025","1":"post","2":"type-post","3":"status-publish","4":"format-standard","6":"category-main","7":"entry"},"jetpack_publicize_connections":[],"jetpack_featured_media_url":"","jetpack_shortlink":"https:\/\/wp.me\/pbvgEs-gx","jetpack_sharing_enabled":true,"_links":{"self":[{"href":"https:\/\/www.artsjournal.com\/herman\/wp-json\/wp\/v2\/posts\/1025","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.artsjournal.com\/herman\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.artsjournal.com\/herman\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.artsjournal.com\/herman\/wp-json\/wp\/v2\/users\/4"}],"replies":[{"embeddable":true,"href":"https:\/\/www.artsjournal.com\/herman\/wp-json\/wp\/v2\/comments?post=1025"}],"version-history":[{"count":0,"href":"https:\/\/www.artsjournal.com\/herman\/wp-json\/wp\/v2\/posts\/1025\/revisions"}],"wp:attachment":[{"href":"https:\/\/www.artsjournal.com\/herman\/wp-json\/wp\/v2\/media?parent=1025"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.artsjournal.com\/herman\/wp-json\/wp\/v2\/categories?post=1025"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.artsjournal.com\/herman\/wp-json\/wp\/v2\/tags?post=1025"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}