{"id":1019,"date":"2005-02-21T01:28:14","date_gmt":"2005-02-21T09:28:14","guid":{"rendered":"http:\/\/www.artsjournal.com\/herman\/wp\/2005\/02\/hunter_thompson_a_gonzo_premon\/"},"modified":"2005-02-21T01:28:14","modified_gmt":"2005-02-21T09:28:14","slug":"hunter_thompson_a_gonzo_premon","status":"publish","type":"post","link":"https:\/\/www.artsjournal.com\/herman\/2005\/02\/hunter_thompson_a_gonzo_premon.html","title":{"rendered":"HUNTER THOMPSON: A GONZO PREMONITION"},"content":{"rendered":"

The suicide of Hunter S. Thompson<\/FONT><\/B><\/A>
\nis a huge, irreplaceable loss. <\/A> A lot of people didn’t know of the Page 2 column he wrote on the Web for
\nESPN.com. But Hey, Rube<\/FONT><\/B><\/A> was treasured by
\nmany of us who were not necessarily sports fans. His column, “Death in the afternoon,”<\/FONT><\/B><\/A> which was about the meaning of
\nauto racing champ Dale Earnhardt’s violent end, looks in hindsight like a gonzo premonition. It
\nprobably wasn’t, yet it reads as though it might have been written about his own death.
\n

<\/P>
\n

Here’s part of the lede:
\n


\n

It seemed to send a message, an urgent warning signal that something with a
\nmeaning beyond the sum of its parts had gone Wrong & would go Wrong again if something big
\nwasn’t cured — not just in racing, but in the machinery of the American
\nnation.<\/BLOCKQUOTE>
\n

<\/P>
\n

Thompson’s death won’t be mourned as widely as Earnhardt’s. The same thing could be said
\nof it, however, if not as a warning — Thompson’s whole career was a warning — at least as
\nconfirmation that something in the machinery is way out of whack.<\/P>
\n

Here — from another column<\/FONT><\/B><\/A> — you can see
\nhow Thompson turns a piece on the unworthiness of the XFL and its lousy TV ratings to more
\nserious account.<\/P>
\n


\n


\n

<\/P>
\n

The doomed league’s TV ratings slipped another 25 percent for the weekend — down 71
\npercent in the four quick weeks since Opening Day — and that steep a slide is fatal.<\/P>
\n

If the Dow Jones Index plunged that many points in four weeks, the sidewalks of Wall Street
\nwould be littered with the broken bodies of Stockbrokers. Five-hundred people a day would be
\nleaping to their deaths off the Golden Gate bridge.<\/P>
\n

The horrible reality of suddenly being stone broke and homeless is more than most people in
\nthis country can handle. They will literally seize up and go mad. Your everyday Nervous
\nBreakdown is nothing compared to the hopeless Craziness of a man who woke up in the morning
\nas a Prince and went to bed as a Toad.<\/P>
\n

That is a guaranteed overweening shock to the Central Nervous System; if you don’t go
\ninsane from suddenly having to see everything in the world from a point only two inches high,
\nyour brain will be churned into cream by having to crawl, head-first, with your eyes open, down a
\nmuddy hole in the ground, just to have a place to sleep.<\/P>
\n

Nobody could handle a situation like That. It is Unacceptable. It is worse than any dream that
\never happened in the worst and most tortured hallucinations ever suffered by the most pitiful LSD
\nvictim. … I spent a lot of time with Allen Ginsberg, and I have swapped gruesome tales over
\nwhiskey at night with William Burroughs, and neither one of them ever even mentioned a vision
\nso horrible as being instantly changed from a rich and powerful human like Donald Trump into a
\ncommon leaping toad.<\/P><\/BLOCKQUOTE>
\n

And here, too, you can see in hindsight a gonzo premonition of suicide. It is Thompson
\nwriting about himself but also about all of us in a steep, perhaps fatal slide, and a nation’s seizure
\nof madness.<\/p>\n","protected":false},"excerpt":{"rendered":"

The suicide of Hunter S. Thompson is a huge, irreplaceable loss. A lot of people didn’t know of the Page 2 column he wrote on the Web for ESPN.com. But Hey, Rube was treasured by many of us who were not necessarily sports fans. His column, “Death in the afternoon,” which was about the meaning […]<\/p>\n","protected":false},"author":4,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_genesis_hide_title":false,"_genesis_hide_breadcrumbs":false,"_genesis_hide_singular_image":false,"_genesis_hide_footer_widgets":false,"_genesis_custom_body_class":"","_genesis_custom_post_class":"","_genesis_layout":"","jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_publicize_message":"","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":false,"jetpack_social_options":{"image_generator_settings":{"template":"highway","default_image_id":0,"font":"","enabled":false},"version":2}},"categories":[4],"tags":[],"class_list":{"0":"post-1019","1":"post","2":"type-post","3":"status-publish","4":"format-standard","6":"category-main","7":"entry"},"jetpack_publicize_connections":[],"jetpack_featured_media_url":"","jetpack_shortlink":"https:\/\/wp.me\/pbvgEs-gr","jetpack_sharing_enabled":true,"_links":{"self":[{"href":"https:\/\/www.artsjournal.com\/herman\/wp-json\/wp\/v2\/posts\/1019","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.artsjournal.com\/herman\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.artsjournal.com\/herman\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.artsjournal.com\/herman\/wp-json\/wp\/v2\/users\/4"}],"replies":[{"embeddable":true,"href":"https:\/\/www.artsjournal.com\/herman\/wp-json\/wp\/v2\/comments?post=1019"}],"version-history":[{"count":0,"href":"https:\/\/www.artsjournal.com\/herman\/wp-json\/wp\/v2\/posts\/1019\/revisions"}],"wp:attachment":[{"href":"https:\/\/www.artsjournal.com\/herman\/wp-json\/wp\/v2\/media?parent=1019"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.artsjournal.com\/herman\/wp-json\/wp\/v2\/categories?post=1019"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.artsjournal.com\/herman\/wp-json\/wp\/v2\/tags?post=1019"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}