{"id":1015,"date":"2005-02-13T11:54:37","date_gmt":"2005-02-13T19:54:37","guid":{"rendered":"http:\/\/www.artsjournal.com\/herman\/wp\/2005\/02\/dont_ask_dont_tell\/"},"modified":"2005-02-13T11:54:37","modified_gmt":"2005-02-13T19:54:37","slug":"dont_ask_dont_tell","status":"publish","type":"post","link":"https:\/\/www.artsjournal.com\/herman\/2005\/02\/dont_ask_dont_tell.html","title":{"rendered":"DON’T ASK, DON’T TELL"},"content":{"rendered":"

Rigorous Intuition’s Jeff Gannon expos\u00e9 is not to be missed. Thanks to James Wolcott’s Mystery Beefcake<\/FONT><\/B><\/A>, I just read
\nRI’s “Stirring the White House honey
\npot,”<\/FONT><\/B><\/A> about Jim Guckert, a k a Jeff Gannon of suddenly defunct
\nTalon-News.com, “a conservative ringer” who received White House press credentials
\nand “lobbed softball questions” at Dear Leader in press briefings. But its the
\ndeep-rooted backstory behind Gannon’s “possible ties to gay prostitution,” which were
\n“discovered by left-leaning Internet bloggers,” according to New York’s Daily
\nNews<\/FONT><\/B><\/A>, that RI goes after. How did the Gannon disinformation
\nprocess get so far? Go read the amazing tale.<\/p>\n","protected":false},"excerpt":{"rendered":"

Rigorous Intuition’s Jeff Gannon expos\u00e9 is not to be missed. Thanks to James Wolcott’s Mystery Beefcake, I just read RI’s “Stirring the White House honey pot,” about Jim Guckert, a k a Jeff Gannon of suddenly defunct Talon-News.com, “a conservative ringer” who received White House press credentials and “lobbed softball questions” at Dear Leader in press briefings. […]<\/p>\n","protected":false},"author":4,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_genesis_hide_title":false,"_genesis_hide_breadcrumbs":false,"_genesis_hide_singular_image":false,"_genesis_hide_footer_widgets":false,"_genesis_custom_body_class":"","_genesis_custom_post_class":"","_genesis_layout":"","jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_publicize_message":"","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":false,"jetpack_social_options":{"image_generator_settings":{"template":"highway","default_image_id":0,"font":"","enabled":false},"version":2}},"categories":[4],"tags":[],"class_list":{"0":"post-1015","1":"post","2":"type-post","3":"status-publish","4":"format-standard","6":"category-main","7":"entry"},"jetpack_publicize_connections":[],"jetpack_featured_media_url":"","jetpack_shortlink":"https:\/\/wp.me\/pbvgEs-gn","jetpack_sharing_enabled":true,"_links":{"self":[{"href":"https:\/\/www.artsjournal.com\/herman\/wp-json\/wp\/v2\/posts\/1015","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.artsjournal.com\/herman\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.artsjournal.com\/herman\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.artsjournal.com\/herman\/wp-json\/wp\/v2\/users\/4"}],"replies":[{"embeddable":true,"href":"https:\/\/www.artsjournal.com\/herman\/wp-json\/wp\/v2\/comments?post=1015"}],"version-history":[{"count":0,"href":"https:\/\/www.artsjournal.com\/herman\/wp-json\/wp\/v2\/posts\/1015\/revisions"}],"wp:attachment":[{"href":"https:\/\/www.artsjournal.com\/herman\/wp-json\/wp\/v2\/media?parent=1015"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.artsjournal.com\/herman\/wp-json\/wp\/v2\/categories?post=1015"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.artsjournal.com\/herman\/wp-json\/wp\/v2\/tags?post=1015"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}