{"id":1000,"date":"2005-01-25T11:01:51","date_gmt":"2005-01-25T19:01:51","guid":{"rendered":"http:\/\/www.artsjournal.com\/herman\/wp\/2005\/01\/scary_words\/"},"modified":"2005-01-25T11:01:51","modified_gmt":"2005-01-25T19:01:51","slug":"scary_words","status":"publish","type":"post","link":"https:\/\/www.artsjournal.com\/herman\/2005\/01\/scary_words.html","title":{"rendered":"SCARY WORDS"},"content":{"rendered":"<p>Two pieces of essential listening from this morning&#8217;s edition of <A class=inline\nhref=\"http:\/\/www.democracynow.org\/index.pl\" target='new\"'><B><FONT\ncolor=#003399>Democracy Now!<\/FONT><\/B><\/A>: Matt Rothschild, editor of The<br \/>\nProgressive magazine, on the&nbsp;<A class=inline\nhref=\"http:\/\/www.democracynow.org\/article.pl?sid=05\/01\/25\/1458234\"\ntarget='new\"'><B><FONT color=#003399>hidden passages<\/FONT><\/B><\/A><br \/>\nin&nbsp;Georgie Boy&#8217;s&nbsp;inaugural address, and Gore Vidal on the <A class=inline\nhref=\"http:\/\/www.democracynow.org\/article.pl?sid=05\/01\/25\/1458238\"\ntarget='new\"'><B><FONT color=#003399>most un-American speech<\/FONT><\/B><\/A> he<br \/>\never heard.<\/B><\/A><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Two pieces of essential listening from this morning&#8217;s edition of Democracy Now!: Matt Rothschild, editor of The Progressive magazine, on the&nbsp;hidden passages in&nbsp;Georgie Boy&#8217;s&nbsp;inaugural address, and Gore Vidal on the most un-American speech he ever heard.<\/p>\n","protected":false},"author":4,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_genesis_hide_title":false,"_genesis_hide_breadcrumbs":false,"_genesis_hide_singular_image":false,"_genesis_hide_footer_widgets":false,"_genesis_custom_body_class":"","_genesis_custom_post_class":"","_genesis_layout":"","jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_publicize_message":"","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":false,"jetpack_social_options":{"image_generator_settings":{"template":"highway","default_image_id":0,"font":"","enabled":false},"version":2}},"categories":[4],"tags":[],"class_list":{"0":"post-1000","1":"post","2":"type-post","3":"status-publish","4":"format-standard","6":"category-main","7":"entry"},"jetpack_publicize_connections":[],"jetpack_featured_media_url":"","jetpack_shortlink":"https:\/\/wp.me\/pbvgEs-g8","jetpack_sharing_enabled":true,"_links":{"self":[{"href":"https:\/\/www.artsjournal.com\/herman\/wp-json\/wp\/v2\/posts\/1000","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.artsjournal.com\/herman\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.artsjournal.com\/herman\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.artsjournal.com\/herman\/wp-json\/wp\/v2\/users\/4"}],"replies":[{"embeddable":true,"href":"https:\/\/www.artsjournal.com\/herman\/wp-json\/wp\/v2\/comments?post=1000"}],"version-history":[{"count":0,"href":"https:\/\/www.artsjournal.com\/herman\/wp-json\/wp\/v2\/posts\/1000\/revisions"}],"wp:attachment":[{"href":"https:\/\/www.artsjournal.com\/herman\/wp-json\/wp\/v2\/media?parent=1000"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.artsjournal.com\/herman\/wp-json\/wp\/v2\/categories?post=1000"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.artsjournal.com\/herman\/wp-json\/wp\/v2\/tags?post=1000"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}