{"id":89,"date":"2008-12-19T18:46:58","date_gmt":"2008-12-19T18:46:58","guid":{"rendered":"http:\/\/www.artsjournal.com\/gap\/wp\/?p=89"},"modified":"2008-12-19T18:46:58","modified_gmt":"2008-12-19T18:46:58","slug":"put_your_headphones_on","status":"publish","type":"post","link":"https:\/\/www.artsjournal.com\/gap\/2008\/12\/put_your_headphones_on\/","title":{"rendered":"Put Your Headphones On, Baby, We&#8217;re Going for a Ride"},"content":{"rendered":"<p>In <a href=\"http:\/\/www.megaswf.com\/view\/ae5be0fc5f3cc7b1ca122edffe6489b1.html\">my line<\/a> of work, I endure a lot of ribbing for my love of radio rock. I can plead a case citing the emotional catharsis possible due to the harmonic choices favored in the composition of the triumphant power ballad (the tonality of testosterone?), but I&#8217;m still not going to win many converts. However, I think I have it figured: double the fun. Love or hate you some Nickelback, this is honestly musically pretty fascinating. Be sure to strap on your headphones first, or you won&#8217;t get the effect.<\/p>\n<p><span class=\"mt-enclosure mt-enclosure-image\" style=\"display: inline;\"><a href=\"http:\/\/www.megaswf.com\/view\/ae5be0fc5f3cc7b1ca122edffe6489b1.html\"><img loading=\"lazy\" decoding=\"async\" alt=\"double.jpg\" src=\"http:\/\/www.artsjournal.com\/gap\/double.jpg\" class=\"mt-image-center\" style=\"margin: 0pt auto 20px; text-align: center; display: block;\" height=\"270\" width=\"400\" \/><\/a><\/span>[via Trevor] <\/p>\n<div><\/div>\n","protected":false},"excerpt":{"rendered":"<p>In my line of work, I endure a lot of ribbing for my love of radio rock. I can plead a case citing the emotional catharsis possible due to the harmonic choices favored in the composition of the triumphant power ballad (the tonality of testosterone?), but I&#8217;m still not going to win many converts. However, [&hellip;]<\/p>\n","protected":false},"author":2,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_genesis_hide_title":false,"_genesis_hide_breadcrumbs":false,"_genesis_hide_singular_image":false,"_genesis_hide_footer_widgets":false,"_genesis_custom_body_class":"","_genesis_custom_post_class":"","_genesis_layout":"","footnotes":""},"categories":[1],"tags":[],"class_list":{"0":"post-89","1":"post","2":"type-post","3":"status-publish","4":"format-standard","6":"category-uncategorized","7":"entry"},"_links":{"self":[{"href":"https:\/\/www.artsjournal.com\/gap\/wp-json\/wp\/v2\/posts\/89","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.artsjournal.com\/gap\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.artsjournal.com\/gap\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.artsjournal.com\/gap\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/www.artsjournal.com\/gap\/wp-json\/wp\/v2\/comments?post=89"}],"version-history":[{"count":0,"href":"https:\/\/www.artsjournal.com\/gap\/wp-json\/wp\/v2\/posts\/89\/revisions"}],"wp:attachment":[{"href":"https:\/\/www.artsjournal.com\/gap\/wp-json\/wp\/v2\/media?parent=89"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.artsjournal.com\/gap\/wp-json\/wp\/v2\/categories?post=89"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.artsjournal.com\/gap\/wp-json\/wp\/v2\/tags?post=89"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}