{"id":80,"date":"2008-11-14T10:33:00","date_gmt":"2008-11-14T10:33:00","guid":{"rendered":"http:\/\/www.artsjournal.com\/gap\/wp\/?p=80"},"modified":"2008-11-14T10:33:00","modified_gmt":"2008-11-14T10:33:00","slug":"opera_in_the_21st_century","status":"publish","type":"post","link":"https:\/\/www.artsjournal.com\/gap\/2008\/11\/opera_in_the_21st_century\/","title":{"rendered":"Opera in the 21st Century"},"content":{"rendered":"<p> Now, see, in this example, the singing totally doesn&#8217;t seem like the silly, far-fetched part! It works in the trailer. In full-length, apparently <a href=\"http:\/\/www.rottentomatoes.com\/m\/repo_the_genetic_opera\/\">not so much<\/a>. Sad! Anyone have a report?<\/p>\n<p><\/p>\n<p><center><br \/>\n<object height=\"344\" width=\"425\"><param name=\"movie\" value=\"http:\/\/www.youtube.com\/v\/xETgGym8cnE&amp;hl=en&amp;fs=1&amp;rel=0&amp;color1=0x5d1719&amp;color2=0xcd311b\" \/><param name=\"allowFullScreen\" value=\"true\" \/><param name=\"allowscriptaccess\" value=\"always\" \/><embed src=\"http:\/\/www.youtube.com\/v\/xETgGym8cnE&amp;hl=en&amp;fs=1&amp;rel=0&amp;color1=0x5d1719&amp;color2=0xcd311b\" type=\"application\/x-shockwave-flash\" allowscriptaccess=\"always\" allowfullscreen=\"true\" height=\"344\" width=\"425\"><\/object><br \/>\n<\/center><\/p>\n<p><\/p>\n<p>So, um, what 21st-century opera needed to seem <i>less<\/i> ridiculous was an ice pick! I&#8217;ll leave that to the sociologists. Do wonder though: What would <a href=\"http:\/\/www.slate.com\/id\/2202878\/pagenum\/all\/\">Ron Rosenbaum<\/a> say?<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Now, see, in this example, the singing totally doesn&#8217;t seem like the silly, far-fetched part! It works in the trailer. In full-length, apparently not so much. Sad! Anyone have a report? So, um, what 21st-century opera needed to seem less ridiculous was an ice pick! I&#8217;ll leave that to the sociologists. Do wonder though: What [&hellip;]<\/p>\n","protected":false},"author":2,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_genesis_hide_title":false,"_genesis_hide_breadcrumbs":false,"_genesis_hide_singular_image":false,"_genesis_hide_footer_widgets":false,"_genesis_custom_body_class":"","_genesis_custom_post_class":"","_genesis_layout":"","footnotes":""},"categories":[1],"tags":[],"class_list":{"0":"post-80","1":"post","2":"type-post","3":"status-publish","4":"format-standard","6":"category-uncategorized","7":"entry"},"_links":{"self":[{"href":"https:\/\/www.artsjournal.com\/gap\/wp-json\/wp\/v2\/posts\/80","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.artsjournal.com\/gap\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.artsjournal.com\/gap\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.artsjournal.com\/gap\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/www.artsjournal.com\/gap\/wp-json\/wp\/v2\/comments?post=80"}],"version-history":[{"count":0,"href":"https:\/\/www.artsjournal.com\/gap\/wp-json\/wp\/v2\/posts\/80\/revisions"}],"wp:attachment":[{"href":"https:\/\/www.artsjournal.com\/gap\/wp-json\/wp\/v2\/media?parent=80"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.artsjournal.com\/gap\/wp-json\/wp\/v2\/categories?post=80"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.artsjournal.com\/gap\/wp-json\/wp\/v2\/tags?post=80"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}