{"id":48,"date":"2008-07-22T16:44:03","date_gmt":"2008-07-22T16:44:03","guid":{"rendered":"http:\/\/www.artsjournal.com\/gap\/wp\/?p=48"},"modified":"2008-07-22T16:44:03","modified_gmt":"2008-07-22T16:44:03","slug":"gone_gonzo","status":"publish","type":"post","link":"https:\/\/www.artsjournal.com\/gap\/2008\/07\/gone_gonzo\/","title":{"rendered":"Gone Gonzo"},"content":{"rendered":"<p><span class=\"mt-enclosure mt-enclosure-image\" style=\"display: inline;\"><img loading=\"lazy\" decoding=\"async\" alt=\"target.jpg\" src=\"http:\/\/www.artsjournal.com\/gap\/target.jpg\" width=\"300\" height=\"284\" class=\"mt-image-right\" style=\"float: right; margin: 0 0 20px 20px;\" \/><\/span><\/p>\n<p>Hunter S. Thompson was a twisted sort of role model for me to have had back when I was still wide-eyed Molly Sheridan, cub reporter, and I find that there&#8217;s really not a lot of call for that kind of journalism (other than how to tip a whiskey bottle) now that my beat is the new music field.<\/p>\n<p>But maybe there should be. There are plenty of musicians around who could provide the &#8220;<a href=\"http:\/\/www.myspace.com\/turtlesinger\">say what?<\/a>&#8221; and Quentin Tarantino could provide the <a href=\"http:\/\/www.breitbart.com\/article.php?id=080522184407.vyjjthn8&amp;show_article=1\">composer-associated profanity<\/a>. Yes, hyperbole, but instead of navel-gazing op-eds detailing the end of civilization as evidenced by the death of the newspaper critic&#8211;seriously, who knew a chair at the obit desk was the critic&#8217;s heart&#8217;s desire?&#8211;maybe it&#8217;s time to get not a new topic, but a new angle on the proposition.<\/p>\n<p>Greg Sandow has been writing a lot about how a <a href=\"http:\/\/www.artsjournal.com\/sandow\/2008\/06\/classical_vs_pop_reviews_june.html\">rock vs classical critic<\/a> tackles the live concert review, which has provided ample it-doesn&#8217;t-have-to-be-this-way food for thought, and AJ&#8217;s own fearless leader, Doug McLennan, has certainly embraced the <a href=\"http:\/\/www.crosscut.com\/arts-beat\/15700\/The+founder+of+ArtsJournal+talks+about+arts+and+new+media\/\">show-don&#8217;t-tell model<\/a> of change.<\/p>\n<p>The inbox delivers up plenty of enquiring-minds material&#8211;many of them topics I wish there was more time to explore in summer road trip fashion and at book-length word count if only there were no need to pay the electric bill. But though that may be what the writer desires, what does the reader seek? In a digital landscape where (setting aside copyright concerns for a moment) content presentation is wildly open to fresh reformation, what do cultural consumers want from their media about media? Is the concert review, the cd review, and the once-in-a-while profile piece really all there is? What would gonzo arts reporting be and what might it do for the place?<\/p>\n<p>UPDATE: Doug has also posted\u00c2\u00a0<a href=\"http:\/\/www.najp.org\/articles\/2008\/07\/apres-le-deluge-what.html\">some deep thoughts<\/a> in response to\u00c2\u00a0Martin Bernheimer&#8217;s recent &#8220;arts criticism was killed by the blogger on the Internet&#8221; essay in the <i>Financial Times<\/i>.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Hunter S. Thompson was a twisted sort of role model for me to have had back when I was still wide-eyed Molly Sheridan, cub reporter, and I find that there&#8217;s really not a lot of call for that kind of journalism (other than how to tip a whiskey bottle) now that my beat is the [&hellip;]<\/p>\n","protected":false},"author":2,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_genesis_hide_title":false,"_genesis_hide_breadcrumbs":false,"_genesis_hide_singular_image":false,"_genesis_hide_footer_widgets":false,"_genesis_custom_body_class":"","_genesis_custom_post_class":"","_genesis_layout":"","footnotes":""},"categories":[1],"tags":[],"class_list":{"0":"post-48","1":"post","2":"type-post","3":"status-publish","4":"format-standard","6":"category-uncategorized","7":"entry"},"_links":{"self":[{"href":"https:\/\/www.artsjournal.com\/gap\/wp-json\/wp\/v2\/posts\/48","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.artsjournal.com\/gap\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.artsjournal.com\/gap\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.artsjournal.com\/gap\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/www.artsjournal.com\/gap\/wp-json\/wp\/v2\/comments?post=48"}],"version-history":[{"count":0,"href":"https:\/\/www.artsjournal.com\/gap\/wp-json\/wp\/v2\/posts\/48\/revisions"}],"wp:attachment":[{"href":"https:\/\/www.artsjournal.com\/gap\/wp-json\/wp\/v2\/media?parent=48"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.artsjournal.com\/gap\/wp-json\/wp\/v2\/categories?post=48"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.artsjournal.com\/gap\/wp-json\/wp\/v2\/tags?post=48"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}