{"id":45,"date":"2008-07-15T23:38:06","date_gmt":"2008-07-15T23:38:06","guid":{"rendered":"http:\/\/www.artsjournal.com\/gap\/wp\/?p=45"},"modified":"2008-07-15T23:38:06","modified_gmt":"2008-07-15T23:38:06","slug":"tell_me_im_wrong_about_this","status":"publish","type":"post","link":"https:\/\/www.artsjournal.com\/gap\/2008\/07\/tell_me_im_wrong_about_this\/","title":{"rendered":"Tell Me I&#8217;m Wrong About This"},"content":{"rendered":"<\/p>\n<p>As I&#8217;ve mentioned in this space before, stereotypes can be evil inhibitors of progress, but we all carry them around with us. In the spirit of intervention, I thought I&#8217;d throw a few things I&#8217;ve heard lately out into the road (and maybe under the bus).<\/p>\n<\/p>\n<\/p>\n<ul>\n<li><b>People of a certain age think louder music = better performance.<\/b> This was actually pointed out to me a couple of days ago, and my mouth was half open to object, but then I promptly shut it. After all, I&#8217;m the sort of girl who goes to the symphony and wishes those 60 musicians were just so much louder. I think I appreciate subtlety, but I also love music cranked to 11. Did the amp stunt the eardrums of everyone born after 1975?<\/li>\n<\/ul>\n<div><\/div>\n<ul>\n<li><b>Play it again, Mr. Carter.<\/b> Whether it&#8217;s Top 40 radio or an iPod on a constant playlist loop, most ears love the repetition of songs. John Zorn tracks? Not so much, apparently. I had a recent letter from a <a href=\"http:\/\/www.counterstreamradio.org\/\">Counterstream<\/a> listener: &#8220;In the past 8 months, you&#8217;ve played the same Zorn track three times between 5 and 6 a.m. Please rotate your programming.&#8221; Well, then. When I love a song, I listen to it over and over again. However, I have never done this with a piece of &#8220;new music&#8221; unless I was reviewing a recording. Like working at the Dairy Queen and ingesting no ice cream, sometimes I think I avoid getting addicted because new music is my job. Secretly, I&#8217;ve often wondered if this makes me a fraud.<\/li>\n<\/ul>\n<div><\/div>\n<ul>\n<li><b>Who&#8217;s afraid of the Internet?<\/b> Writers, it seems. First, the freakin&#8217; bloggers were going to take the pros out of the game. Now, the commenters criticize them to the point that they\u00c2\u00a0<a href=\"http:\/\/www.time.com\/time\/magazine\/article\/0,9171,1821646,00.html\">flee from the public persecution<\/a>. The Internet is a dangerous playground. Not everyone always\u00c2\u00a0<a href=\"http:\/\/gawker.com\/tag\/barack-obama\/?i=5024753&amp;t=the-new-yorkers-tasteless-obama-cover\">gets where you&#8217;re coming from<\/a> and the whole scene can get pretty crass. We could all just be Minnesota nice, but is there something to be gained intellectually when you know your fellow readers\/writers won&#8217;t hesitate to take you down a peg? Is that what a world that types 5 billion words every minute needs?<\/li>\n<\/ul>\n<div><\/div>\n<ul>\n<li><b>The Long Tail might save us from obscurity, but it may hang us first.<\/b> Chris Anderson gave us hope that even if we didn&#8217;t sell a million records up front, our Best of Beethoven albums might come out ahead over a period of many years. Well put that confetti back in the tube, kids. The dude may have had things <a href=\"http:\/\/www.slate.com\/id\/2195151\/\">all wrong<\/a>.<\/li>\n<\/ul>\n<div><\/div>\n<div><span class=\"mt-enclosure mt-enclosure-image\" style=\"display: inline;\"><img loading=\"lazy\" decoding=\"async\" alt=\"happy.jpg\" src=\"http:\/\/www.artsjournal.com\/gap\/happy.jpg\" width=\"500\" height=\"168\" class=\"mt-image-center\" style=\"text-align: center; display: block; margin: 0 auto 20px;\" \/><\/span><\/div>\n<\/p>\n<\/p>\n<\/p>\n<p><\/p>\n","protected":false},"excerpt":{"rendered":"<p>As I&#8217;ve mentioned in this space before, stereotypes can be evil inhibitors of progress, but we all carry them around with us. In the spirit of intervention, I thought I&#8217;d throw a few things I&#8217;ve heard lately out into the road (and maybe under the bus). People of a certain age think louder music = [&hellip;]<\/p>\n","protected":false},"author":2,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_genesis_hide_title":false,"_genesis_hide_breadcrumbs":false,"_genesis_hide_singular_image":false,"_genesis_hide_footer_widgets":false,"_genesis_custom_body_class":"","_genesis_custom_post_class":"","_genesis_layout":"","footnotes":""},"categories":[1],"tags":[],"class_list":{"0":"post-45","1":"post","2":"type-post","3":"status-publish","4":"format-standard","6":"category-uncategorized","7":"entry"},"_links":{"self":[{"href":"https:\/\/www.artsjournal.com\/gap\/wp-json\/wp\/v2\/posts\/45","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.artsjournal.com\/gap\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.artsjournal.com\/gap\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.artsjournal.com\/gap\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/www.artsjournal.com\/gap\/wp-json\/wp\/v2\/comments?post=45"}],"version-history":[{"count":0,"href":"https:\/\/www.artsjournal.com\/gap\/wp-json\/wp\/v2\/posts\/45\/revisions"}],"wp:attachment":[{"href":"https:\/\/www.artsjournal.com\/gap\/wp-json\/wp\/v2\/media?parent=45"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.artsjournal.com\/gap\/wp-json\/wp\/v2\/categories?post=45"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.artsjournal.com\/gap\/wp-json\/wp\/v2\/tags?post=45"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}