{"id":438,"date":"2011-04-04T14:50:37","date_gmt":"2011-04-04T18:50:37","guid":{"rendered":"http:\/\/www.artsjournal.com\/gap\/?p=438"},"modified":"2011-04-05T16:04:08","modified_gmt":"2011-04-05T20:04:08","slug":"when-the-usual-instruments-just-wont-do","status":"publish","type":"post","link":"https:\/\/www.artsjournal.com\/gap\/2011\/04\/when-the-usual-instruments-just-wont-do\/","title":{"rendered":"When the Usual Instruments Just Won&#8217;t Do"},"content":{"rendered":"<p>Not that an iPhone and a couple Wiimotes actually make this setup cost effective, but who knows where Suzuki-trained\/medical-schooled Tim Soo&#8217;s idea might take him or others. Beyond Guitar Hero, we might hope. Warning: Bruno Mars cover ahead!<\/p>\n<p><center><iframe loading=\"lazy\" title=\"YouTube video player\" width=\"500\" height=\"311\" src=\"http:\/\/www.youtube.com\/embed\/Slizmp8qIyw\" frameborder=\"0\" allowfullscreen><\/iframe><\/center><\/p>\n<p>[via <a href=\"http:\/\/mashable.com\/2011\/04\/04\/invisible-instruments\/\">Mashable<\/a>]<\/p>\n<p>And another great one from Tim Smith, and I&#8217;ll skip all the forest\/tree jokes so you can get right to the music.<\/p>\n<p><center><iframe loading=\"lazy\" title=\"YouTube video player\" width=\"500\" height=\"311\" src=\"http:\/\/www.youtube.com\/embed\/C_CDLBTJD4M\" frameborder=\"0\" allowfullscreen><\/iframe><\/center><\/p>\n<p>[via <a href=\"http:\/\/weblogs.baltimoresun.com\/entertainment\/classicalmusic\/2011\/04\/and_now_for_something_complete_1.html\">ClefNotes<\/a>]<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Not that an iPhone and a couple Wiimotes actually make this setup cost effective, but who knows where Suzuki-trained\/medical-schooled Tim Soo&#8217;s idea might take him or others. Beyond Guitar Hero, we might hope. Warning: Bruno Mars cover ahead! [via Mashable] And another great one from Tim Smith, and I&#8217;ll skip all the forest\/tree jokes so [&hellip;]<\/p>\n","protected":false},"author":2,"featured_media":439,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_genesis_hide_title":false,"_genesis_hide_breadcrumbs":false,"_genesis_hide_singular_image":false,"_genesis_hide_footer_widgets":false,"_genesis_custom_body_class":"","_genesis_custom_post_class":"","_genesis_layout":"","footnotes":""},"categories":[1],"tags":[],"class_list":{"0":"post-438","1":"post","2":"type-post","3":"status-publish","4":"format-standard","5":"has-post-thumbnail","7":"category-uncategorized","8":"entry"},"_links":{"self":[{"href":"https:\/\/www.artsjournal.com\/gap\/wp-json\/wp\/v2\/posts\/438","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.artsjournal.com\/gap\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.artsjournal.com\/gap\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.artsjournal.com\/gap\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/www.artsjournal.com\/gap\/wp-json\/wp\/v2\/comments?post=438"}],"version-history":[{"count":0,"href":"https:\/\/www.artsjournal.com\/gap\/wp-json\/wp\/v2\/posts\/438\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.artsjournal.com\/gap\/wp-json\/wp\/v2\/media\/439"}],"wp:attachment":[{"href":"https:\/\/www.artsjournal.com\/gap\/wp-json\/wp\/v2\/media?parent=438"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.artsjournal.com\/gap\/wp-json\/wp\/v2\/categories?post=438"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.artsjournal.com\/gap\/wp-json\/wp\/v2\/tags?post=438"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}