{"id":414,"date":"2011-03-04T10:04:07","date_gmt":"2011-03-04T15:04:07","guid":{"rendered":"http:\/\/www.artsjournal.com\/gap\/?p=414"},"modified":"2011-03-04T10:09:48","modified_gmt":"2011-03-04T15:09:48","slug":"who-turned-on-all-these-lights","status":"publish","type":"post","link":"https:\/\/www.artsjournal.com\/gap\/2011\/03\/who-turned-on-all-these-lights\/","title":{"rendered":"Who Turned On All These Lights?"},"content":{"rendered":"<p>It just got a little brighter around here, didn&#8217;t it? Just a month shy of Mind the Gap&#8217;s 3-year anniversary, the refresh is a welcome reminder of how far we&#8217;ve come here at the intersection of the performing arts, pop culture, and technology, and the interesting new things that continue to pop up every day. Personally, I&#8217;m pretty sure my non-computer-owning self circa 1995 would find it impossibly bizarre to see my current life in which I am rarely separated from my laptop, my iPhone, my Kindle (perhaps I just never read enough sci-fi as a kid). The technological changes that have struck each of us in our own lives have amplified out across the field, challenging and inspiring artists and audiences in amazing ways.<\/p>\n<p>When it comes to the blog, I never would have anticipated that there would be this much to type about or that I would have connected with so many fascinating people and ideas because of it. For the past 24 hours, I&#8217;ve seen quite a few celebrations of JR, the French street artist and 2011 TED Prize winner. I&#8217;ve been busy and almost missed this astounding talk on the power of paper and glue. JR is charming and very smart, and I don&#8217;t think you&#8217;ll want to skip this one. It&#8217;s a powerful reminder of how art can force people to think in new ways and, in spite of any suspicion of the cliche, really can change the world.<\/p>\n<p>Fair warning, though, that JR isn&#8217;t letting his audience off with just a warm and fuzzy feeling. His &#8220;wish&#8221; (the point of these TED awards) is for us all to participate in a public art project: <a href=\"http:\/\/www.insideoutproject.net\/\">insideoutproject.net<\/a>. &#8220;What we see changes who we are,&#8221; he reminds us. &#8220;When we act together, the whole thing is much more than the sum of the parts.&#8221;<\/p>\n<p>&nbsp;<\/p>\n<p><center><object width=\"512\" height=\"288\"><param name=\"movie\" value=\"http:\/\/www.hulu.com\/embed\/NJPx3aBQe5xgalmfUS2XFQ\/0\/1445\" \/><param name=\"allowFullScreen\" value=\"true\" \/><embed type=\"application\/x-shockwave-flash\" width=\"512\" height=\"288\" src=\"http:\/\/www.hulu.com\/embed\/NJPx3aBQe5xgalmfUS2XFQ\/0\/1445\" allowfullscreen=\"true\"><\/embed><\/object><\/center><\/p>\n<p>&nbsp;<\/p>\n","protected":false},"excerpt":{"rendered":"<p>It just got a little brighter around here, didn&#8217;t it? Just a month shy of Mind the Gap&#8217;s 3-year anniversary, the refresh is a welcome reminder of how far we&#8217;ve come here at the intersection of the performing arts, pop culture, and technology, and the interesting new things that continue to pop up every day. [&hellip;]<\/p>\n","protected":false},"author":2,"featured_media":415,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_genesis_hide_title":false,"_genesis_hide_breadcrumbs":false,"_genesis_hide_singular_image":false,"_genesis_hide_footer_widgets":false,"_genesis_custom_body_class":"","_genesis_custom_post_class":"","_genesis_layout":"","footnotes":""},"categories":[1],"tags":[20,21,22],"class_list":{"0":"post-414","1":"post","2":"type-post","3":"status-publish","4":"format-standard","5":"has-post-thumbnail","7":"category-uncategorized","8":"tag-jr","9":"tag-street-art","10":"tag-ted","11":"entry"},"_links":{"self":[{"href":"https:\/\/www.artsjournal.com\/gap\/wp-json\/wp\/v2\/posts\/414","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.artsjournal.com\/gap\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.artsjournal.com\/gap\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.artsjournal.com\/gap\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/www.artsjournal.com\/gap\/wp-json\/wp\/v2\/comments?post=414"}],"version-history":[{"count":0,"href":"https:\/\/www.artsjournal.com\/gap\/wp-json\/wp\/v2\/posts\/414\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.artsjournal.com\/gap\/wp-json\/wp\/v2\/media\/415"}],"wp:attachment":[{"href":"https:\/\/www.artsjournal.com\/gap\/wp-json\/wp\/v2\/media?parent=414"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.artsjournal.com\/gap\/wp-json\/wp\/v2\/categories?post=414"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.artsjournal.com\/gap\/wp-json\/wp\/v2\/tags?post=414"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}