{"id":370,"date":"2011-01-04T20:25:17","date_gmt":"2011-01-04T20:25:17","guid":{"rendered":"http:\/\/www.artsjournal.com\/gap\/wp\/?p=370"},"modified":"2011-01-04T20:25:17","modified_gmt":"2011-01-04T20:25:17","slug":"the_best_fake_album_of_2011","status":"publish","type":"post","link":"https:\/\/www.artsjournal.com\/gap\/2011\/01\/the_best_fake_album_of_2011\/","title":{"rendered":"The Best Fake Album of 2011"},"content":{"rendered":"<p> Jimmy Kimmel&#8217;s musical guests have <a href=\"http:\/\/www.hulu.com\/watch\/120690\/late-night-with-jimmy-fallon-neil-young---pants-on-the-ground\">impressed me before<\/a>, and they continue to do so. <\/p>\n<p><center><br \/>\n<object height=\"306\" width=\"500\"><param name=\"movie\" value=\"http:\/\/www.youtube.com\/v\/0Axzxe1a78E?fs=1&amp;hl=en_US&amp;color1=0x5d1719&amp;color2=0xcd311b\" \/><param name=\"allowFullScreen\" value=\"true\" \/><param name=\"allowscriptaccess\" value=\"always\" \/><embed src=\"http:\/\/www.youtube.com\/v\/0Axzxe1a78E?fs=1&amp;hl=en_US&amp;color1=0x5d1719&amp;color2=0xcd311b\" type=\"application\/x-shockwave-flash\" allowscriptaccess=\"always\" allowfullscreen=\"true\" height=\"306\" width=\"500\"><\/object><br \/>\n<\/center><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Jimmy Kimmel&#8217;s musical guests have impressed me before, and they continue to do so.<\/p>\n","protected":false},"author":2,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_genesis_hide_title":false,"_genesis_hide_breadcrumbs":false,"_genesis_hide_singular_image":false,"_genesis_hide_footer_widgets":false,"_genesis_custom_body_class":"","_genesis_custom_post_class":"","_genesis_layout":"","footnotes":""},"categories":[1],"tags":[],"class_list":{"0":"post-370","1":"post","2":"type-post","3":"status-publish","4":"format-standard","6":"category-uncategorized","7":"entry"},"_links":{"self":[{"href":"https:\/\/www.artsjournal.com\/gap\/wp-json\/wp\/v2\/posts\/370","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.artsjournal.com\/gap\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.artsjournal.com\/gap\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.artsjournal.com\/gap\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/www.artsjournal.com\/gap\/wp-json\/wp\/v2\/comments?post=370"}],"version-history":[{"count":0,"href":"https:\/\/www.artsjournal.com\/gap\/wp-json\/wp\/v2\/posts\/370\/revisions"}],"wp:attachment":[{"href":"https:\/\/www.artsjournal.com\/gap\/wp-json\/wp\/v2\/media?parent=370"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.artsjournal.com\/gap\/wp-json\/wp\/v2\/categories?post=370"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.artsjournal.com\/gap\/wp-json\/wp\/v2\/tags?post=370"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}