{"id":362,"date":"2010-12-02T11:24:30","date_gmt":"2010-12-02T11:24:30","guid":{"rendered":"http:\/\/www.artsjournal.com\/gap\/wp\/?p=362"},"modified":"2010-12-02T11:24:30","modified_gmt":"2010-12-02T11:24:30","slug":"flip_your_latkes_in_the_air","status":"publish","type":"post","link":"https:\/\/www.artsjournal.com\/gap\/2010\/12\/flip_your_latkes_in_the_air\/","title":{"rendered":"Flip Your Latkes In the Air"},"content":{"rendered":"<p> Even as a tween, I was never much of a boy band fan, but the <a href=\"http:\/\/www.maccabeats.com\/\">Maccabeats<\/a>, coming to us out of Yeshiva University, have stolen my heart. In celebration of the season, they just brought out a new track for Chanukah, based on Taio Cruz&#8217;s &#8220;Dynamite&#8221; and Mike Tompkins&#8217; a cappella version. A most worthy addition to <a href=\"http:\/\/www.youtube.com\/watch?v=Rd1Pyu9_rxo\">the standard repertoire<\/a>!<\/p>\n<p><center><object height=\"306\" width=\"500\"><param name=\"movie\" value=\"http:\/\/www.youtube.com\/v\/qSJCSR4MuhU?fs=1&amp;hl=en_US&amp;rel=0&amp;color1=0x5d1719&amp;color2=0xcd311b\" \/><param name=\"allowFullScreen\" value=\"true\" \/><param name=\"allowscriptaccess\" value=\"always\" \/><embed src=\"http:\/\/www.youtube.com\/v\/qSJCSR4MuhU?fs=1&amp;hl=en_US&amp;rel=0&amp;color1=0x5d1719&amp;color2=0xcd311b\" type=\"application\/x-shockwave-flash\" allowscriptaccess=\"always\" allowfullscreen=\"true\" height=\"306\" width=\"500\"><\/object><\/center><br \/>\n<\/p>\n<p align=\"right\">[<a href=\"http:\/\/idolator.com\/5705291\/the-maccaabeats-taio-cruz-dynamite-chanukah\">via<\/a>]<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Even as a tween, I was never much of a boy band fan, but the Maccabeats, coming to us out of Yeshiva University, have stolen my heart. In celebration of the season, they just brought out a new track for Chanukah, based on Taio Cruz&#8217;s &#8220;Dynamite&#8221; and Mike Tompkins&#8217; a cappella version. A most worthy [&hellip;]<\/p>\n","protected":false},"author":2,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_genesis_hide_title":false,"_genesis_hide_breadcrumbs":false,"_genesis_hide_singular_image":false,"_genesis_hide_footer_widgets":false,"_genesis_custom_body_class":"","_genesis_custom_post_class":"","_genesis_layout":"","footnotes":""},"categories":[1],"tags":[],"class_list":{"0":"post-362","1":"post","2":"type-post","3":"status-publish","4":"format-standard","6":"category-uncategorized","7":"entry"},"_links":{"self":[{"href":"https:\/\/www.artsjournal.com\/gap\/wp-json\/wp\/v2\/posts\/362","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.artsjournal.com\/gap\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.artsjournal.com\/gap\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.artsjournal.com\/gap\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/www.artsjournal.com\/gap\/wp-json\/wp\/v2\/comments?post=362"}],"version-history":[{"count":0,"href":"https:\/\/www.artsjournal.com\/gap\/wp-json\/wp\/v2\/posts\/362\/revisions"}],"wp:attachment":[{"href":"https:\/\/www.artsjournal.com\/gap\/wp-json\/wp\/v2\/media?parent=362"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.artsjournal.com\/gap\/wp-json\/wp\/v2\/categories?post=362"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.artsjournal.com\/gap\/wp-json\/wp\/v2\/tags?post=362"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}