{"id":358,"date":"2010-11-19T10:08:13","date_gmt":"2010-11-19T10:08:13","guid":{"rendered":"http:\/\/www.artsjournal.com\/gap\/wp\/?p=358"},"modified":"2010-11-19T10:08:13","modified_gmt":"2010-11-19T10:08:13","slug":"what_technology_wants_its_aliv","status":"publish","type":"post","link":"https:\/\/www.artsjournal.com\/gap\/2010\/11\/what_technology_wants_its_aliv\/","title":{"rendered":"What Technology Wants: It&#8217;s Alive!"},"content":{"rendered":"<p><img loading=\"lazy\" decoding=\"async\" alt=\"vibrate.jpg\" src=\"http:\/\/www.artsjournal.com\/gap\/vibrate.jpg\" class=\"mt-image-center\" style=\"text-align: center; display: block; margin: 0pt auto 20px;\" height=\"322\" width=\"375\" \/><\/p>\n<p align=\"right\">[excerpted from today&#8217;s <a href=\"http:\/\/xkcd.com\/821\/\">xkcd multi-post<\/a>]\n<\/p>\n<div>No, not really <i>alive<\/i> alive.<\/p>\n<p>Or, as Kelly would explain it:<\/p>\n<p><img loading=\"lazy\" decoding=\"async\" alt=\"kellyquote.jpg\" src=\"http:\/\/www.artsjournal.com\/gap\/kellyquote.jpg\" class=\"mt-image-center\" style=\"text-align: center; display: block; margin: 0pt auto 20px;\" height=\"703\" width=\"378\" \/><\/div>\n<div><\/div>\n","protected":false},"excerpt":{"rendered":"<p>[excerpted from today&#8217;s xkcd multi-post] No, not really alive alive. Or, as Kelly would explain it:<\/p>\n","protected":false},"author":2,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_genesis_hide_title":false,"_genesis_hide_breadcrumbs":false,"_genesis_hide_singular_image":false,"_genesis_hide_footer_widgets":false,"_genesis_custom_body_class":"","_genesis_custom_post_class":"","_genesis_layout":"","footnotes":""},"categories":[11],"tags":[12,15,13],"class_list":{"0":"post-358","1":"post","2":"type-post","3":"status-publish","4":"format-standard","6":"category-bookclubiv","7":"tag-kevin-kelly","8":"tag-molly-sheridan","9":"tag-what-technology-wants","10":"entry"},"_links":{"self":[{"href":"https:\/\/www.artsjournal.com\/gap\/wp-json\/wp\/v2\/posts\/358","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.artsjournal.com\/gap\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.artsjournal.com\/gap\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.artsjournal.com\/gap\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/www.artsjournal.com\/gap\/wp-json\/wp\/v2\/comments?post=358"}],"version-history":[{"count":0,"href":"https:\/\/www.artsjournal.com\/gap\/wp-json\/wp\/v2\/posts\/358\/revisions"}],"wp:attachment":[{"href":"https:\/\/www.artsjournal.com\/gap\/wp-json\/wp\/v2\/media?parent=358"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.artsjournal.com\/gap\/wp-json\/wp\/v2\/categories?post=358"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.artsjournal.com\/gap\/wp-json\/wp\/v2\/tags?post=358"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}