{"id":345,"date":"2010-10-19T19:27:25","date_gmt":"2010-10-19T19:27:25","guid":{"rendered":"http:\/\/www.artsjournal.com\/gap\/wp\/?p=345"},"modified":"2010-10-19T19:27:25","modified_gmt":"2010-10-19T19:27:25","slug":"whatcha_got_there_in_that_box","status":"publish","type":"post","link":"https:\/\/www.artsjournal.com\/gap\/2010\/10\/whatcha_got_there_in_that_box\/","title":{"rendered":"Whatcha Got There In That Box?"},"content":{"rendered":"<p> &#8220;Five oscillators, two effects units, a step sequencer, a joystick controller, a coil touch controller, an amp &amp; speaker and a front mounted sound activated plasma display.&#8221; If you must know. <\/p>\n<p>Below is a video demo of this &#8220;experimental sound generator,&#8221; a unit crafted by Chris Carter (Throbbing Gristle) as a gift to his wife, Cosey Fanni Tutti. Gadgets are great, but I fell hard for the stylized video presentation, of course. One way or the other, I thought everyone around here might enjoy the sonic candy. Those are Tutti&#8217;s hands you see conducting the magic. Dexter the cat makes a cameo early on (awww).<\/p>\n<p><center><iframe loading=\"lazy\" src=\"http:\/\/player.vimeo.com\/video\/15879508?color=ffffff\" frameborder=\"0\" height=\"239\" width=\"425\"><\/iframe><\/center><\/p>\n<div align=\"right\">[<a href=\"http:\/\/www.boingboing.net\/2010\/10\/18\/chris-carters-tutti.html\">via<\/a>]<\/div>\n<p>\nMore <a href=\"http:\/\/chriscarterchemistrylessons.blogspot.com\/2010\/10\/tutti-box.html\">about the box<\/a>.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>&#8220;Five oscillators, two effects units, a step sequencer, a joystick controller, a coil touch controller, an amp &amp; speaker and a front mounted sound activated plasma display.&#8221; If you must know. Below is a video demo of this &#8220;experimental sound generator,&#8221; a unit crafted by Chris Carter (Throbbing Gristle) as a gift to his wife, [&hellip;]<\/p>\n","protected":false},"author":2,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_genesis_hide_title":false,"_genesis_hide_breadcrumbs":false,"_genesis_hide_singular_image":false,"_genesis_hide_footer_widgets":false,"_genesis_custom_body_class":"","_genesis_custom_post_class":"","_genesis_layout":"","footnotes":""},"categories":[1],"tags":[],"class_list":{"0":"post-345","1":"post","2":"type-post","3":"status-publish","4":"format-standard","6":"category-uncategorized","7":"entry"},"_links":{"self":[{"href":"https:\/\/www.artsjournal.com\/gap\/wp-json\/wp\/v2\/posts\/345","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.artsjournal.com\/gap\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.artsjournal.com\/gap\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.artsjournal.com\/gap\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/www.artsjournal.com\/gap\/wp-json\/wp\/v2\/comments?post=345"}],"version-history":[{"count":0,"href":"https:\/\/www.artsjournal.com\/gap\/wp-json\/wp\/v2\/posts\/345\/revisions"}],"wp:attachment":[{"href":"https:\/\/www.artsjournal.com\/gap\/wp-json\/wp\/v2\/media?parent=345"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.artsjournal.com\/gap\/wp-json\/wp\/v2\/categories?post=345"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.artsjournal.com\/gap\/wp-json\/wp\/v2\/tags?post=345"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}