{"id":342,"date":"2010-10-12T10:28:37","date_gmt":"2010-10-12T10:28:37","guid":{"rendered":"http:\/\/www.artsjournal.com\/gap\/wp\/?p=342"},"modified":"2010-10-12T10:28:37","modified_gmt":"2010-10-12T10:28:37","slug":"stolen_scenes","status":"publish","type":"post","link":"https:\/\/www.artsjournal.com\/gap\/2010\/10\/stolen_scenes\/","title":{"rendered":"St\u00c3\u00b6len Sc\u00c3\u00abnes"},"content":{"rendered":"<p> I have often wished life came with even the barest, most frustrating of pictogram instructions and a universal tool for its assembly. Alas, it appears that even if it did, the drama might run just as high and wild. <a href=\"http:\/\/www.ikeaheights.com\/\">This seven-part melodrama<\/a> was secretly shot (except for when they got caught) using the tempting living space set-ups at an IKEA in Burbank, California. The shoppers serving as unintentional extras add a particularly Lynchian vibe to the proceedings. I kept waiting for Lisbeth Salander to wander by clutching a triple espresso.<\/p>\n<p><center><iframe loading=\"lazy\" src=\"http:\/\/player.vimeo.com\/video\/4921692?color=ffffff\" frameborder=\"0\" height=\"326\" width=\"425\"><\/iframe><\/p>\n<p><\/center><\/p>\n<p align=\"right\">[via <a href=\"http:\/\/www.boingboing.net\/2010\/10\/11\/ikea-heights-covert.html\">BoingBoing<\/a>]<\/p>\n","protected":false},"excerpt":{"rendered":"<p>I have often wished life came with even the barest, most frustrating of pictogram instructions and a universal tool for its assembly. Alas, it appears that even if it did, the drama might run just as high and wild. This seven-part melodrama was secretly shot (except for when they got caught) using the tempting living [&hellip;]<\/p>\n","protected":false},"author":2,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_genesis_hide_title":false,"_genesis_hide_breadcrumbs":false,"_genesis_hide_singular_image":false,"_genesis_hide_footer_widgets":false,"_genesis_custom_body_class":"","_genesis_custom_post_class":"","_genesis_layout":"","footnotes":""},"categories":[1],"tags":[],"class_list":{"0":"post-342","1":"post","2":"type-post","3":"status-publish","4":"format-standard","6":"category-uncategorized","7":"entry"},"_links":{"self":[{"href":"https:\/\/www.artsjournal.com\/gap\/wp-json\/wp\/v2\/posts\/342","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.artsjournal.com\/gap\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.artsjournal.com\/gap\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.artsjournal.com\/gap\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/www.artsjournal.com\/gap\/wp-json\/wp\/v2\/comments?post=342"}],"version-history":[{"count":0,"href":"https:\/\/www.artsjournal.com\/gap\/wp-json\/wp\/v2\/posts\/342\/revisions"}],"wp:attachment":[{"href":"https:\/\/www.artsjournal.com\/gap\/wp-json\/wp\/v2\/media?parent=342"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.artsjournal.com\/gap\/wp-json\/wp\/v2\/categories?post=342"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.artsjournal.com\/gap\/wp-json\/wp\/v2\/tags?post=342"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}