{"id":298,"date":"2010-05-25T18:17:01","date_gmt":"2010-05-25T18:17:01","guid":{"rendered":"http:\/\/www.artsjournal.com\/gap\/wp\/?p=298"},"modified":"2010-05-25T18:17:01","modified_gmt":"2010-05-25T18:17:01","slug":"excuse_me_but_do_you_have_a_mi","status":"publish","type":"post","link":"https:\/\/www.artsjournal.com\/gap\/2010\/05\/excuse_me_but_do_you_have_a_mi\/","title":{"rendered":"Excuse Me, But Do You Have a Minute To Save Classical Music?"},"content":{"rendered":"<p> As I <a href=\"http:\/\/www.artsjournal.com\/gap\/2010\/05\/the-revolution-will-be-blogged.html\">might have mentioned<\/a>, I&#8217;ve been invited by the League of American Orchestras to work on future of classical music questions via group blog over at <a href=\"http:\/\/orchestrarevolution.org\/\">Orchestra R\/Evolution<\/a>. We&#8217;re talking about the orchestra industry specifically, obviously: dipping attendance graphs, presentation problems, and if\/why communities even need orchestras in 2010. As you, dear friends and fair readers, tend to show yourselves to be the type who have big picture thoughts, I wanted to make sure this trickled over in your general direction. The &#8220;r\/evolution&#8221; is underway and we need your radical ideas. Have a minute to help save classical music? Pull up a bar stool and kick in <a href=\"http:\/\/orchestrarevolution.org\/?page_id=9\">here<\/a>.<\/p>\n<p>The discussions I&#8217;m directly involved in so far are <a href=\"http:\/\/orchestrarevolution.org\/?p=330\">here<\/a> and <a href=\"http:\/\/orchestrarevolution.org\/?p=286\">here<\/a>, but there&#8217;s plenty of great stuff on the docket to weigh in on. Stop by and procrastinate some with us.<\/p>\n<p>Now, this is only vaguely related, but one of <a href=\"http:\/\/orchestrarevolution.org\/?p=330\">the discussion I got into<\/a> with AJ&#8217;s very own Doug McClennan was re: the cheapening of great art by putting it in the mainstream, often using it to sell product. I think it&#8217;s not always a losing game, but then I came across this <a href=\"http:\/\/blog.artsusa.org\/2010\/05\/25\/rethink-appropriation\/\">interesting discussion on the ARTSblog<\/a> today regarding this commercial:<\/p>\n<\/p>\n<p><center><object height=\"304\" width=\"500\"><param name=\"movie\" value=\"http:\/\/www.youtube.com\/v\/QddkHo1X5qY&amp;hl=en_US&amp;fs=1&amp;rel=0&amp;color1=0x5d1719&amp;color2=0xcd311b\" \/><param name=\"allowFullScreen\" value=\"true\" \/><param name=\"allowscriptaccess\" value=\"always\" \/><embed src=\"http:\/\/www.youtube.com\/v\/QddkHo1X5qY&amp;hl=en_US&amp;fs=1&amp;rel=0&amp;color1=0x5d1719&amp;color2=0xcd311b\" type=\"application\/x-shockwave-flash\" allowscriptaccess=\"always\" allowfullscreen=\"true\" height=\"304\" width=\"500\"><\/object><\/center><br \/>\n<\/p>\n<p>What do you think? Blatant abuse or better to have the artistic reference in front of so many eyeballs than not?<\/p>\n<p><\/p>\n","protected":false},"excerpt":{"rendered":"<p>As I might have mentioned, I&#8217;ve been invited by the League of American Orchestras to work on future of classical music questions via group blog over at Orchestra R\/Evolution. We&#8217;re talking about the orchestra industry specifically, obviously: dipping attendance graphs, presentation problems, and if\/why communities even need orchestras in 2010. As you, dear friends and [&hellip;]<\/p>\n","protected":false},"author":2,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_genesis_hide_title":false,"_genesis_hide_breadcrumbs":false,"_genesis_hide_singular_image":false,"_genesis_hide_footer_widgets":false,"_genesis_custom_body_class":"","_genesis_custom_post_class":"","_genesis_layout":"","footnotes":""},"categories":[1],"tags":[],"class_list":{"0":"post-298","1":"post","2":"type-post","3":"status-publish","4":"format-standard","6":"category-uncategorized","7":"entry"},"_links":{"self":[{"href":"https:\/\/www.artsjournal.com\/gap\/wp-json\/wp\/v2\/posts\/298","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.artsjournal.com\/gap\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.artsjournal.com\/gap\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.artsjournal.com\/gap\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/www.artsjournal.com\/gap\/wp-json\/wp\/v2\/comments?post=298"}],"version-history":[{"count":0,"href":"https:\/\/www.artsjournal.com\/gap\/wp-json\/wp\/v2\/posts\/298\/revisions"}],"wp:attachment":[{"href":"https:\/\/www.artsjournal.com\/gap\/wp-json\/wp\/v2\/media?parent=298"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.artsjournal.com\/gap\/wp-json\/wp\/v2\/categories?post=298"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.artsjournal.com\/gap\/wp-json\/wp\/v2\/tags?post=298"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}