{"id":283,"date":"2010-04-13T19:31:01","date_gmt":"2010-04-13T19:31:01","guid":{"rendered":"http:\/\/www.artsjournal.com\/gap\/wp\/?p=283"},"modified":"2010-04-13T19:31:01","modified_gmt":"2010-04-13T19:31:01","slug":"via_the_transom","status":"publish","type":"post","link":"https:\/\/www.artsjournal.com\/gap\/2010\/04\/via_the_transom\/","title":{"rendered":"Via the Transom"},"content":{"rendered":"<p>&#8220;Surely you have been forwarded this 64 (65?) times already today?&#8221;<\/p>\n<p>I had not. It is <i>brilliant<\/i>. So just in case you also got left off the forward list&#8230;<\/p>\n<p><a href=\"http:\/\/www.nytimes.com\/interactive\/2010\/04\/13\/opinion\/20100413_opart.html?ref=opinion\">A Tax Form for the Marginally Employed<\/a><\/p>\n<p><\/p>\n","protected":false},"excerpt":{"rendered":"<p>&#8220;Surely you have been forwarded this 64 (65?) times already today?&#8221; I had not. It is brilliant. So just in case you also got left off the forward list&#8230; A Tax Form for the Marginally Employed<\/p>\n","protected":false},"author":2,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_genesis_hide_title":false,"_genesis_hide_breadcrumbs":false,"_genesis_hide_singular_image":false,"_genesis_hide_footer_widgets":false,"_genesis_custom_body_class":"","_genesis_custom_post_class":"","_genesis_layout":"","footnotes":""},"categories":[1],"tags":[],"class_list":{"0":"post-283","1":"post","2":"type-post","3":"status-publish","4":"format-standard","6":"category-uncategorized","7":"entry"},"_links":{"self":[{"href":"https:\/\/www.artsjournal.com\/gap\/wp-json\/wp\/v2\/posts\/283","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.artsjournal.com\/gap\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.artsjournal.com\/gap\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.artsjournal.com\/gap\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/www.artsjournal.com\/gap\/wp-json\/wp\/v2\/comments?post=283"}],"version-history":[{"count":0,"href":"https:\/\/www.artsjournal.com\/gap\/wp-json\/wp\/v2\/posts\/283\/revisions"}],"wp:attachment":[{"href":"https:\/\/www.artsjournal.com\/gap\/wp-json\/wp\/v2\/media?parent=283"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.artsjournal.com\/gap\/wp-json\/wp\/v2\/categories?post=283"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.artsjournal.com\/gap\/wp-json\/wp\/v2\/tags?post=283"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}