{"id":281,"date":"2010-04-11T15:58:44","date_gmt":"2010-04-11T15:58:44","guid":{"rendered":"http:\/\/www.artsjournal.com\/gap\/wp\/?p=281"},"modified":"2010-04-11T15:58:44","modified_gmt":"2010-04-11T15:58:44","slug":"rebirth","status":"publish","type":"post","link":"https:\/\/www.artsjournal.com\/gap\/2010\/04\/rebirth\/","title":{"rendered":"Rebirth"},"content":{"rendered":"<p> Life in (and therefore the music of) New Orleans mixed up with the creators of <i>The Wire<\/i>. As a now-somewhat-established Baltimorean with a passion for great music, that&#8217;s an epic TV series equation. Sadly for me, we are not HBO subscribers; the <a href=\"http:\/\/www.newyorker.com\/arts\/critics\/television\/2010\/04\/12\/100412crte_television_franklin\" target=\"_blank\">early reviews<\/a> for <i>Treme<\/i> only rub salt in that wound. <\/p>\n<p>The show premieres tonight at 10 p.m., for those who find themselves in more connected circumstances.<\/p>\n<p><center><object height=\"304\" width=\"500\"><param name=\"movie\" value=\"http:\/\/www.youtube.com\/v\/7Ie7wWHaU-8&amp;hl=en_US&amp;fs=1&amp;rel=0&amp;color1=0x5d1719&amp;color2=0xcd311b\" \/><param name=\"allowFullScreen\" value=\"true\" \/><param name=\"allowscriptaccess\" value=\"always\" \/><embed src=\"http:\/\/www.youtube.com\/v\/7Ie7wWHaU-8&amp;hl=en_US&amp;fs=1&amp;rel=0&amp;color1=0x5d1719&amp;color2=0xcd311b\" type=\"application\/x-shockwave-flash\" allowscriptaccess=\"always\" allowfullscreen=\"true\" height=\"304\" width=\"500\"><\/object><\/center><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Life in (and therefore the music of) New Orleans mixed up with the creators of The Wire. As a now-somewhat-established Baltimorean with a passion for great music, that&#8217;s an epic TV series equation. Sadly for me, we are not HBO subscribers; the early reviews for Treme only rub salt in that wound. The show premieres [&hellip;]<\/p>\n","protected":false},"author":2,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_genesis_hide_title":false,"_genesis_hide_breadcrumbs":false,"_genesis_hide_singular_image":false,"_genesis_hide_footer_widgets":false,"_genesis_custom_body_class":"","_genesis_custom_post_class":"","_genesis_layout":"","footnotes":""},"categories":[1],"tags":[],"class_list":{"0":"post-281","1":"post","2":"type-post","3":"status-publish","4":"format-standard","6":"category-uncategorized","7":"entry"},"_links":{"self":[{"href":"https:\/\/www.artsjournal.com\/gap\/wp-json\/wp\/v2\/posts\/281","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.artsjournal.com\/gap\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.artsjournal.com\/gap\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.artsjournal.com\/gap\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/www.artsjournal.com\/gap\/wp-json\/wp\/v2\/comments?post=281"}],"version-history":[{"count":0,"href":"https:\/\/www.artsjournal.com\/gap\/wp-json\/wp\/v2\/posts\/281\/revisions"}],"wp:attachment":[{"href":"https:\/\/www.artsjournal.com\/gap\/wp-json\/wp\/v2\/media?parent=281"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.artsjournal.com\/gap\/wp-json\/wp\/v2\/categories?post=281"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.artsjournal.com\/gap\/wp-json\/wp\/v2\/tags?post=281"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}