{"id":277,"date":"2010-03-30T22:38:15","date_gmt":"2010-03-30T22:38:15","guid":{"rendered":"http:\/\/www.artsjournal.com\/gap\/wp\/?p=277"},"modified":"2010-03-30T22:38:15","modified_gmt":"2010-03-30T22:38:15","slug":"not_dead_yet_part_bajillion","status":"publish","type":"post","link":"https:\/\/www.artsjournal.com\/gap\/2010\/03\/not_dead_yet_part_bajillion\/","title":{"rendered":"Not Dead Yet! (Part Bajillion)"},"content":{"rendered":"<p> The whole &#8220;classical music to sell cars&#8221; trope is not news, but somehow the fact that a high-gloss coat of candy apple red backed by a drawing room-ready piece of piano noodling is still an effective way to move product fascinates me.* We should not ignore this pop culture fantasy, people! But, wait. Are we supposed to get off on the technical details? Oooohh, b flat major. Sounds positively scientific!<\/p>\n<p><center><object height=\"344\" width=\"425\"><param name=\"movie\" value=\"http:\/\/www.youtube.com\/v\/dLRvmWv1J6s&amp;hl=en_US&amp;fs=1&amp;rel=0&amp;color1=0x5d1719&amp;color2=0xcd311b\" \/><param name=\"allowFullScreen\" value=\"true\" \/><param name=\"allowscriptaccess\" value=\"always\" \/><embed src=\"http:\/\/www.youtube.com\/v\/dLRvmWv1J6s&amp;hl=en_US&amp;fs=1&amp;rel=0&amp;color1=0x5d1719&amp;color2=0xcd311b\" type=\"application\/x-shockwave-flash\" allowscriptaccess=\"always\" allowfullscreen=\"true\" height=\"344\" width=\"425\"><\/object><\/p>\n<p><\/center><\/p>\n<p>*More than that <i>Lost<\/i> episode did, at least.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>The whole &#8220;classical music to sell cars&#8221; trope is not news, but somehow the fact that a high-gloss coat of candy apple red backed by a drawing room-ready piece of piano noodling is still an effective way to move product fascinates me.* We should not ignore this pop culture fantasy, people! But, wait. Are we [&hellip;]<\/p>\n","protected":false},"author":2,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_genesis_hide_title":false,"_genesis_hide_breadcrumbs":false,"_genesis_hide_singular_image":false,"_genesis_hide_footer_widgets":false,"_genesis_custom_body_class":"","_genesis_custom_post_class":"","_genesis_layout":"","footnotes":""},"categories":[1],"tags":[],"class_list":{"0":"post-277","1":"post","2":"type-post","3":"status-publish","4":"format-standard","6":"category-uncategorized","7":"entry"},"_links":{"self":[{"href":"https:\/\/www.artsjournal.com\/gap\/wp-json\/wp\/v2\/posts\/277","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.artsjournal.com\/gap\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.artsjournal.com\/gap\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.artsjournal.com\/gap\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/www.artsjournal.com\/gap\/wp-json\/wp\/v2\/comments?post=277"}],"version-history":[{"count":0,"href":"https:\/\/www.artsjournal.com\/gap\/wp-json\/wp\/v2\/posts\/277\/revisions"}],"wp:attachment":[{"href":"https:\/\/www.artsjournal.com\/gap\/wp-json\/wp\/v2\/media?parent=277"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.artsjournal.com\/gap\/wp-json\/wp\/v2\/categories?post=277"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.artsjournal.com\/gap\/wp-json\/wp\/v2\/tags?post=277"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}