{"id":261,"date":"2010-02-22T17:54:50","date_gmt":"2010-02-22T17:54:50","guid":{"rendered":"http:\/\/www.artsjournal.com\/gap\/wp\/?p=261"},"modified":"2010-02-22T17:54:50","modified_gmt":"2010-02-22T17:54:50","slug":"of_fear_and_new_music_on_an_is","status":"publish","type":"post","link":"https:\/\/www.artsjournal.com\/gap\/2010\/02\/of_fear_and_new_music_on_an_is\/","title":{"rendered":"Of Fear and New Music on an Island (Not Lost)"},"content":{"rendered":"<p> <img loading=\"lazy\" decoding=\"async\" alt=\"shut_fear.jpg\" src=\"http:\/\/www.artsjournal.com\/gap\/shut_fear.jpg\" class=\"mt-image-right\" style=\"margin: 0pt 0pt 20px 20px; float: right;\" height=\"242\" width=\"250\" \/>Awww, damn. One of <a href=\"http:\/\/ingrammarshall.blogspot.com\/2010\/02\/shudder-island.html\">my favorite composers breaks into major motion pictures<\/a>, and it&#8217;s a movie I am quite frankly too terrified to go and see. Ingram Marshall and <i>Shutter Island<\/i> were not things I expected to see linked when I first saw the trailer for this little tale of horrors&#8211;though there <i>is<\/i> clearly fog&#8211;but it doesn&#8217;t even stop there. The <a href=\"http:\/\/www.amazon.com\/Shutter-Island-Music-Motion-Picture\/dp\/B002MJM87K\">soundtrack<\/a> also includes music by John Cage, John Adams, Max Richter, Brian Eno, Giacinto Scelsi, Krzysztof Penderecki, Gy\u00c3\u00b6rgy Ligeti, and&#8230;it just keeps going. I&#8217;m completely intrigued, and now musically freaked in a completely different capacity. Maybe I can take hold of my fear, dig my nails into my husband&#8217;s forearm, and hit the cineplex to endure this <a href=\"http:\/\/www.newyorker.com\/arts\/critics\/cinema\/2010\/03\/01\/100301crci_cinema_lane\">terrifying tour de clich\u00c3\u00a9<\/a> just to catch how the soundtrack works!?! <\/p>\n<p>Um, no, wait, you go ahead. Think I&#8217;ll wait for the DVD so I can cling to a blanket in the privacy of my own home.<\/p>\n<p><center><object height=\"295\" width=\"480\"><param name=\"movie\" value=\"http:\/\/www.youtube.com\/v\/HYVrHkYoY80&amp;hl=en_US&amp;fs=1&amp;rel=0&amp;color1=0x5d1719&amp;color2=0xcd311b\" \/><param name=\"allowFullScreen\" value=\"true\" \/><param name=\"allowscriptaccess\" value=\"always\" \/><embed src=\"http:\/\/www.youtube.com\/v\/HYVrHkYoY80&amp;hl=en_US&amp;fs=1&amp;rel=0&amp;color1=0x5d1719&amp;color2=0xcd311b\" type=\"application\/x-shockwave-flash\" allowscriptaccess=\"always\" allowfullscreen=\"true\" height=\"295\" width=\"480\"><\/object><\/center><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Awww, damn. One of my favorite composers breaks into major motion pictures, and it&#8217;s a movie I am quite frankly too terrified to go and see. Ingram Marshall and Shutter Island were not things I expected to see linked when I first saw the trailer for this little tale of horrors&#8211;though there is clearly fog&#8211;but [&hellip;]<\/p>\n","protected":false},"author":2,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_genesis_hide_title":false,"_genesis_hide_breadcrumbs":false,"_genesis_hide_singular_image":false,"_genesis_hide_footer_widgets":false,"_genesis_custom_body_class":"","_genesis_custom_post_class":"","_genesis_layout":"","footnotes":""},"categories":[1],"tags":[],"class_list":{"0":"post-261","1":"post","2":"type-post","3":"status-publish","4":"format-standard","6":"category-uncategorized","7":"entry"},"_links":{"self":[{"href":"https:\/\/www.artsjournal.com\/gap\/wp-json\/wp\/v2\/posts\/261","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.artsjournal.com\/gap\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.artsjournal.com\/gap\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.artsjournal.com\/gap\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/www.artsjournal.com\/gap\/wp-json\/wp\/v2\/comments?post=261"}],"version-history":[{"count":0,"href":"https:\/\/www.artsjournal.com\/gap\/wp-json\/wp\/v2\/posts\/261\/revisions"}],"wp:attachment":[{"href":"https:\/\/www.artsjournal.com\/gap\/wp-json\/wp\/v2\/media?parent=261"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.artsjournal.com\/gap\/wp-json\/wp\/v2\/categories?post=261"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.artsjournal.com\/gap\/wp-json\/wp\/v2\/tags?post=261"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}