{"id":251,"date":"2010-01-25T18:25:47","date_gmt":"2010-01-25T18:25:47","guid":{"rendered":"http:\/\/www.artsjournal.com\/gap\/wp\/?p=251"},"modified":"2010-01-25T18:25:47","modified_gmt":"2010-01-25T18:25:47","slug":"heard_but_not_seen","status":"publish","type":"post","link":"https:\/\/www.artsjournal.com\/gap\/2010\/01\/heard_but_not_seen\/","title":{"rendered":"Heard But Not Seen"},"content":{"rendered":"<p> I know this is possibly ill-considered of me to admit, but I love video paired with live music performance primarily because I often find watching musicians themselves to be kind of distracting. &#8220;But Molly!&#8221; you may cry, if you&#8217;re an exceptionally motivated person, &#8220;you&#8217;re missing the artistry, the profound beauty of bows across strings and souls out there on the stage building this beautiful thing before your eyes!&#8221; And I&#8217;d say I know you have a point, and yes sometimes that&#8217;s true. But just as often I find that it is not the case at all and it helps me chill out and concentrate on what&#8217;s really central to the experience if I can have a milder place to park my eyes while partaking in the aural experience (and because, let&#8217;s face it, closing them seems a bit melodramatic, don&#8217;t you think?). It&#8217;s more akin to putting certain senses on mute and giving them permission to remain quiet, not violently turning them off completely.<\/p>\n<p>This may be a very personal thing. I also loved performing in spaces where I was in a pit orchestra or in the balcony of a church where the &#8220;audience&#8221; couldn&#8217;t see me that easily. It helped focus things, I always felt. But today I came across a visual manifestation of music that actually kind of rattled me at the core. This wasn&#8217;t some cheesy &#8220;visualizer&#8221; option in my mp3 player, but a video directly tied to the shape of the sound. It tweaked something weird in my brain, and I&#8217;m still working on what and why that is. Maybe it was just the novelty, but it seemed to plug the sounds into a different ear socket, so to say, in way that I found enjoyably compelling.<\/p>\n<p>\n<\/p>\n<p><center><object height=\"400\" width=\"400\"><param name=\"allowfullscreen\" value=\"true\" \/><param name=\"allowscriptaccess\" value=\"always\" \/><param name=\"movie\" value=\"http:\/\/www.vimeo.com\/moogaloop.swf?clip_id=8837024&amp;server=www.vimeo.com&amp;show_title=1&amp;show_byline=1&amp;show_portrait=0&amp;color=00ADEF&amp;fullscreen=1\" \/><embed src=\"http:\/\/www.vimeo.com\/moogaloop.swf?clip_id=8837024&amp;server=www.vimeo.com&amp;show_title=1&amp;show_byline=1&amp;show_portrait=0&amp;color=00ADEF&amp;fullscreen=1\" type=\"application\/x-shockwave-flash\" allowfullscreen=\"true\" allowscriptaccess=\"always\" height=\"400\" width=\"400\"><\/object><\/center><\/p>\n<p><\/p>\n<p align=\"right\">[via <a href=\"http:\/\/waxy.org\/links\/\">waxy<\/a>]<\/p>\n","protected":false},"excerpt":{"rendered":"<p>I know this is possibly ill-considered of me to admit, but I love video paired with live music performance primarily because I often find watching musicians themselves to be kind of distracting. &#8220;But Molly!&#8221; you may cry, if you&#8217;re an exceptionally motivated person, &#8220;you&#8217;re missing the artistry, the profound beauty of bows across strings and [&hellip;]<\/p>\n","protected":false},"author":2,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_genesis_hide_title":false,"_genesis_hide_breadcrumbs":false,"_genesis_hide_singular_image":false,"_genesis_hide_footer_widgets":false,"_genesis_custom_body_class":"","_genesis_custom_post_class":"","_genesis_layout":"","footnotes":""},"categories":[1],"tags":[],"class_list":{"0":"post-251","1":"post","2":"type-post","3":"status-publish","4":"format-standard","6":"category-uncategorized","7":"entry"},"_links":{"self":[{"href":"https:\/\/www.artsjournal.com\/gap\/wp-json\/wp\/v2\/posts\/251","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.artsjournal.com\/gap\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.artsjournal.com\/gap\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.artsjournal.com\/gap\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/www.artsjournal.com\/gap\/wp-json\/wp\/v2\/comments?post=251"}],"version-history":[{"count":0,"href":"https:\/\/www.artsjournal.com\/gap\/wp-json\/wp\/v2\/posts\/251\/revisions"}],"wp:attachment":[{"href":"https:\/\/www.artsjournal.com\/gap\/wp-json\/wp\/v2\/media?parent=251"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.artsjournal.com\/gap\/wp-json\/wp\/v2\/categories?post=251"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.artsjournal.com\/gap\/wp-json\/wp\/v2\/tags?post=251"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}