{"id":246,"date":"2010-01-10T17:57:23","date_gmt":"2010-01-10T17:57:23","guid":{"rendered":"http:\/\/www.artsjournal.com\/gap\/wp\/?p=246"},"modified":"2010-01-10T17:57:23","modified_gmt":"2010-01-10T17:57:23","slug":"what_jenga_teaches_us_about_th","status":"publish","type":"post","link":"https:\/\/www.artsjournal.com\/gap\/2010\/01\/what_jenga_teaches_us_about_th\/","title":{"rendered":"What Jenga Teaches Us About the Future"},"content":{"rendered":"<p><img loading=\"lazy\" decoding=\"async\" alt=\"topple.jpg\" src=\"http:\/\/www.artsjournal.com\/gap\/topple.jpg\" width=\"300\" height=\"199\" class=\"mt-image-right\" style=\"float: right; margin: 0 0 20px 20px;\" \/><\/p>\n<p>So, after my last &#8220;technology is changing my life and I might want to get off this ride&#8221; <a href=\"http:\/\/www.artsjournal.com\/gap\/2010\/01\/smash-the-mashup.html\">S.O.S. post<\/a>, I&#8217;ve been thinking a lot about what I&#8217;m truly anxious about in 2010. <\/p>\n<p>\n<b>When everything is available, what is special (and how on earth are you supposed to find it)?<\/b><br \/>\nWe&#8217;re drowning in a sea of choice, and though we learn daily how to more effectively deal with our new reality, it&#8217;s still often a source of significant stress and anxiety. How can we even begin to discover things to love and admire when wading through this much stuff? I find myself perversely shutting down to new experiences as more and more of them present themselves.<\/p>\n<p><b>Everything is forever and yet nothing is forever.<\/b><br \/>\nIn our digital lives, there are no magazines to recycle when all the articles are online and no music collections to move when it&#8217;s all in the clouds, yet servers fail and things disappear, sometimes with witnesses to sound the alarm, sometimes without comment or explanation. Though I have letters from middle school, every email I sent before 2005 no longer exists.<\/p>\n<p><b>Keeping up with how technology is changing our lives feels like a marathon I am about to lose.<\/b><br \/>\nAs technology increases the pace of our lives, will a backlash come? I can&#8217;t help but imagine a coming trend in which a group of people very consciously makes the decision to unplug themselves from this culture of constant digital sharing. There will be stories about these people <a href=\"http:\/\/www.npr.org\/templates\/story\/story.php?storyId=122379695\">deleting all their social networking accounts<\/a> and turning in their smart phones. People will praise and disparage them with a shocking intensity that reflects their own personal struggles with these changing social paradigms.<\/p>\n<p><b>I am a *music* *journalist*.<\/b><br \/>\nSometimes I feel like I&#8217;m standing with a foot on the deck of two different sinking ships. Right now pretty much any venture that counted on selling copies to pay the bills looks like a toppled game of Jenga. As we begin 2010, we remain in a period of redefinition and recalibration, but we seem to be getting a better handle every day on how to develop <i>even as<\/i> problems and their solutions continue to morph and change before our eyes. The fun, if we&#8217;re optimistic and flexible about it,  is in figuring out how to restack these blocks into a relatively stable form: distilling things down to what is essential about these pursuits, and coming to terms with what is merely disposable (and dated) window dressing&#8211;the superficial, if comforting, shells that we continue to cling to at our peril.<\/p>\n<p><b><i>UPDATE<\/i><\/b>: The future, or the journalism part at least, <a href=\"http:\/\/gawker.com\/5445233\/the-future-of-journalism-solved\">solved<\/a>! Classical music, however, seems destined for a <a href=\"http:\/\/weblogs.baltimoresun.com\/entertainment\/classicalmusic\/2010\/01\/classical_music_world_off_to_a.html\">bumpy ride<\/a>.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>So, after my last &#8220;technology is changing my life and I might want to get off this ride&#8221; S.O.S. post, I&#8217;ve been thinking a lot about what I&#8217;m truly anxious about in 2010. When everything is available, what is special (and how on earth are you supposed to find it)? We&#8217;re drowning in a sea [&hellip;]<\/p>\n","protected":false},"author":2,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_genesis_hide_title":false,"_genesis_hide_breadcrumbs":false,"_genesis_hide_singular_image":false,"_genesis_hide_footer_widgets":false,"_genesis_custom_body_class":"","_genesis_custom_post_class":"","_genesis_layout":"","footnotes":""},"categories":[1],"tags":[],"class_list":{"0":"post-246","1":"post","2":"type-post","3":"status-publish","4":"format-standard","6":"category-uncategorized","7":"entry"},"_links":{"self":[{"href":"https:\/\/www.artsjournal.com\/gap\/wp-json\/wp\/v2\/posts\/246","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.artsjournal.com\/gap\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.artsjournal.com\/gap\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.artsjournal.com\/gap\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/www.artsjournal.com\/gap\/wp-json\/wp\/v2\/comments?post=246"}],"version-history":[{"count":0,"href":"https:\/\/www.artsjournal.com\/gap\/wp-json\/wp\/v2\/posts\/246\/revisions"}],"wp:attachment":[{"href":"https:\/\/www.artsjournal.com\/gap\/wp-json\/wp\/v2\/media?parent=246"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.artsjournal.com\/gap\/wp-json\/wp\/v2\/categories?post=246"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.artsjournal.com\/gap\/wp-json\/wp\/v2\/tags?post=246"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}