{"id":226,"date":"2009-10-21T20:47:52","date_gmt":"2009-10-21T20:47:52","guid":{"rendered":"http:\/\/www.artsjournal.com\/gap\/wp\/?p=226"},"modified":"2009-10-21T20:47:52","modified_gmt":"2009-10-21T20:47:52","slug":"music_my_mom_likes","status":"publish","type":"post","link":"https:\/\/www.artsjournal.com\/gap\/2009\/10\/music_my_mom_likes\/","title":{"rendered":"Music My Mom Likes"},"content":{"rendered":"<p>Indeed!<\/p>\n<blockquote><p>Hipsters everywhere should take heed. Buble&#8217;s success demonstrates the<br \/>\nenormous power of that not-yet-banished sector of entertainment<br \/>\nconsumers: uncool people. While their tastes may account for zero<br \/>\npercent of the stories America&#8217;s hipster-obsessed music press writes,<br \/>\nthey still control a vast swath of the actual music spending dollar. <\/p><\/blockquote>\n<p>[via <a href=\"http:\/\/gawker.com\/5387012\/how-did-michael-buble-become-the-biggest-star-on-earth\">Gawker<\/a>]<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Indeed! Hipsters everywhere should take heed. Buble&#8217;s success demonstrates the enormous power of that not-yet-banished sector of entertainment consumers: uncool people. While their tastes may account for zero percent of the stories America&#8217;s hipster-obsessed music press writes, they still control a vast swath of the actual music spending dollar. [via Gawker]<\/p>\n","protected":false},"author":2,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_genesis_hide_title":false,"_genesis_hide_breadcrumbs":false,"_genesis_hide_singular_image":false,"_genesis_hide_footer_widgets":false,"_genesis_custom_body_class":"","_genesis_custom_post_class":"","_genesis_layout":"","footnotes":""},"categories":[1],"tags":[],"class_list":{"0":"post-226","1":"post","2":"type-post","3":"status-publish","4":"format-standard","6":"category-uncategorized","7":"entry"},"_links":{"self":[{"href":"https:\/\/www.artsjournal.com\/gap\/wp-json\/wp\/v2\/posts\/226","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.artsjournal.com\/gap\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.artsjournal.com\/gap\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.artsjournal.com\/gap\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/www.artsjournal.com\/gap\/wp-json\/wp\/v2\/comments?post=226"}],"version-history":[{"count":0,"href":"https:\/\/www.artsjournal.com\/gap\/wp-json\/wp\/v2\/posts\/226\/revisions"}],"wp:attachment":[{"href":"https:\/\/www.artsjournal.com\/gap\/wp-json\/wp\/v2\/media?parent=226"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.artsjournal.com\/gap\/wp-json\/wp\/v2\/categories?post=226"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.artsjournal.com\/gap\/wp-json\/wp\/v2\/tags?post=226"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}