{"id":218,"date":"2009-10-01T17:44:20","date_gmt":"2009-10-01T17:44:20","guid":{"rendered":"http:\/\/www.artsjournal.com\/gap\/wp\/?p=218"},"modified":"2009-10-01T17:44:20","modified_gmt":"2009-10-01T17:44:20","slug":"now_put_your_hands_up","status":"publish","type":"post","link":"https:\/\/www.artsjournal.com\/gap\/2009\/10\/now_put_your_hands_up\/","title":{"rendered":"Now Put Your Hands Up"},"content":{"rendered":"<p>You can <a href=\"http:\/\/www.youtube.com\/watch?v=C2FMdOLyRcA\">lip sync with it<\/a>, Kanye can, um, <a href=\"http:\/\/www.huffingtonpost.com\/2009\/09\/13\/kanye-west-steals-taylor_n_285198.html\">advocate for it<\/a>, and babies who can&#8217;t even walk yet can <a href=\"http:\/\/www.youtube.com\/watch?v=ikTxfIDYx6Q\">dance to it<\/a> on national TV. Maybe &#8220;Single Ladies&#8221; <i>is<\/i> the video of the year?<\/p>\n<p>Personally, I like how <a href=\"http:\/\/www.youtube.com\/user\/PomplamooseMusic\">this crew<\/a> slowed down, sat down, and made a whole new version. <\/p>\n<\/p>\n<p><center><object height=\"295\" width=\"480\"><param name=\"movie\" value=\"http:\/\/www.youtube.com\/v\/oIr8-f2OWhs&amp;hl=en&amp;fs=1&amp;rel=0&amp;color1=0x5d1719&amp;color2=0xcd311b\" \/><param name=\"allowFullScreen\" value=\"true\" \/><param name=\"allowscriptaccess\" value=\"always\" \/><embed src=\"http:\/\/www.youtube.com\/v\/oIr8-f2OWhs&amp;hl=en&amp;fs=1&amp;rel=0&amp;color1=0x5d1719&amp;color2=0xcd311b\" type=\"application\/x-shockwave-flash\" allowscriptaccess=\"always\" allowfullscreen=\"true\" height=\"295\" width=\"480\"><\/object><br \/><\/center><\/p>\n","protected":false},"excerpt":{"rendered":"<p>You can lip sync with it, Kanye can, um, advocate for it, and babies who can&#8217;t even walk yet can dance to it on national TV. Maybe &#8220;Single Ladies&#8221; is the video of the year? Personally, I like how this crew slowed down, sat down, and made a whole new version.<\/p>\n","protected":false},"author":2,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_genesis_hide_title":false,"_genesis_hide_breadcrumbs":false,"_genesis_hide_singular_image":false,"_genesis_hide_footer_widgets":false,"_genesis_custom_body_class":"","_genesis_custom_post_class":"","_genesis_layout":"","footnotes":""},"categories":[1],"tags":[],"class_list":{"0":"post-218","1":"post","2":"type-post","3":"status-publish","4":"format-standard","6":"category-uncategorized","7":"entry"},"_links":{"self":[{"href":"https:\/\/www.artsjournal.com\/gap\/wp-json\/wp\/v2\/posts\/218","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.artsjournal.com\/gap\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.artsjournal.com\/gap\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.artsjournal.com\/gap\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/www.artsjournal.com\/gap\/wp-json\/wp\/v2\/comments?post=218"}],"version-history":[{"count":0,"href":"https:\/\/www.artsjournal.com\/gap\/wp-json\/wp\/v2\/posts\/218\/revisions"}],"wp:attachment":[{"href":"https:\/\/www.artsjournal.com\/gap\/wp-json\/wp\/v2\/media?parent=218"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.artsjournal.com\/gap\/wp-json\/wp\/v2\/categories?post=218"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.artsjournal.com\/gap\/wp-json\/wp\/v2\/tags?post=218"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}