{"id":14,"date":"2008-04-27T23:18:25","date_gmt":"2008-04-27T23:18:25","guid":{"rendered":"http:\/\/www.artsjournal.com\/gap\/wp\/?p=14"},"modified":"2008-04-27T23:18:25","modified_gmt":"2008-04-27T23:18:25","slug":"top_hat","status":"publish","type":"post","link":"https:\/\/www.artsjournal.com\/gap\/2008\/04\/top_hat\/","title":{"rendered":"Top Hat"},"content":{"rendered":"<p>If I haven&#8217;t been to hear the local symphony in a while, I sometimes forget <a href=\"http:\/\/www.esquire.com\/style\/fashion-story\/symphony-in-black\">about this<\/a>.<\/p>\n<p><span class=\"mt-enclosure mt-enclosure-image\" style=\"display: inline;\"><img loading=\"lazy\" decoding=\"async\" alt=\"tux.jpg\" src=\"http:\/\/www.artsjournal.com\/gap\/tux.jpg\" width=\"173\" height=\"300\" class=\"mt-image-left\" style=\"float: left; margin: 0 20px 20px 0;\" \/><\/span><\/p>\n<p>In the 21st century, the tuxedo is still generally the costume of the classical musician. I don&#8217;t mean to beat on this fashion choice&#8211;though in most cases I&#8217;m not sure how much of a choice it really is&#8211;but seriously, Patrick Dempsey and George Clooney aside, who really carries this look with conviction these days? <\/p>\n<p>But it&#8217;s an iconic trope, with as much expressive weight in a music performance as flannel or safety pins, and so maybe the field shouldn&#8217;t be quick to shirk it in those attempts to &#8220;attract a broader audience&#8221; that we hear so much about at conferences. After all,\u00c2\u00a0<span class=\"Apple-style-span\" style=\"font-style: italic;\">Esquire<\/span> designed a nine-page layout around capturing classical music mojo as seen draped in Armani and such. Why ditch the branding?<\/p>\n<p>The general argument against such formal wear, of course, is that it gives off the wrong vibe.\u00c2\u00a0It&#8217;s not like being suited up\u00c2\u00a0for a shift at Mickey D&#8217;s, but it can look as uncomfortable and as insincere. Also, it&#8217;s hard to cry, &#8220;No, no, you&#8217;re wrong! Orchestra performances are not formal, elitist affairs!&#8221; while wearing a cummerbund.\u00c2\u00a0But as John Stewart pointed out recently in reference to Barack Obama&#8217;s struggle with a (loosely related) issue, &#8220;Doesn&#8217;t elite mean good?&#8221;\u00c2\u00a0<\/p>\n<p>When you&#8217;re dealing with a crew of 70-some musicians, the options are limited. Any kind of continuity in dress is going to get you some sort of stock feel, which conflicts with the \u00c2\u00a0whole &#8220;creative performing artist&#8221; side of the equation. But for better and worse, classical = formal wear, there&#8217;s just no point in running from that. I mean, would you want to see the tuxes traded for the bolder images of, say, <a href=\"http:\/\/www.redkid.net\/generator\/punk\/\">punk<\/a>? Minding the gap doesn&#8217;t mean tripping into the ditch, just sayin&#8217;, and I&#8217;d hate to see the dry cleaning bill on that $4,000 suit.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>If I haven&#8217;t been to hear the local symphony in a while, I sometimes forget about this. In the 21st century, the tuxedo is still generally the costume of the classical musician. I don&#8217;t mean to beat on this fashion choice&#8211;though in most cases I&#8217;m not sure how much of a choice it really is&#8211;but [&hellip;]<\/p>\n","protected":false},"author":2,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_genesis_hide_title":false,"_genesis_hide_breadcrumbs":false,"_genesis_hide_singular_image":false,"_genesis_hide_footer_widgets":false,"_genesis_custom_body_class":"","_genesis_custom_post_class":"","_genesis_layout":"","footnotes":""},"categories":[1],"tags":[],"class_list":{"0":"post-14","1":"post","2":"type-post","3":"status-publish","4":"format-standard","6":"category-uncategorized","7":"entry"},"_links":{"self":[{"href":"https:\/\/www.artsjournal.com\/gap\/wp-json\/wp\/v2\/posts\/14","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.artsjournal.com\/gap\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.artsjournal.com\/gap\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.artsjournal.com\/gap\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/www.artsjournal.com\/gap\/wp-json\/wp\/v2\/comments?post=14"}],"version-history":[{"count":0,"href":"https:\/\/www.artsjournal.com\/gap\/wp-json\/wp\/v2\/posts\/14\/revisions"}],"wp:attachment":[{"href":"https:\/\/www.artsjournal.com\/gap\/wp-json\/wp\/v2\/media?parent=14"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.artsjournal.com\/gap\/wp-json\/wp\/v2\/categories?post=14"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.artsjournal.com\/gap\/wp-json\/wp\/v2\/tags?post=14"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}