{"id":876,"date":"2013-12-30T21:35:23","date_gmt":"2013-12-31T02:35:23","guid":{"rendered":"http:\/\/www.artsjournal.com\/foot\/wp\/2013\/12\/storyboard_ps_mutant_street_da.html"},"modified":"2014-02-13T14:57:54","modified_gmt":"2014-02-13T19:57:54","slug":"storyboard_ps_mutant_street_da","status":"publish","type":"post","link":"https:\/\/www.artsjournal.com\/foot\/2013\/12\/storyboard_ps_mutant_street_da.html","title":{"rendered":"Mutant remakes street dance"},"content":{"rendered":"<div><big><br \/><\/big><\/div>\n<p><big><font style=\"font-size: 1.25em;\"><br \/>\nOn the occasion of <a href=\"http:\/\/www.newyorker.com\/reporting\/2014\/01\/06\/140106fa_fact_weiner\">Jonah Weiner&#8217;s in-depth profile<\/a> in <em>The New Yorker <\/em> on Brooklyn&#8217;s most eccentric (and mesmerizing) street dancer, Storyboard P, I offer <a href=\"http:\/\/www.ft.com\/intl\/cms\/s\/2\/abd991b0-1eb2-11e3-b80b-00144feab7de.html#axzz2oybia7H3\">a review I wrote on his BEAT Brooklyn<\/a>&nbsp;outing.<br \/>\nHere are the first couple paragraphs:<\/font><\/big><\/p>\n<div><font style=\"font-size: 1.25em;\"><span style=\"font-size: 16px;\"><br \/><\/span><big><\/p>\n<blockquote><p>Almost everything that the otherworldly Brooklyn street dancer Storyboard P does defies expectations, especially if you&#8217;re expecting straight-up hip-hop.<br \/>\n&nbsp;<\/p><\/blockquote>\n<blockquote><p>He hails from the same &#8216;hood as staunch rapper Jay Z, whose latest album, <em>Magna Carta Holy Grail<\/em>, the 23-year-old &#8220;covered&#8221; this weekend at the Brooklyn Museum as part of the roving young <a href=\"http:\/\/www.beatbrooklyn.com\/\">Beat Festival<\/a> (until September 21). But the dancer, as elongated in limb as a Giacometti, rejects hip-hop&#8217;s reflex bravado. The intricate language he helped invent &#8211; he explained before a small, avid crowd in the museum&#8217;s airy Beaux-Arts Court &#8211; and is constantly, obsessively revising describes dreamers, poets and ghosts, not gangsters. This &#8220;mutant&#8221; idiom shows what it feels like to be young, black and pinned to the inner city, not whatever stance you take to deal with the situation.&nbsp;<\/p><\/blockquote>\n<blockquote><p>&nbsp;And how does it feel? Complicated, from the looks of it&#8230;..\n<\/p><\/blockquote>\n<div><big><br \/><\/big><\/div>\n<p>For t<a href=\"http:\/\/www.ft.com\/intl\/cms\/s\/2\/abd991b0-1eb2-11e3-b80b-00144feab7de.html#axzz2oybia7H3\">he rest of the review, click here<\/a>. (If you hit a registration request, it&#8217;s free, plus you only have to do it once. Registration permits you 8 free FT articles a month.)&nbsp;<\/big><\/font><\/div>\n<div><big><font style=\"font-size: 1.25em;\"><br \/><\/font><\/big><\/div>\n<div><big><font style=\"font-size: 1.25em;\">Storyboard does come across as a bit of an egomaniac and fantasist in Weiner&#8217;s piece but also as mad smart. I do wish he&#8217;d get that cell phone, though. It&#8217;s nuts to feel bitter about not reaching the audience you deserve when you make it so impossible for producers et. al. to find you. C&#8217;mon, Storyboard, save the contradictions for the art! &nbsp;<\/font><\/big><\/div>\n<div><big><br \/><\/big><\/div>\n<div><span style=\"font-size: 16px;\"><br \/><\/span><\/div>\n<div><span style=\"font-size: 16px;\"><br \/><\/span><big><a href=\"http:\/\/www.artsjournal.com\/foot\/SBP11.jpg\"><img loading=\"lazy\" decoding=\"async\" alt=\"SBP11.jpg\" src=\"http:\/\/www.artsjournal.com\/foot\/assets_c\/2013\/12\/SBP11-thumb-350x197-21926.jpg\" width=\"350\" height=\"197\" class=\"mt-image-center\" style=\"text-align: center; display: block; margin: 0 auto 20px;\" \/><\/a><br \/>\n<\/big><\/div>\n","protected":false},"excerpt":{"rendered":"<p>On the occasion of Jonah Weiner&#8217;s in-depth profile in The New Yorker on Brooklyn&#8217;s most eccentric (and mesmerizing) street dancer, Storyboard P, I offer a review I wrote on his BEAT Brooklyn&nbsp;outing. Here are the first couple paragraphs: Almost everything that the otherworldly Brooklyn street dancer Storyboard P does defies expectations, especially if you&#8217;re expecting [&hellip;]<\/p>\n","protected":false},"author":3,"featured_media":887,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_genesis_hide_title":false,"_genesis_hide_breadcrumbs":false,"_genesis_hide_singular_image":false,"_genesis_hide_footer_widgets":false,"_genesis_custom_body_class":"","_genesis_custom_post_class":"","_genesis_layout":"","footnotes":""},"categories":[4],"tags":[],"class_list":{"0":"post-876","1":"post","2":"type-post","3":"status-publish","4":"format-standard","5":"has-post-thumbnail","7":"category-main","8":"entry"},"_links":{"self":[{"href":"https:\/\/www.artsjournal.com\/foot\/wp-json\/wp\/v2\/posts\/876","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.artsjournal.com\/foot\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.artsjournal.com\/foot\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.artsjournal.com\/foot\/wp-json\/wp\/v2\/users\/3"}],"replies":[{"embeddable":true,"href":"https:\/\/www.artsjournal.com\/foot\/wp-json\/wp\/v2\/comments?post=876"}],"version-history":[{"count":0,"href":"https:\/\/www.artsjournal.com\/foot\/wp-json\/wp\/v2\/posts\/876\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.artsjournal.com\/foot\/wp-json\/wp\/v2\/media\/887"}],"wp:attachment":[{"href":"https:\/\/www.artsjournal.com\/foot\/wp-json\/wp\/v2\/media?parent=876"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.artsjournal.com\/foot\/wp-json\/wp\/v2\/categories?post=876"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.artsjournal.com\/foot\/wp-json\/wp\/v2\/tags?post=876"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}