{"id":804,"date":"2006-10-01T16:11:20","date_gmt":"2006-10-01T20:11:20","guid":{"rendered":"http:\/\/www.artsjournal.com\/foot\/wp\/2006\/10\/paul-holly.html"},"modified":"2006-10-01T16:11:20","modified_gmt":"2006-10-01T20:11:20","slug":"paul-holly","status":"publish","type":"post","link":"https:\/\/www.artsjournal.com\/foot\/2006\/10\/paul-holly.html","title":{"rendered":"Paul: Holly"},"content":{"rendered":"<p>it ws ME that cheered&#8230;&#8230;<br \/>\nat least, in Berkeley, I was the only one. it was funky &#8212; literally, the weight and attack that belongs to funk, that&#8217;s what I felt about it. I&#8217;ve only seen it once.<br \/>\n<strong>Apollinaire adds:  <\/strong> In New York, at the State Theater, there was a small contingent of cheerers. They were seated in the first balcony, in the usual balletomane corner, and my first thought was that the virtuosity of Holly Farmer&#8217;s solo was so extreme that the the shades of the usual occupants of those seats had urged the present audience on. A nice palimpsest.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>it ws ME that cheered&#8230;&#8230; at least, in Berkeley, I was the only one. it was funky &#8212; literally, the weight and attack that belongs to funk, that&#8217;s what I felt about it. I&#8217;ve only seen it once. Apollinaire adds: In New York, at the State Theater, there was a small contingent of cheerers. They [&hellip;]<\/p>\n","protected":false},"author":3,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_genesis_hide_title":false,"_genesis_hide_breadcrumbs":false,"_genesis_hide_singular_image":false,"_genesis_hide_footer_widgets":false,"_genesis_custom_body_class":"","_genesis_custom_post_class":"","_genesis_layout":"","footnotes":""},"categories":[4],"tags":[],"class_list":{"0":"post-804","1":"post","2":"type-post","3":"status-publish","4":"format-standard","6":"category-main","7":"entry"},"_links":{"self":[{"href":"https:\/\/www.artsjournal.com\/foot\/wp-json\/wp\/v2\/posts\/804","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.artsjournal.com\/foot\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.artsjournal.com\/foot\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.artsjournal.com\/foot\/wp-json\/wp\/v2\/users\/3"}],"replies":[{"embeddable":true,"href":"https:\/\/www.artsjournal.com\/foot\/wp-json\/wp\/v2\/comments?post=804"}],"version-history":[{"count":0,"href":"https:\/\/www.artsjournal.com\/foot\/wp-json\/wp\/v2\/posts\/804\/revisions"}],"wp:attachment":[{"href":"https:\/\/www.artsjournal.com\/foot\/wp-json\/wp\/v2\/media?parent=804"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.artsjournal.com\/foot\/wp-json\/wp\/v2\/categories?post=804"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.artsjournal.com\/foot\/wp-json\/wp\/v2\/tags?post=804"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}