{"id":686,"date":"2009-11-21T15:28:58","date_gmt":"2009-11-21T23:28:58","guid":{"rendered":"http:\/\/www.artsjournal.com\/foot\/wp\/2009\/11\/saturday_november_21\/"},"modified":"2009-11-21T15:28:58","modified_gmt":"2009-11-21T23:28:58","slug":"saturday_november_21","status":"publish","type":"post","link":"https:\/\/www.artsjournal.com\/foot\/2009\/11\/saturday_november_21.html","title":{"rendered":"Saturday November 21"},"content":{"rendered":"<p>Has the egalitarian approach of postmodernism&#8211;with every element equal to every element&#8211;reached its sell-by date? <a href=\"http:\/\/www.artsjournal.com\/foot\/2009\/11\/is_it_possible_to_present_alie.html\">Foot asks <\/a>on the occasion of Wally Cardona&#8217;s <i>Really Real <\/i>and Bill T. Jones&#8217;s <i>Serenade\/The Proposition<\/i>.&nbsp;<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Has the egalitarian approach of postmodernism&#8211;with every element equal to every element&#8211;reached its sell-by date? Foot asks on the occasion of Wally Cardona&#8217;s Really Real and Bill T. Jones&#8217;s Serenade\/The Proposition.&nbsp;<\/p>\n","protected":false},"author":3,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_genesis_hide_title":false,"_genesis_hide_breadcrumbs":false,"_genesis_hide_singular_image":false,"_genesis_hide_footer_widgets":false,"_genesis_custom_body_class":"","_genesis_custom_post_class":"","_genesis_layout":"","footnotes":""},"categories":[25],"tags":[],"class_list":{"0":"post-686","1":"post","2":"type-post","3":"status-publish","4":"format-standard","6":"category-topics","7":"entry"},"_links":{"self":[{"href":"https:\/\/www.artsjournal.com\/foot\/wp-json\/wp\/v2\/posts\/686","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.artsjournal.com\/foot\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.artsjournal.com\/foot\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.artsjournal.com\/foot\/wp-json\/wp\/v2\/users\/3"}],"replies":[{"embeddable":true,"href":"https:\/\/www.artsjournal.com\/foot\/wp-json\/wp\/v2\/comments?post=686"}],"version-history":[{"count":0,"href":"https:\/\/www.artsjournal.com\/foot\/wp-json\/wp\/v2\/posts\/686\/revisions"}],"wp:attachment":[{"href":"https:\/\/www.artsjournal.com\/foot\/wp-json\/wp\/v2\/media?parent=686"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.artsjournal.com\/foot\/wp-json\/wp\/v2\/categories?post=686"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.artsjournal.com\/foot\/wp-json\/wp\/v2\/tags?post=686"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}