{"id":547,"date":"2008-06-17T22:46:23","date_gmt":"2008-06-18T05:46:23","guid":{"rendered":"http:\/\/www.artsjournal.com\/foot\/wp\/2008\/06\/we_like_her_we_really_really_l\/"},"modified":"2008-06-17T22:46:23","modified_gmt":"2008-06-18T05:46:23","slug":"we_like_her_we_really_really_l","status":"publish","type":"post","link":"https:\/\/www.artsjournal.com\/foot\/2008\/06\/we_like_her_we_really_really_l.html","title":{"rendered":"We like her, we really, really like her"},"content":{"rendered":"<p>I try not to resort too often to the common blog tactic of letting other writers do the work, but I won&#8217;t be able to get anything up until next week and my colleague Joel Lobenthal, of the New York Sun, has written a wonderful tribute to the exceptional Wendy Whelan, of New York City Ballet.<a href=\"http:\/\/www.nysun.com\/arts\/nycbs-wendy-whelan-in-her-prime\/80031\/\"> So I can&#8217;t resist. Enjoy!&nbsp;<\/a><\/p>\n<p><span class=\"mt-enclosure mt-enclosure-image\" style=\"display: inline;\"><a href=\"http:\/\/www.artsjournal.com\/foot\/whelansotopolyphonia.jpg\"><img loading=\"lazy\" decoding=\"async\" alt=\"whelansotopolyphonia.jpg\" src=\"http:\/\/www.artsjournal.com\/foot\/whelansotopolyphonia-thumb-250x238.jpg\" class=\"mt-image-center\" style=\"margin: 0pt auto 20px; text-align: center; display: block;\" height=\"238\" width=\"250\" \/><\/a><\/span>Whelan and retired principal dancer Jock Soto in Christopher Wheeldon&#8217;s &#8220;Polyphonia.&#8221; Photo by Paul Kolnik for New York City Ballet. <\/p>\n<div><\/div>\n","protected":false},"excerpt":{"rendered":"<p>I try not to resort too often to the common blog tactic of letting other writers do the work, but I won&#8217;t be able to get anything up until next week and my colleague Joel Lobenthal, of the New York Sun, has written a wonderful tribute to the exceptional Wendy Whelan, of New York City [&hellip;]<\/p>\n","protected":false},"author":3,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_genesis_hide_title":false,"_genesis_hide_breadcrumbs":false,"_genesis_hide_singular_image":false,"_genesis_hide_footer_widgets":false,"_genesis_custom_body_class":"","_genesis_custom_post_class":"","_genesis_layout":"","footnotes":""},"categories":[4],"tags":[],"class_list":{"0":"post-547","1":"post","2":"type-post","3":"status-publish","4":"format-standard","6":"category-main","7":"entry"},"_links":{"self":[{"href":"https:\/\/www.artsjournal.com\/foot\/wp-json\/wp\/v2\/posts\/547","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.artsjournal.com\/foot\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.artsjournal.com\/foot\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.artsjournal.com\/foot\/wp-json\/wp\/v2\/users\/3"}],"replies":[{"embeddable":true,"href":"https:\/\/www.artsjournal.com\/foot\/wp-json\/wp\/v2\/comments?post=547"}],"version-history":[{"count":0,"href":"https:\/\/www.artsjournal.com\/foot\/wp-json\/wp\/v2\/posts\/547\/revisions"}],"wp:attachment":[{"href":"https:\/\/www.artsjournal.com\/foot\/wp-json\/wp\/v2\/media?parent=547"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.artsjournal.com\/foot\/wp-json\/wp\/v2\/categories?post=547"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.artsjournal.com\/foot\/wp-json\/wp\/v2\/tags?post=547"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}