{"id":473,"date":"2007-10-11T12:04:53","date_gmt":"2007-10-11T19:04:53","guid":{"rendered":"http:\/\/www.artsjournal.com\/foot\/wp\/2007\/10\/go_amalia_hernandezs_ballet_fo\/"},"modified":"2007-10-11T12:04:53","modified_gmt":"2007-10-11T19:04:53","slug":"go_amalia_hernandezs_ballet_fo","status":"publish","type":"post","link":"https:\/\/www.artsjournal.com\/foot\/2007\/10\/go_amalia_hernandezs_ballet_fo.html","title":{"rendered":"GO: Amalia Hernandez&#8217;s Ballet Folklorico de Mexico"},"content":{"rendered":"<p>For this <a href=\"http:\/\/www.newsday.com\/entertainment\/arts\/ny-etsecw5406838oct10,0,4271516.story\">preview<\/a> in Newsday, I went to see Hernandez&#8217;s Ballet Folklorico in the Bronx. Parts of it&#8211;the many parts with live music&#8211;were so beautiful and sweet, I wanted to cry. (So did a lot of the rest of the audience, it sounded like.)<br \/>\nAnyway, the company is <a href=\"http:\/\/www.balletamalia.com\/eng.html\">playing all up and down the East coast<\/a> for the next two months (I mention only the local shows in my Newsday article), so for a treat, catch them.<br \/>\nP.S. Please check out wonderful readers&#8217; contributions in the two earlier posts&#8211;this, on <a href=\"http:\/\/www.artsjournal.com\/foot\/2007\/10\/a_reader_says_we_dont_need_no.html\">active audiences, <\/a> and <a href=\"http:\/\/www.artsjournal.com\/foot\/2007\/10\/forget_pavarotti_lets_do_pavlo.html\">this,<\/a> on how Pavlova was doing the Pavarotti thing a hundred years ago.  (I know, I know, it&#8217;s ridiculous: nothing for a week and then three posts at once.)<\/p>\n","protected":false},"excerpt":{"rendered":"<p>For this preview in Newsday, I went to see Hernandez&#8217;s Ballet Folklorico in the Bronx. Parts of it&#8211;the many parts with live music&#8211;were so beautiful and sweet, I wanted to cry. (So did a lot of the rest of the audience, it sounded like.) Anyway, the company is playing all up and down the East [&hellip;]<\/p>\n","protected":false},"author":3,"featured_media":0,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_genesis_hide_title":false,"_genesis_hide_breadcrumbs":false,"_genesis_hide_singular_image":false,"_genesis_hide_footer_widgets":false,"_genesis_custom_body_class":"","_genesis_custom_post_class":"","_genesis_layout":"","footnotes":""},"categories":[4],"tags":[],"class_list":{"0":"post-473","1":"post","2":"type-post","3":"status-publish","4":"format-standard","6":"category-main","7":"entry"},"_links":{"self":[{"href":"https:\/\/www.artsjournal.com\/foot\/wp-json\/wp\/v2\/posts\/473","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.artsjournal.com\/foot\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.artsjournal.com\/foot\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.artsjournal.com\/foot\/wp-json\/wp\/v2\/users\/3"}],"replies":[{"embeddable":true,"href":"https:\/\/www.artsjournal.com\/foot\/wp-json\/wp\/v2\/comments?post=473"}],"version-history":[{"count":0,"href":"https:\/\/www.artsjournal.com\/foot\/wp-json\/wp\/v2\/posts\/473\/revisions"}],"wp:attachment":[{"href":"https:\/\/www.artsjournal.com\/foot\/wp-json\/wp\/v2\/media?parent=473"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.artsjournal.com\/foot\/wp-json\/wp\/v2\/categories?post=473"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.artsjournal.com\/foot\/wp-json\/wp\/v2\/tags?post=473"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}