{"id":457,"date":"2007-07-16T00:32:41","date_gmt":"2007-07-16T07:32:41","guid":{"rendered":"http:\/\/www.artsjournal.com\/foot\/wp\/2007\/07\/coming_soon\/"},"modified":"2007-07-16T00:32:41","modified_gmt":"2007-07-16T07:32:41","slug":"coming_soon","status":"publish","type":"post","link":"https:\/\/www.artsjournal.com\/foot\/2007\/07\/coming_soon.html","title":{"rendered":"Coming Soon"},"content":{"rendered":"<p>Tomorrow <strong>(UPDATE: late Wednesday),<\/strong> in fact: what can be done about American Ballet Theatre&#8217;s much-maligned &#8220;The Sleeping Beauty.&#8221; (A whole lot, I say.)<br \/>\nIn the meantime, how about being all crazy and reading <a href=\"http:\/\/www.artsjournal.com\/foot\/2007\/07\/ladies_who_launch.html\">this essay<\/a> on the state of experimental dance in, um, Bushwick &#8212; no, in New York? Really. I do not exaggerate.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Tomorrow (UPDATE: late Wednesday), in fact: what can be done about American Ballet Theatre&#8217;s much-maligned &#8220;The Sleeping Beauty.&#8221; (A whole lot, I say.) In the meantime, how about being all crazy and reading this essay on the state of experimental dance in, um, Bushwick &#8212; no, in New York? Really. I do not exaggerate.<\/p>\n","protected":false},"author":3,"featured_media":0,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_genesis_hide_title":false,"_genesis_hide_breadcrumbs":false,"_genesis_hide_singular_image":false,"_genesis_hide_footer_widgets":false,"_genesis_custom_body_class":"","_genesis_custom_post_class":"","_genesis_layout":"","footnotes":""},"categories":[4],"tags":[],"class_list":{"0":"post-457","1":"post","2":"type-post","3":"status-publish","4":"format-standard","6":"category-main","7":"entry"},"_links":{"self":[{"href":"https:\/\/www.artsjournal.com\/foot\/wp-json\/wp\/v2\/posts\/457","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.artsjournal.com\/foot\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.artsjournal.com\/foot\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.artsjournal.com\/foot\/wp-json\/wp\/v2\/users\/3"}],"replies":[{"embeddable":true,"href":"https:\/\/www.artsjournal.com\/foot\/wp-json\/wp\/v2\/comments?post=457"}],"version-history":[{"count":0,"href":"https:\/\/www.artsjournal.com\/foot\/wp-json\/wp\/v2\/posts\/457\/revisions"}],"wp:attachment":[{"href":"https:\/\/www.artsjournal.com\/foot\/wp-json\/wp\/v2\/media?parent=457"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.artsjournal.com\/foot\/wp-json\/wp\/v2\/categories?post=457"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.artsjournal.com\/foot\/wp-json\/wp\/v2\/tags?post=457"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}