{"id":438,"date":"2007-04-21T13:05:47","date_gmt":"2007-04-21T20:05:47","guid":{"rendered":"http:\/\/www.artsjournal.com\/foot\/wp\/2007\/04\/go_jennifer_allens_open_at_the\/"},"modified":"2007-04-21T13:05:47","modified_gmt":"2007-04-21T20:05:47","slug":"go_jennifer_allens_open_at_the","status":"publish","type":"post","link":"https:\/\/www.artsjournal.com\/foot\/2007\/04\/go_jennifer_allens_open_at_the.html","title":{"rendered":"GO: Jennifer Allen&#8217;s &#8220;Open&#8221; at the Kitchen"},"content":{"rendered":"<p>Tonight&#8217;s the last night. If you live in or around New York, treat yourself. With <a href=\"http:\/\/thekitchen.org\">the Kitchen&#8217;s<\/a> commitment to rock-bottom ticket prices, admission is only 10 bucks. &#8220;Open&#8221; is second on a double bill with Kimberly Bartosik&#8217;s &#8220;Ecsteriority1,&#8221; which for me was neither here nor there, but not excruciating. The dancers were engaging, anyway.<br \/>\nAbout &#8220;Open&#8221;: Jennifer Allen offers not what childhood looks like, but what it <em>feels<\/em> like.<br \/>\nChoreographers and especially novelists are returning often to childhood these days&#8211;not out of nostalgia, I don&#8217;t think, but because they want to  approach experience before the veil of convention has fully descended. (Of course, children have conventions of their own; as Allen shows, they&#8217;re constantly making them up.) So you get double vision without the usual irony.<br \/>\nTone is everything in these works: if they fall into cutesiness or treacly sentiment for one second, all&#8217;s lost. Allen sustains a wonderfully idiosyncratic tone of weightless intensity that allows a multitude of activities to harmoniously, deliciously, and hypersensically coexist.<br \/>\nShe creates a child&#8217;s world of tiny or huge but always unremarked shifts in scale and time (think Alice from deeper inside her body); of feathery yet absolute absorption in one experiment, then another; of adults on the margins facelessly supplying the props.<br \/>\nThe extraordinary dancers (many, familiar downtown faces) are Eleanor Hullihan, Heather Olson, Jillian Pe\u00f1a, Katy Pyle, and Allen. They grace &#8220;Open&#8221; with dandelion precision.<br \/>\nI hope you can make it.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Tonight&#8217;s the last night. If you live in or around New York, treat yourself. With the Kitchen&#8217;s commitment to rock-bottom ticket prices, admission is only 10 bucks. &#8220;Open&#8221; is second on a double bill with Kimberly Bartosik&#8217;s &#8220;Ecsteriority1,&#8221; which for me was neither here nor there, but not excruciating. The dancers were engaging, anyway. About [&hellip;]<\/p>\n","protected":false},"author":3,"featured_media":0,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_genesis_hide_title":false,"_genesis_hide_breadcrumbs":false,"_genesis_hide_singular_image":false,"_genesis_hide_footer_widgets":false,"_genesis_custom_body_class":"","_genesis_custom_post_class":"","_genesis_layout":"","footnotes":""},"categories":[4],"tags":[],"class_list":{"0":"post-438","1":"post","2":"type-post","3":"status-publish","4":"format-standard","6":"category-main","7":"entry"},"_links":{"self":[{"href":"https:\/\/www.artsjournal.com\/foot\/wp-json\/wp\/v2\/posts\/438","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.artsjournal.com\/foot\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.artsjournal.com\/foot\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.artsjournal.com\/foot\/wp-json\/wp\/v2\/users\/3"}],"replies":[{"embeddable":true,"href":"https:\/\/www.artsjournal.com\/foot\/wp-json\/wp\/v2\/comments?post=438"}],"version-history":[{"count":0,"href":"https:\/\/www.artsjournal.com\/foot\/wp-json\/wp\/v2\/posts\/438\/revisions"}],"wp:attachment":[{"href":"https:\/\/www.artsjournal.com\/foot\/wp-json\/wp\/v2\/media?parent=438"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.artsjournal.com\/foot\/wp-json\/wp\/v2\/categories?post=438"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.artsjournal.com\/foot\/wp-json\/wp\/v2\/tags?post=438"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}