{"id":436,"date":"2007-05-07T04:38:12","date_gmt":"2007-05-07T11:38:12","guid":{"rendered":"http:\/\/www.artsjournal.com\/foot\/wp\/2007\/05\/go_mark_morris_directing_gluck\/"},"modified":"2007-05-07T04:38:12","modified_gmt":"2007-05-07T11:38:12","slug":"go_mark_morris_directing_gluck","status":"publish","type":"post","link":"https:\/\/www.artsjournal.com\/foot\/2007\/05\/go_mark_morris_directing_gluck.html","title":{"rendered":"Go: Mark Morris directing Gluck&#8217;s &#8220;Orfeo ed Euridice&#8221; at the Met"},"content":{"rendered":"<p>Even far up in the gallery would be worth it&#8211;Morris and team have used the height of the Met so that you will be less far away than usual, at least!<br \/>\nHere&#8217;s my Newsday <a href=\"http:\/\/www.newsday.com\/features\/printedition\/ny-etorfeo5202541may07,0,2964248.story?coll=ny-features-print\">review<\/a>.<br \/>\nTo readers who have come via my friend <a href=\"http:\/\/www.artsjournal.com\/aboutlastnight\/2007\/05\/tt_bigger_than_life_1.html\">Terry Teachout<\/a>, welcome!  As I write on dance and don&#8217;t know diddly about opera, I relied on him to help me figure out how to prepare for this review. He was a wonderful, gracious guide.<br \/>\nTerry writes,<\/p>\n<blockquote><p><em>Orfeo<\/em> is an absorbing visual experience&#8211;but I never got close enough to it, emotionally speaking, to feel anything but admiration.<\/p><\/blockquote>\n<p>I felt much the same in the midst of it. But the production settled powerfully in me afterwards. Hence, the more positive review.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Even far up in the gallery would be worth it&#8211;Morris and team have used the height of the Met so that you will be less far away than usual, at least! Here&#8217;s my Newsday review. To readers who have come via my friend Terry Teachout, welcome! As I write on dance and don&#8217;t know diddly [&hellip;]<\/p>\n","protected":false},"author":3,"featured_media":0,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_genesis_hide_title":false,"_genesis_hide_breadcrumbs":false,"_genesis_hide_singular_image":false,"_genesis_hide_footer_widgets":false,"_genesis_custom_body_class":"","_genesis_custom_post_class":"","_genesis_layout":"","footnotes":""},"categories":[4],"tags":[],"class_list":{"0":"post-436","1":"post","2":"type-post","3":"status-publish","4":"format-standard","6":"category-main","7":"entry"},"_links":{"self":[{"href":"https:\/\/www.artsjournal.com\/foot\/wp-json\/wp\/v2\/posts\/436","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.artsjournal.com\/foot\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.artsjournal.com\/foot\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.artsjournal.com\/foot\/wp-json\/wp\/v2\/users\/3"}],"replies":[{"embeddable":true,"href":"https:\/\/www.artsjournal.com\/foot\/wp-json\/wp\/v2\/comments?post=436"}],"version-history":[{"count":0,"href":"https:\/\/www.artsjournal.com\/foot\/wp-json\/wp\/v2\/posts\/436\/revisions"}],"wp:attachment":[{"href":"https:\/\/www.artsjournal.com\/foot\/wp-json\/wp\/v2\/media?parent=436"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.artsjournal.com\/foot\/wp-json\/wp\/v2\/categories?post=436"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.artsjournal.com\/foot\/wp-json\/wp\/v2\/tags?post=436"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}