{"id":428,"date":"2007-04-30T16:49:46","date_gmt":"2007-04-30T23:49:46","guid":{"rendered":"http:\/\/www.artsjournal.com\/foot\/wp\/2007\/04\/nothing_festival_web_reviews\/"},"modified":"2007-04-30T16:49:46","modified_gmt":"2007-04-30T23:49:46","slug":"nothing_festival_web_reviews","status":"publish","type":"post","link":"https:\/\/www.artsjournal.com\/foot\/2007\/04\/nothing_festival_web_reviews.html","title":{"rendered":"Nothing Festival Web reviews"},"content":{"rendered":"<p>Here are two reviews of the Nothing Festival that you will not find in the papers.<br \/>\nTonya Plank&#8211;who should win a prize, I think, for Most Engaged Layperson (not a choreographer, not a professional dancer, not a paid critic, just a lucid thinker and vibrant audience member)&#8211;provides links to most of the Nothing Festival responses so far and discusses the dances that appealed to her on her <a href=\"http:\/\/www.tonyaplank.com\/tonyaplank\/swan_lake_samba_girl\/?p=179\">blog,<\/a> Swan Lake Samba Girl.<br \/>\nLisa Rinehart, an illuminating critic at danceviewtimes.com, <a href=\"http:\/\/www.danceviewtimes.com\/2007\/Spring\/05\/nothingfest.html\">reviews<\/a> the whole festival, coming to different conclusions than the Times&#8217; reviewers or Eva.<br \/>\nNext week or so, curator Jeff Larson will post his thoughts on dance criticism&#8211;what he thinks works and what doesn&#8217;t.<br \/>\nFoot will be pretty quiet this week, I anticipate.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Here are two reviews of the Nothing Festival that you will not find in the papers. Tonya Plank&#8211;who should win a prize, I think, for Most Engaged Layperson (not a choreographer, not a professional dancer, not a paid critic, just a lucid thinker and vibrant audience member)&#8211;provides links to most of the Nothing Festival responses [&hellip;]<\/p>\n","protected":false},"author":3,"featured_media":0,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_genesis_hide_title":false,"_genesis_hide_breadcrumbs":false,"_genesis_hide_singular_image":false,"_genesis_hide_footer_widgets":false,"_genesis_custom_body_class":"","_genesis_custom_post_class":"","_genesis_layout":"","footnotes":""},"categories":[4],"tags":[],"class_list":{"0":"post-428","1":"post","2":"type-post","3":"status-publish","4":"format-standard","6":"category-main","7":"entry"},"_links":{"self":[{"href":"https:\/\/www.artsjournal.com\/foot\/wp-json\/wp\/v2\/posts\/428","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.artsjournal.com\/foot\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.artsjournal.com\/foot\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.artsjournal.com\/foot\/wp-json\/wp\/v2\/users\/3"}],"replies":[{"embeddable":true,"href":"https:\/\/www.artsjournal.com\/foot\/wp-json\/wp\/v2\/comments?post=428"}],"version-history":[{"count":0,"href":"https:\/\/www.artsjournal.com\/foot\/wp-json\/wp\/v2\/posts\/428\/revisions"}],"wp:attachment":[{"href":"https:\/\/www.artsjournal.com\/foot\/wp-json\/wp\/v2\/media?parent=428"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.artsjournal.com\/foot\/wp-json\/wp\/v2\/categories?post=428"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.artsjournal.com\/foot\/wp-json\/wp\/v2\/tags?post=428"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}