{"id":411,"date":"2007-02-07T10:45:10","date_gmt":"2007-02-07T18:45:10","guid":{"rendered":"http:\/\/www.artsjournal.com\/foot\/wp\/2007\/02\/we_interrupt_this_program\/"},"modified":"2007-02-07T10:45:10","modified_gmt":"2007-02-07T18:45:10","slug":"we_interrupt_this_program","status":"publish","type":"post","link":"https:\/\/www.artsjournal.com\/foot\/2007\/02\/we_interrupt_this_program.html","title":{"rendered":"We interrupt this program&#8230;."},"content":{"rendered":"<p>&#8230;to recommend that, if you live in New York, you get thee to Karole Armitage&#8217;s show at the Joyce. I haven&#8217;t always been an admirer&#8211;in fact, I positively detested her last outing, at the Duke. But everything on the Joyce program is worth seeing&#8211;cherishable, even. I didn&#8217;t love every moment, but I loved the spirit of it: and that&#8217;s the point&#8211;it <em>has <\/em>a spirit. Each piece establishes an atmosphere and then swims in it. Very deeply felt and lovingly crafted, with fantastic musical choices (Bartok and a whole bunch of Ligeti) and a lovely way of responding to them.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>&#8230;to recommend that, if you live in New York, you get thee to Karole Armitage&#8217;s show at the Joyce. I haven&#8217;t always been an admirer&#8211;in fact, I positively detested her last outing, at the Duke. But everything on the Joyce program is worth seeing&#8211;cherishable, even. I didn&#8217;t love every moment, but I loved the spirit [&hellip;]<\/p>\n","protected":false},"author":3,"featured_media":0,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_genesis_hide_title":false,"_genesis_hide_breadcrumbs":false,"_genesis_hide_singular_image":false,"_genesis_hide_footer_widgets":false,"_genesis_custom_body_class":"","_genesis_custom_post_class":"","_genesis_layout":"","footnotes":""},"categories":[4],"tags":[],"class_list":{"0":"post-411","1":"post","2":"type-post","3":"status-publish","4":"format-standard","6":"category-main","7":"entry"},"_links":{"self":[{"href":"https:\/\/www.artsjournal.com\/foot\/wp-json\/wp\/v2\/posts\/411","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.artsjournal.com\/foot\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.artsjournal.com\/foot\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.artsjournal.com\/foot\/wp-json\/wp\/v2\/users\/3"}],"replies":[{"embeddable":true,"href":"https:\/\/www.artsjournal.com\/foot\/wp-json\/wp\/v2\/comments?post=411"}],"version-history":[{"count":0,"href":"https:\/\/www.artsjournal.com\/foot\/wp-json\/wp\/v2\/posts\/411\/revisions"}],"wp:attachment":[{"href":"https:\/\/www.artsjournal.com\/foot\/wp-json\/wp\/v2\/media?parent=411"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.artsjournal.com\/foot\/wp-json\/wp\/v2\/categories?post=411"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.artsjournal.com\/foot\/wp-json\/wp\/v2\/tags?post=411"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}