{"id":407,"date":"2007-03-21T14:33:03","date_gmt":"2007-03-21T21:33:03","guid":{"rendered":"http:\/\/www.artsjournal.com\/foot\/wp\/2007\/03\/apollinaire_allor_kindaquiet_o\/"},"modified":"2007-03-21T14:33:03","modified_gmt":"2007-03-21T21:33:03","slug":"apollinaire_allor_kindaquiet_o","status":"publish","type":"post","link":"https:\/\/www.artsjournal.com\/foot\/2007\/03\/apollinaire_allor_kindaquiet_o.html","title":{"rendered":"Apollinaire: All&#8211;or Kinda&#8211;Quiet on the Foot Front"},"content":{"rendered":"<p>In case you were wondering whether there is any rhyme or reason to when things get posted&#8211;the answer is, Not really.<br \/>\nIn my case, the rhythm depends on my other, paying work&#8211;both for Newsday and elsewhere. When I&#8217;m up to my eyeballs elsewhere, there&#8217;s less of me here.<br \/>\nThat said, I can tell you this (what a paragraph of <em>this<\/em>es and <em>that<\/em>s and <em>here<\/em>s and <em>there<\/em>s!&#8211;those wonderful pointing words that are nowhere themselves): I am swamped until about the first week of April. I may have others&#8217; pieces to post, with perhaps compulsive commentary from me.<br \/>\nAfter that, though, I plan to do a whole rash of longer essays about things I&#8217;m seeing&#8211;not just about how we critics are seeing them. Remember the Balanchine posts by me and Paul and Brian Seibert and Marc Etlin that Terry Teachout&#8217;s and my visit to New York City Ballet set off? Wasn&#8217;t that fun? Kinda like that.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>In case you were wondering whether there is any rhyme or reason to when things get posted&#8211;the answer is, Not really. In my case, the rhythm depends on my other, paying work&#8211;both for Newsday and elsewhere. When I&#8217;m up to my eyeballs elsewhere, there&#8217;s less of me here. That said, I can tell you this [&hellip;]<\/p>\n","protected":false},"author":3,"featured_media":0,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_genesis_hide_title":false,"_genesis_hide_breadcrumbs":false,"_genesis_hide_singular_image":false,"_genesis_hide_footer_widgets":false,"_genesis_custom_body_class":"","_genesis_custom_post_class":"","_genesis_layout":"","footnotes":""},"categories":[4],"tags":[],"class_list":{"0":"post-407","1":"post","2":"type-post","3":"status-publish","4":"format-standard","6":"category-main","7":"entry"},"_links":{"self":[{"href":"https:\/\/www.artsjournal.com\/foot\/wp-json\/wp\/v2\/posts\/407","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.artsjournal.com\/foot\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.artsjournal.com\/foot\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.artsjournal.com\/foot\/wp-json\/wp\/v2\/users\/3"}],"replies":[{"embeddable":true,"href":"https:\/\/www.artsjournal.com\/foot\/wp-json\/wp\/v2\/comments?post=407"}],"version-history":[{"count":0,"href":"https:\/\/www.artsjournal.com\/foot\/wp-json\/wp\/v2\/posts\/407\/revisions"}],"wp:attachment":[{"href":"https:\/\/www.artsjournal.com\/foot\/wp-json\/wp\/v2\/media?parent=407"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.artsjournal.com\/foot\/wp-json\/wp\/v2\/categories?post=407"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.artsjournal.com\/foot\/wp-json\/wp\/v2\/tags?post=407"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}