{"id":403,"date":"2007-02-08T13:54:45","date_gmt":"2007-02-08T21:54:45","guid":{"rendered":"http:\/\/www.artsjournal.com\/foot\/wp\/2007\/02\/marc_etlin_do_we_really_want_t\/"},"modified":"2007-02-08T13:54:45","modified_gmt":"2007-02-08T21:54:45","slug":"marc_etlin_do_we_really_want_t","status":"publish","type":"post","link":"https:\/\/www.artsjournal.com\/foot\/2007\/02\/marc_etlin_do_we_really_want_t.html","title":{"rendered":"Marc Etlin: Do we really want to return to the monoculture of Christianity&#8211;especially since we&#8217;ve never quite left it?"},"content":{"rendered":"<p><em>[ed. note: This morning, I got about 800 emails from my friend Marc, who should have been doing his (day) job (and me, too). Anyway, I&#8217;ve tried to piece them together here, because they form an interesting secular humanist response to Paul&#8217;s Christian humanist <a href=\"http:\/\/www.artsjournal.com\/foot\/2007\/02\/paul_parish_responds_the_age_o.html\">response <\/a>to my <a href=\"http:\/\/www.artsjournal.com\/foot\/2007\/02\/apollinaire_chorus_corps_reali.html\">modernist lament<\/a>.]<\/em><br \/>\nIt seems to me the secular goal of fame fills the same psychological placeholder as hoping for a future in Heaven. They&#8217;re equally competent mechanisms for staving off anxiety, if you&#8217;re good enough at psyching yourself into subscribing to them. There&#8217;s nothing more neo-Romantic than the Messianic&#8211; a perfect complement to the solipsism of the postmodern &#8220;reality&#8221; obsession that you&#8217;re writing about.<br \/>\nIn a secular culture, in which time is compressed and sped up, fame becomes the escape hatch for recognition by others (if not a Big Other like God). Religious psychological functions don&#8217;t go away, their metabolism just changes, with the dogma and theology diluted.<br \/>\nSo one doesn&#8217;t even need to grow nostalgic for the old Western Christendom!<br \/>\nAbout Orwell, his SECULAR nostalgia for Christianity&#8211;the usual &#8220;I would never be religious, but if others were it&#8217;d keep them in line&#8221;&#8211; sees faith as a regulator, instead of a more personal spiritual experience. It&#8217;s so easy and yet false to say, &#8220;From the standpoint of today&#8217;s self-indulgences, we need a wholehearted moral straightjacket for everyone, so culture will work.&#8221; I cannot think of a less refreshing way to rejuvenate what we care about.<br \/>\nThe secular version of this&#8211;&#8220;If we don&#8217;t shape up now (global warming, nuclear proliferation, SUVs, etc.), there will be an apocalypse&#8221;&#8211;doesn&#8217;t charge art either, it charges paranoia.<br \/>\nThe point is not to be good for Heaven, but to hold something sacred for oneself&#8211;to cultivate something special, which one can sublimate into something great for others. The best way to move beyond the culture of &#8220;reality&#8221; television and its celebrity envy is not to hail the return of organized piety but to go invisible and create something under the radar.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>[ed. note: This morning, I got about 800 emails from my friend Marc, who should have been doing his (day) job (and me, too). Anyway, I&#8217;ve tried to piece them together here, because they form an interesting secular humanist response to Paul&#8217;s Christian humanist response to my modernist lament.] It seems to me the secular [&hellip;]<\/p>\n","protected":false},"author":3,"featured_media":0,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_genesis_hide_title":false,"_genesis_hide_breadcrumbs":false,"_genesis_hide_singular_image":false,"_genesis_hide_footer_widgets":false,"_genesis_custom_body_class":"","_genesis_custom_post_class":"","_genesis_layout":"","footnotes":""},"categories":[4],"tags":[],"class_list":{"0":"post-403","1":"post","2":"type-post","3":"status-publish","4":"format-standard","6":"category-main","7":"entry"},"_links":{"self":[{"href":"https:\/\/www.artsjournal.com\/foot\/wp-json\/wp\/v2\/posts\/403","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.artsjournal.com\/foot\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.artsjournal.com\/foot\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.artsjournal.com\/foot\/wp-json\/wp\/v2\/users\/3"}],"replies":[{"embeddable":true,"href":"https:\/\/www.artsjournal.com\/foot\/wp-json\/wp\/v2\/comments?post=403"}],"version-history":[{"count":0,"href":"https:\/\/www.artsjournal.com\/foot\/wp-json\/wp\/v2\/posts\/403\/revisions"}],"wp:attachment":[{"href":"https:\/\/www.artsjournal.com\/foot\/wp-json\/wp\/v2\/media?parent=403"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.artsjournal.com\/foot\/wp-json\/wp\/v2\/categories?post=403"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.artsjournal.com\/foot\/wp-json\/wp\/v2\/tags?post=403"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}