{"id":400,"date":"2007-04-02T13:41:44","date_gmt":"2007-04-02T20:41:44","guid":{"rendered":"http:\/\/www.artsjournal.com\/foot\/wp\/2007\/04\/its_a_girl_its_a_boy_its_an_in\/"},"modified":"2007-04-02T13:41:44","modified_gmt":"2007-04-02T20:41:44","slug":"its_a_girl_its_a_boy_its_an_in","status":"publish","type":"post","link":"https:\/\/www.artsjournal.com\/foot\/2007\/04\/its_a_girl_its_a_boy_its_an_in.html","title":{"rendered":"It&#8217;s a girl, it&#8217;s a boy, it&#8217;s an InfiniteBody!"},"content":{"rendered":"<p>Foot contributor Eva Yaa Asantewaa will still be contributing here, but she also now has a blog of her own, <a href=\"http:\/\/infinitebody.blogspot.com\">InfiniteBody<\/a>. Check it out.<br \/>\nRecent postings include a review on Paco Pena&#8217;s flamenco show at Town Hall this weekend and an approving assessment of the debut performance this Sunday of Alastair Macaulay, new head dance critic at the <em>Times<\/em>.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Foot contributor Eva Yaa Asantewaa will still be contributing here, but she also now has a blog of her own, InfiniteBody. Check it out. Recent postings include a review on Paco Pena&#8217;s flamenco show at Town Hall this weekend and an approving assessment of the debut performance this Sunday of Alastair Macaulay, new head dance [&hellip;]<\/p>\n","protected":false},"author":3,"featured_media":0,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_genesis_hide_title":false,"_genesis_hide_breadcrumbs":false,"_genesis_hide_singular_image":false,"_genesis_hide_footer_widgets":false,"_genesis_custom_body_class":"","_genesis_custom_post_class":"","_genesis_layout":"","footnotes":""},"categories":[4],"tags":[],"class_list":{"0":"post-400","1":"post","2":"type-post","3":"status-publish","4":"format-standard","6":"category-main","7":"entry"},"_links":{"self":[{"href":"https:\/\/www.artsjournal.com\/foot\/wp-json\/wp\/v2\/posts\/400","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.artsjournal.com\/foot\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.artsjournal.com\/foot\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.artsjournal.com\/foot\/wp-json\/wp\/v2\/users\/3"}],"replies":[{"embeddable":true,"href":"https:\/\/www.artsjournal.com\/foot\/wp-json\/wp\/v2\/comments?post=400"}],"version-history":[{"count":0,"href":"https:\/\/www.artsjournal.com\/foot\/wp-json\/wp\/v2\/posts\/400\/revisions"}],"wp:attachment":[{"href":"https:\/\/www.artsjournal.com\/foot\/wp-json\/wp\/v2\/media?parent=400"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.artsjournal.com\/foot\/wp-json\/wp\/v2\/categories?post=400"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.artsjournal.com\/foot\/wp-json\/wp\/v2\/tags?post=400"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}