{"id":367,"date":"2006-12-08T14:50:55","date_gmt":"2006-12-08T22:50:55","guid":{"rendered":"http:\/\/www.artsjournal.com\/foot\/wp\/2006\/12\/apollinaire_we_interrupt_this\/"},"modified":"2006-12-08T14:50:55","modified_gmt":"2006-12-08T22:50:55","slug":"apollinaire_we_interrupt_this","status":"publish","type":"post","link":"https:\/\/www.artsjournal.com\/foot\/2006\/12\/apollinaire_we_interrupt_this.html","title":{"rendered":"Apollinaire: We interrupt this program&#8230;"},"content":{"rendered":"<p>&#8230; to tell you about a program: choreographer Mark Morris interviewed about his &#8220;Mozart Dances,&#8221; which premiered this August at the Mostly Mozart Festival, on the BBC program <a href=\"http:\/\/www.bbc.co.uk\/worldservice\/programmes\/close_up.shtml\">Close-Up<\/a>.<br \/>\nThey interviewed me and the wonderful dance critic Nancy Dalva (me, her, me&#8211;about 5 minutes into the 30-minute radio piece, for a couple of minutes; it was interesting, and nervewracking, to be in the interviewee&#8217;s chair for once). But the real treat is Morris himself.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>&#8230; to tell you about a program: choreographer Mark Morris interviewed about his &#8220;Mozart Dances,&#8221; which premiered this August at the Mostly Mozart Festival, on the BBC program Close-Up. They interviewed me and the wonderful dance critic Nancy Dalva (me, her, me&#8211;about 5 minutes into the 30-minute radio piece, for a couple of minutes; it [&hellip;]<\/p>\n","protected":false},"author":3,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_genesis_hide_title":false,"_genesis_hide_breadcrumbs":false,"_genesis_hide_singular_image":false,"_genesis_hide_footer_widgets":false,"_genesis_custom_body_class":"","_genesis_custom_post_class":"","_genesis_layout":"","footnotes":""},"categories":[4],"tags":[],"class_list":{"0":"post-367","1":"post","2":"type-post","3":"status-publish","4":"format-standard","6":"category-main","7":"entry"},"_links":{"self":[{"href":"https:\/\/www.artsjournal.com\/foot\/wp-json\/wp\/v2\/posts\/367","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.artsjournal.com\/foot\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.artsjournal.com\/foot\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.artsjournal.com\/foot\/wp-json\/wp\/v2\/users\/3"}],"replies":[{"embeddable":true,"href":"https:\/\/www.artsjournal.com\/foot\/wp-json\/wp\/v2\/comments?post=367"}],"version-history":[{"count":0,"href":"https:\/\/www.artsjournal.com\/foot\/wp-json\/wp\/v2\/posts\/367\/revisions"}],"wp:attachment":[{"href":"https:\/\/www.artsjournal.com\/foot\/wp-json\/wp\/v2\/media?parent=367"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.artsjournal.com\/foot\/wp-json\/wp\/v2\/categories?post=367"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.artsjournal.com\/foot\/wp-json\/wp\/v2\/tags?post=367"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}