{"id":961,"date":"2012-07-12T20:33:03","date_gmt":"2012-07-12T20:33:03","guid":{"rendered":"http:\/\/www.artstrategies.org\/leadership_tools\/readinglist\/?p=961"},"modified":"2014-02-12T11:22:00","modified_gmt":"2014-02-12T16:22:00","slug":"in-defense-of-logic-models","status":"publish","type":"post","link":"https:\/\/www.artsjournal.com\/fieldnotes\/2012\/07\/in-defense-of-logic-models\/","title":{"rendered":"In Defense of Logic Models"},"content":{"rendered":"<p>There has been a great deal of conversation, debate (<a href=\"http:\/\/www.artstrategies.org\/leadership_tools\/videos\/2012\/05\/14\/peter-frumkin-what-is-a-logic-model\/#.T_8w9PUoqF8\" target=\"_blank\">and informational video<\/a>) around logic models in the past few weeks. Ian David Moss, whose blog post &#8220;Creative Placemaking Has an Outcomes Problem&#8221; started much of the discussion, wades back into the fray with this incredibly thoughtful response to many of the criticisms levied against what he calls a &#8220;tool of tremendous power whose potential is only beginning to be unlocked.&#8221;<\/p>\n<p>Read the Huffington Post piece &#8220;<a href=\"http:\/\/www.huffingtonpost.com\/ian-david-moss\/in-defense-of-logic-model_b_1633676.html\">Ian David Moss: In Defense of Logic Models<\/a>&#8221; \u00bb<\/p>\n","protected":false},"excerpt":{"rendered":"<p>There has been a great deal of conversation, debate (and informational video) around logic models in the past few weeks. Ian David Moss, whose blog post &#8220;Creative Placemaking Has an Outcomes Problem&#8221; started much of the discussion, wades back into the fray with this incredibly thoughtful response to many of the criticisms levied against what [&hellip;]<\/p>\n","protected":false},"author":3,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_genesis_hide_title":false,"_genesis_hide_breadcrumbs":false,"_genesis_hide_singular_image":false,"_genesis_hide_footer_widgets":false,"_genesis_custom_body_class":"","_genesis_custom_post_class":"","_genesis_layout":"","footnotes":""},"categories":[136],"tags":[],"coauthors":[16],"class_list":{"0":"post-961","1":"post","2":"type-post","3":"status-publish","4":"format-standard","6":"category-reading-list","7":"entry"},"_links":{"self":[{"href":"https:\/\/www.artsjournal.com\/fieldnotes\/wp-json\/wp\/v2\/posts\/961","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.artsjournal.com\/fieldnotes\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.artsjournal.com\/fieldnotes\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.artsjournal.com\/fieldnotes\/wp-json\/wp\/v2\/users\/3"}],"replies":[{"embeddable":true,"href":"https:\/\/www.artsjournal.com\/fieldnotes\/wp-json\/wp\/v2\/comments?post=961"}],"version-history":[{"count":0,"href":"https:\/\/www.artsjournal.com\/fieldnotes\/wp-json\/wp\/v2\/posts\/961\/revisions"}],"wp:attachment":[{"href":"https:\/\/www.artsjournal.com\/fieldnotes\/wp-json\/wp\/v2\/media?parent=961"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.artsjournal.com\/fieldnotes\/wp-json\/wp\/v2\/categories?post=961"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.artsjournal.com\/fieldnotes\/wp-json\/wp\/v2\/tags?post=961"},{"taxonomy":"author","embeddable":true,"href":"https:\/\/www.artsjournal.com\/fieldnotes\/wp-json\/wp\/v2\/coauthors?post=961"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}