{"id":514,"date":"2011-02-07T10:55:58","date_gmt":"2011-02-07T15:55:58","guid":{"rendered":"http:\/\/www.artstrategies.org\/tools\/readinglist\/?p=514"},"modified":"2011-02-07T10:55:58","modified_gmt":"2011-02-07T15:55:58","slug":"an-optimists-tour-of-the-future","status":"publish","type":"post","link":"https:\/\/www.artsjournal.com\/fieldnotes\/2011\/02\/an-optimists-tour-of-the-future\/","title":{"rendered":"An Optimist&#8217;s Tour of the Future"},"content":{"rendered":"<p>As arts organizations face an increasing number of challenges, it might help us all to lighten the load by \u201cunlearning\u201d some things \u2013 Matt Ridley sketches out what a few of those things might be.<\/p>\n<p><a href=\"http:\/\/online.wsj.com\/article\/SB10001424052748703439504576116032151311622.html?KEYWORDS=the+need+to+unlearn\">Matt Ridley on An Optimist&#8217;s Tour of the Future &#8211; WSJ.com<\/a>.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>As arts organizations face an increasing number of challenges, it might help us all to lighten the load by \u201cunlearning\u201d some things \u2013 Matt Ridley sketches out what a few of those things might be. Matt Ridley on An Optimist&#8217;s Tour of the Future &#8211; WSJ.com.<\/p>\n","protected":false},"author":9,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_genesis_hide_title":false,"_genesis_hide_breadcrumbs":false,"_genesis_hide_singular_image":false,"_genesis_hide_footer_widgets":false,"_genesis_custom_body_class":"","_genesis_custom_post_class":"","_genesis_layout":"","footnotes":""},"categories":[136],"tags":[169,410,445],"coauthors":[135],"class_list":{"0":"post-514","1":"post","2":"type-post","3":"status-publish","4":"format-standard","6":"category-reading-list","7":"tag-innovation","8":"tag-received-wisdom","9":"tag-unlearn","10":"entry"},"_links":{"self":[{"href":"https:\/\/www.artsjournal.com\/fieldnotes\/wp-json\/wp\/v2\/posts\/514","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.artsjournal.com\/fieldnotes\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.artsjournal.com\/fieldnotes\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.artsjournal.com\/fieldnotes\/wp-json\/wp\/v2\/users\/9"}],"replies":[{"embeddable":true,"href":"https:\/\/www.artsjournal.com\/fieldnotes\/wp-json\/wp\/v2\/comments?post=514"}],"version-history":[{"count":0,"href":"https:\/\/www.artsjournal.com\/fieldnotes\/wp-json\/wp\/v2\/posts\/514\/revisions"}],"wp:attachment":[{"href":"https:\/\/www.artsjournal.com\/fieldnotes\/wp-json\/wp\/v2\/media?parent=514"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.artsjournal.com\/fieldnotes\/wp-json\/wp\/v2\/categories?post=514"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.artsjournal.com\/fieldnotes\/wp-json\/wp\/v2\/tags?post=514"},{"taxonomy":"author","embeddable":true,"href":"https:\/\/www.artsjournal.com\/fieldnotes\/wp-json\/wp\/v2\/coauthors?post=514"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}