{"id":2795,"date":"2015-07-13T23:00:36","date_gmt":"2015-07-14T03:00:36","guid":{"rendered":"http:\/\/www.artsjournal.com\/fieldnotes\/?p=2795"},"modified":"2015-07-13T16:30:40","modified_gmt":"2015-07-13T20:30:40","slug":"clyde-valentin-values","status":"publish","type":"post","link":"https:\/\/www.artsjournal.com\/fieldnotes\/2015\/07\/clyde-valentin-values\/","title":{"rendered":"Clyde Valentin: Values"},"content":{"rendered":"<p>Clyde Valentin, Director of the SMU Meadows Arts + Urbanism Initiative shares how values appear in his work through acknowledging equity and inequity, acknowledging people everyday\u00a0and recognizing that mistakes happen. <\/p>\n<p>&nbsp;<\/p>\n<div style=\"text-align: center;\"><iframe loading=\"lazy\" src=\"https:\/\/player.vimeo.com\/video\/133382652?title=0&#038;byline=0&#038;portrait=0\" width=\"500\" height=\"281\" frameborder=\"0\" webkitallowfullscreen mozallowfullscreen allowfullscreen><\/iframe><\/div>\n<p>&nbsp;<br \/>\n&nbsp;<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Clyde Valentin, Director of the SMU Meadows Arts + Urbanism Initiative shares how values appear in his work through acknowledging equity and inequity, acknowledging people everyday\u00a0and recognizing that mistakes happen. &nbsp; &nbsp; &nbsp;<\/p>\n","protected":false},"author":6,"featured_media":2798,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_genesis_hide_title":false,"_genesis_hide_breadcrumbs":false,"_genesis_hide_singular_image":false,"_genesis_hide_footer_widgets":false,"_genesis_custom_body_class":"","_genesis_custom_post_class":"","_genesis_layout":"","footnotes":""},"categories":[28,23,225],"tags":[591,566,589,592,590,567],"coauthors":[519],"class_list":{"0":"post-2795","1":"post","2":"type-post","3":"status-publish","4":"format-standard","5":"has-post-thumbnail","7":"category-conversation","8":"category-stories-from-the-field","9":"category-videos","10":"tag-clyde-valentin","11":"tag-core-values","12":"tag-equity","13":"tag-generousity","14":"tag-inequity","15":"tag-values","16":"entry"},"_links":{"self":[{"href":"https:\/\/www.artsjournal.com\/fieldnotes\/wp-json\/wp\/v2\/posts\/2795","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.artsjournal.com\/fieldnotes\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.artsjournal.com\/fieldnotes\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.artsjournal.com\/fieldnotes\/wp-json\/wp\/v2\/users\/6"}],"replies":[{"embeddable":true,"href":"https:\/\/www.artsjournal.com\/fieldnotes\/wp-json\/wp\/v2\/comments?post=2795"}],"version-history":[{"count":3,"href":"https:\/\/www.artsjournal.com\/fieldnotes\/wp-json\/wp\/v2\/posts\/2795\/revisions"}],"predecessor-version":[{"id":2799,"href":"https:\/\/www.artsjournal.com\/fieldnotes\/wp-json\/wp\/v2\/posts\/2795\/revisions\/2799"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.artsjournal.com\/fieldnotes\/wp-json\/wp\/v2\/media\/2798"}],"wp:attachment":[{"href":"https:\/\/www.artsjournal.com\/fieldnotes\/wp-json\/wp\/v2\/media?parent=2795"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.artsjournal.com\/fieldnotes\/wp-json\/wp\/v2\/categories?post=2795"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.artsjournal.com\/fieldnotes\/wp-json\/wp\/v2\/tags?post=2795"},{"taxonomy":"author","embeddable":true,"href":"https:\/\/www.artsjournal.com\/fieldnotes\/wp-json\/wp\/v2\/coauthors?post=2795"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}