{"id":1718,"date":"2012-01-26T17:40:51","date_gmt":"2012-01-26T17:40:51","guid":{"rendered":"http:\/\/www.artstrategies.org\/leadership_tools\/readinglist\/?p=831"},"modified":"2012-01-26T17:40:51","modified_gmt":"2012-01-26T17:40:51","slug":"a-conversation-on-ted-com-with-the-advent-of-amazing-online-videos-why-are-we-still-so-compelled-to-experience-live-performance","status":"publish","type":"post","link":"https:\/\/www.artsjournal.com\/fieldnotes\/2012\/01\/a-conversation-on-ted-com-with-the-advent-of-amazing-online-videos-why-are-we-still-so-compelled-to-experience-live-performance\/","title":{"rendered":"A conversation on TED.com: With the advent of amazing online videos, why are we still so compelled to experience live performance?"},"content":{"rendered":"<p>We&#8217;ve all heard about the TED videos, but there&#8217;s also a section of the TED site dedicated to conversations about issues. I found this one particularly interesting for arts and culture leaders. The comments touch on what is &#8220;online&#8221; and what is &#8220;live,&#8221;\u00a0 the importance of context and the gulf that sometimes exists between artists and audience. What do you think? Why are audiences compelled to experience live performances? What is a &#8220;live&#8221; performance?<\/p>\n<p><a href=\"http:\/\/www.ted.com\/conversations\/5371\/with_the_advent_of_amazing_onl.html\">A conversation on TED.com: With the advent of amazing online videos, why are we still so compelled to experience live performance (music, sports games, dance)?<\/a><\/p>\n","protected":false},"excerpt":{"rendered":"<p>We&#8217;ve all heard about the TED videos, but there&#8217;s also a section of the TED site dedicated to conversations about issues. I found this one particularly interesting for arts and culture leaders. The comments touch on what is &#8220;online&#8221; and what is &#8220;live,&#8221;\u00a0 the importance of context and the gulf that sometimes exists between artists [&hellip;]<\/p>\n","protected":false},"author":3,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_genesis_hide_title":false,"_genesis_hide_breadcrumbs":false,"_genesis_hide_singular_image":false,"_genesis_hide_footer_widgets":false,"_genesis_custom_body_class":"","_genesis_custom_post_class":"","_genesis_layout":"","footnotes":""},"categories":[136],"tags":[50,349,76,46],"coauthors":[16],"class_list":{"0":"post-1718","1":"post","2":"type-post","3":"status-publish","4":"format-standard","6":"category-reading-list","7":"tag-experience","8":"tag-live","9":"tag-online","10":"tag-value-2","11":"entry"},"_links":{"self":[{"href":"https:\/\/www.artsjournal.com\/fieldnotes\/wp-json\/wp\/v2\/posts\/1718","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.artsjournal.com\/fieldnotes\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.artsjournal.com\/fieldnotes\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.artsjournal.com\/fieldnotes\/wp-json\/wp\/v2\/users\/3"}],"replies":[{"embeddable":true,"href":"https:\/\/www.artsjournal.com\/fieldnotes\/wp-json\/wp\/v2\/comments?post=1718"}],"version-history":[{"count":0,"href":"https:\/\/www.artsjournal.com\/fieldnotes\/wp-json\/wp\/v2\/posts\/1718\/revisions"}],"wp:attachment":[{"href":"https:\/\/www.artsjournal.com\/fieldnotes\/wp-json\/wp\/v2\/media?parent=1718"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.artsjournal.com\/fieldnotes\/wp-json\/wp\/v2\/categories?post=1718"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.artsjournal.com\/fieldnotes\/wp-json\/wp\/v2\/tags?post=1718"},{"taxonomy":"author","embeddable":true,"href":"https:\/\/www.artsjournal.com\/fieldnotes\/wp-json\/wp\/v2\/coauthors?post=1718"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}