{"id":1321,"date":"2013-05-10T16:19:05","date_gmt":"2013-05-10T20:19:05","guid":{"rendered":"http:\/\/www.artsjournal.com\/fieldnotes\/?p=1321"},"modified":"2016-09-13T10:58:13","modified_gmt":"2016-09-13T14:58:13","slug":"raising-the-tide-of-value","status":"publish","type":"post","link":"https:\/\/www.artsjournal.com\/fieldnotes\/2013\/05\/raising-the-tide-of-value\/","title":{"rendered":"Raising the Tide of Value"},"content":{"rendered":"<p><i>Editor\u2019s note: Over the next two weeks, we\u2019ll feature posts around the final convening of our Chief Executive Program, <\/i>The Summit at Sundance<i>. We invite you to participate in an online discussion of four major issues facing the cultural field. In this post, Dallas Shelby introduces the last of the problem statements.<\/i><\/p>\n<p>Why do the arts matter? Why does creativity matter? Why do you matter? What value do we create? We should all be able to answer these questions, and the easier it we can make it to do so the better off we will be.\u00a0 We may be comfortable making the case for the value our organizations create, but the public\u2019s perception of the cultural field is the tide on which that value rises and falls.<\/p>\n<p><br clear=\"ALL\" \/> <span class=\"cat_desc\"><i>Problem to solve:\u00a0 Maximize the cultural field\u2019s value in the eyes of the public\/society.<\/i><\/span><\/p>\n<p><a href=\"https:\/\/www.artsjournal.com\/fieldnotes\/wp-content\/uploads\/2013\/05\/Rising_Tide.jpg\"><img loading=\"lazy\" decoding=\"async\" class=\"aligncenter size-full wp-image-1322\" alt=\"\" src=\"https:\/\/www.artsjournal.com\/fieldnotes\/wp-content\/uploads\/2013\/05\/Rising_Tide.jpg\" width=\"600\" height=\"231\" srcset=\"https:\/\/www.artsjournal.com\/fieldnotes\/wp-content\/uploads\/2013\/05\/Rising_Tide.jpg 600w, https:\/\/www.artsjournal.com\/fieldnotes\/wp-content\/uploads\/2013\/05\/Rising_Tide-300x115.jpg 300w\" sizes=\"auto, (max-width: 600px) 100vw, 600px\" \/><\/a><\/p>\n<p>If we think of public perception as the ocean upon which our organizational value floats (see the illustration above), then as the perceived value of the field increases, so does our organizational value. It is the rising tide that lifts all boats. Global Warming aside, how do you raise the ocean level?<\/p>\n<p>Public perception is a tricky thing but affecting it requires effort in at least one of two paths: talking about your value and showing your value (i.e., being valuable). The latter, while certainly not easy, is relatively straightforward. Being valuable as a field comes from the individual and collective actions taken by organizations and leaders. It\u2019s the sum of all value. In terms of the illustration above, think of the water displacement from the weight of the boats raising the ocean level.<\/p>\n<h3>Measuring value.<\/h3>\n<p>Talking about value is a bit more difficult, particularly when talking about the value derived from the entire field. It stands to reason, though, that it should start with some understanding of what that value is. We\u2019ve all <a href=\"http:\/\/www.youtube.com\/watch?v=l9f84kI0MU4&amp;feature=share&amp;list=PL2DaJImaGdL3oJSrHnfO3f8VPc5pUSuZ6\"><i>heard<\/i><\/a> and <a href=\"http:\/\/www.rand.org\/pubs\/research_briefs\/RB9106\/index1.html\"><i>read<\/i><\/a> the cases for the instrumental and the <a href=\"http:\/\/arlenegoldbard.com\/2011\/02\/15\/life-implicates-art-part-3-the-great-reframing\/\"><i>intrinsic<\/i><\/a> arguments for the value we create. We live in a world obsessed with numbers. Finding <i>meaning<\/i>ful (pun not intended) metrics of the field\u2019s value can help. This too is <a href=\"https:\/\/www.artsjournal.com\/fieldnotes\/2013\/04\/defining-our-value\/\"><i>well<\/i><\/a>&#8211;<a href=\"http:\/\/www.huffingtonpost.com\/robert-l-lynch\/arts-and-economy_b_1588034.html\"><i>worn<\/i><\/a> territory and the answers are not easy.<\/p>\n<h3>Categories help.<\/h3>\n<p>Dan and Chip Heath, in their book \u201c<a href=\"http:\/\/heathbrothers.com\/books\/made-to-stick\/\"><i>Made to Stick<\/i><\/a>,\u201d talk about how to craft stories that stick. Their first tenant is to keep it simple. The problem, of course, is that the value we deliver is often complex and not easy to rattle off in a simple statement. In an effort to simplify our messages we rely on existing schemas or categories. They help bridge the gaps of understanding or even empathy. I might not value what your organization does but I might value \u201cthe Arts.\u201d<\/p>\n<h3>Categories limit.<\/h3>\n<p>If you look at the illustration again you will notice the dotted line of demarcation separating arts and culture from creativity. Think about your stakeholders, your community \u2013 do they know when they are crossing this line? Do they care? While it might be a handy shortcut to use categories to help talk about our value, they can backfire. (I might actually care about what you do but do not particularly care about \u201cthe Arts\u201d or, worse yet, I might think \u201cthe Arts\u201d are too stuffy.)<\/p>\n<p>Regardless of the course \u2013 action or words, cultural field or creativity \u2013 if we are looking to truly create a significant wave of value we must work together. How do <i>you<\/i> define the value of the field\u2026 not just your individual organization\u2019s value? What can you measure? What can you share? How can we work to raise the tide?<\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Editor\u2019s note: Over the next two weeks, we\u2019ll feature posts around the final convening of our Chief Executive Program, The Summit at Sundance. We invite you to participate in an online discussion of four major issues facing the cultural field. In this post, Dallas Shelby introduces the last of the problem statements. Why do the [&hellip;]<\/p>\n","protected":false},"author":3,"featured_media":1322,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_genesis_hide_title":false,"_genesis_hide_breadcrumbs":false,"_genesis_hide_singular_image":false,"_genesis_hide_footer_widgets":false,"_genesis_custom_body_class":"","_genesis_custom_post_class":"","_genesis_layout":"","footnotes":""},"categories":[32,129,166],"tags":[185,45,78,46],"coauthors":[620],"class_list":{"0":"post-1321","1":"post","2":"type-post","3":"status-publish","4":"format-standard","5":"has-post-thumbnail","7":"category-events","8":"category-nas-experience","9":"category-the-summit-at-sundance","10":"tag-collective-impact","11":"tag-creativity","12":"tag-culture-2","13":"tag-value-2","14":"entry"},"_links":{"self":[{"href":"https:\/\/www.artsjournal.com\/fieldnotes\/wp-json\/wp\/v2\/posts\/1321","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.artsjournal.com\/fieldnotes\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.artsjournal.com\/fieldnotes\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.artsjournal.com\/fieldnotes\/wp-json\/wp\/v2\/users\/3"}],"replies":[{"embeddable":true,"href":"https:\/\/www.artsjournal.com\/fieldnotes\/wp-json\/wp\/v2\/comments?post=1321"}],"version-history":[{"count":1,"href":"https:\/\/www.artsjournal.com\/fieldnotes\/wp-json\/wp\/v2\/posts\/1321\/revisions"}],"predecessor-version":[{"id":3567,"href":"https:\/\/www.artsjournal.com\/fieldnotes\/wp-json\/wp\/v2\/posts\/1321\/revisions\/3567"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.artsjournal.com\/fieldnotes\/wp-json\/wp\/v2\/media\/1322"}],"wp:attachment":[{"href":"https:\/\/www.artsjournal.com\/fieldnotes\/wp-json\/wp\/v2\/media?parent=1321"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.artsjournal.com\/fieldnotes\/wp-json\/wp\/v2\/categories?post=1321"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.artsjournal.com\/fieldnotes\/wp-json\/wp\/v2\/tags?post=1321"},{"taxonomy":"author","embeddable":true,"href":"https:\/\/www.artsjournal.com\/fieldnotes\/wp-json\/wp\/v2\/coauthors?post=1321"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}