{"id":131,"date":"2010-04-26T15:14:52","date_gmt":"2010-04-26T19:14:52","guid":{"rendered":"http:\/\/www.artstrategies.org\/tools\/readinglist\/?p=131"},"modified":"2010-04-26T15:14:52","modified_gmt":"2010-04-26T19:14:52","slug":"leaders-in-co-creation-why-and-how-museums-could-develop-their-co-creative-practice-with-the-public","status":"publish","type":"post","link":"https:\/\/www.artsjournal.com\/fieldnotes\/2010\/04\/leaders-in-co-creation-why-and-how-museums-could-develop-their-co-creative-practice-with-the-public\/","title":{"rendered":"Leaders in co-creation? Why and how museums could develop their co-creative practice with the public"},"content":{"rendered":"<p>This paper explores increasing co-creation in museums as a means to  creating better, more relevant and innovative programming and exhibits.  Using performing arts examples and business literature, Govier argues  that collaborative development and co-creation should be pursued with  more in mind than audience development\/engagement or educational  programming and outreach.  While the research focuses on the application  of these concepts for museums, the ideas are relevant to all arts and  culture organizations.<\/p>\n<p>Found via Nina Simon&#8217;s summary on her blog Museum2.0<\/p>\n<p><a href=\"http:\/\/www.le.ac.uk\/ms\/research\/Reports\/Louise%20Govier%20-%20Clore%20Research%20-%20Leaders%20in%20Co-Creation.pdf\">Leaders in co-creation? Why and how museums could develop their co-creative practice with the public<\/a>.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>This paper explores increasing co-creation in museums as a means to creating better, more relevant and innovative programming and exhibits. Using performing arts examples and business literature, Govier argues that collaborative development and co-creation should be pursued with more in mind than audience development\/engagement or educational programming and outreach. While the research focuses on the [&hellip;]<\/p>\n","protected":false},"author":43,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_genesis_hide_title":false,"_genesis_hide_breadcrumbs":false,"_genesis_hide_singular_image":false,"_genesis_hide_footer_widgets":false,"_genesis_custom_body_class":"","_genesis_custom_post_class":"","_genesis_layout":"","footnotes":""},"categories":[136],"tags":[246,154,169,67,394,403],"coauthors":[462],"class_list":{"0":"post-131","1":"post","2":"type-post","3":"status-publish","4":"format-standard","6":"category-reading-list","7":"tag-audience-engagement","8":"tag-collaboration","9":"tag-innovation","10":"tag-museums","11":"tag-performing-arts-cases","12":"tag-program-design","13":"entry"},"_links":{"self":[{"href":"https:\/\/www.artsjournal.com\/fieldnotes\/wp-json\/wp\/v2\/posts\/131","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.artsjournal.com\/fieldnotes\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.artsjournal.com\/fieldnotes\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.artsjournal.com\/fieldnotes\/wp-json\/wp\/v2\/users\/43"}],"replies":[{"embeddable":true,"href":"https:\/\/www.artsjournal.com\/fieldnotes\/wp-json\/wp\/v2\/comments?post=131"}],"version-history":[{"count":0,"href":"https:\/\/www.artsjournal.com\/fieldnotes\/wp-json\/wp\/v2\/posts\/131\/revisions"}],"wp:attachment":[{"href":"https:\/\/www.artsjournal.com\/fieldnotes\/wp-json\/wp\/v2\/media?parent=131"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.artsjournal.com\/fieldnotes\/wp-json\/wp\/v2\/categories?post=131"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.artsjournal.com\/fieldnotes\/wp-json\/wp\/v2\/tags?post=131"},{"taxonomy":"author","embeddable":true,"href":"https:\/\/www.artsjournal.com\/fieldnotes\/wp-json\/wp\/v2\/coauthors?post=131"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}