{"id":6586,"date":"2022-04-20T02:00:00","date_gmt":"2022-04-20T06:00:00","guid":{"rendered":"https:\/\/www.artsjournal.com\/engage\/?p=6586"},"modified":"2022-03-16T20:31:28","modified_gmt":"2022-03-17T00:31:28","slug":"shoes","status":"publish","type":"post","link":"https:\/\/www.artsjournal.com\/engage\/2022\/04\/shoes\/","title":{"rendered":"Shoes"},"content":{"rendered":"\n<div class=\"wp-block-image\"><figure class=\"alignleft size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"399\" height=\"270\" src=\"https:\/\/www.artsjournal.com\/engage\/wp-content\/uploads\/2022\/03\/Shoes.jpg\" alt=\"\" class=\"wp-image-6589\" srcset=\"https:\/\/www.artsjournal.com\/engage\/wp-content\/uploads\/2022\/03\/Shoes.jpg 399w, https:\/\/www.artsjournal.com\/engage\/wp-content\/uploads\/2022\/03\/Shoes-300x203.jpg 300w\" sizes=\"auto, (max-width: 399px) 100vw, 399px\" \/><\/figure><\/div>\n\n\n\n<p class=\"has-text-align-justify\">I was recently involved in a conversation in which the topic of shoes came up. (Yes, shoes.) Someone said they had read an article that the first thing people notice about someone else was their shoes. <\/p>\n\n\n\n<p class=\"has-text-align-justify\">Shoes. Really? To be honest, I don&#8217;t remember ever noticing someone&#8217;s shoes, unless it was a clown with giant floppy ones. Years ago I had a friend who had said that was true of them but I sort of wrote that off as an odd idiosyncrasy. <\/p>\n\n\n\n<p class=\"has-text-align-justify\">But the comment this time prompted some thought. Clearly there are people for whom that is true; and it must also be true of the writer of the article. Otherwise, why would one even think to address that as a topic? It also seems possible that the way they think about shoes might make them unaware that there are people who <em>do not<\/em> notice shoes.<\/p>\n\n\n\n<p class=\"has-text-align-justify\">And, me being me, that made me think about the way we so often write talk and about the arts. (You saw that coming, right?) <strong>We often assume that everyone thinks about the arts as we do because the way we think about the arts is so normal, so usual, so natural to us. To be clear: They. Do. Not.<\/strong> Indeed, in the great scheme of things, we are the anomaly. It is this artcentricity that gets in the way of our communicating with those who do not think like we do. This mutual incomprehension is one cause of the chasm we must cross in bringing new people to the arts, a task that is essential for our long-term survival. It should also be a compelling mission for us. Or why else are we in the arts?<\/p>\n\n\n\n<p class=\"has-text-align-justify\">To be fair, the fact that we can be unaware that people don&#8217;t think like us is understandable, just as the shoes\/not shoes mindset is. <strong>It is natural to think that people think the way we do because how would we know otherwise? However, once we learn otherwise, if we do not adjust our thinking (and resulting actions), the fallout from not doing so is all on us.<\/strong><\/p>\n\n\n\n<p class=\"has-text-align-justify\">There is, however, another response to being told &#8220;otherwise.&#8221; That is to believe noticing shoes (or not noticing them) makes us somehow superior to the unwashed who do\/don&#8217;t. Let&#8217;s not even go there!<\/p>\n\n\n\n<p>Engage!<\/p>\n\n\n\n<p>Doug<\/p>\n\n\n\n<p>Photo:<a href=\"https:\/\/creativecommons.org\/licenses\/by\/2.0\/\"><\/a><\/p>\n\n\n\n<div class=\"wp-block-image\"><figure class=\"alignleft\"><img decoding=\"async\" src=\"https:\/\/licensebuttons.net\/l\/by\/3.0\/88x31.png\" alt=\"\"\/><\/figure><\/div>\n\n\n\n<p><a href=\"https:\/\/creativecommons.org\/licenses\/by\/2.0\/\">Some rights reserved<\/a>&nbsp;by&nbsp;<a href=\"https:\/\/www.flickr.com\/photos\/jm-photography\/\">Tzef<\/a><\/p>\n","protected":false},"excerpt":{"rendered":"<p>We often assume that everyone thinks about the arts as we do because the way we think about the arts is so normal to us. However, once we learn otherwise, if we do not adjust our thinking (and resulting actions), the fallout from not doing so is all on us.<\/p>\n","protected":false},"author":2,"featured_media":6589,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_genesis_hide_title":false,"_genesis_hide_breadcrumbs":false,"_genesis_hide_singular_image":false,"_genesis_hide_footer_widgets":false,"_genesis_custom_body_class":"","_genesis_custom_post_class":"","_genesis_layout":"","jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_publicize_message":"We often assume that everyone thinks about the arts as we do because the way we think about the arts is so normal to us. However, once we learn otherwise, if we do not adjust, the fallout from not doing so is all on us","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":true,"jetpack_social_options":{"image_generator_settings":{"template":"highway","default_image_id":0,"font":"","enabled":false},"version":2}},"categories":[5],"tags":[53,12,13,27],"class_list":{"0":"post-6586","1":"post","2":"type-post","3":"status-publish","4":"format-standard","5":"has-post-thumbnail","7":"category-principles","8":"tag-artcentricity","9":"tag-arts","10":"tag-community-engagement","11":"tag-marketing","12":"entry"},"jetpack_publicize_connections":[],"jetpack_featured_media_url":"https:\/\/www.artsjournal.com\/engage\/wp-content\/uploads\/2022\/03\/Shoes.jpg","jetpack_shortlink":"https:\/\/wp.me\/s1G6h9-shoes","jetpack_sharing_enabled":true,"jetpack-related-posts":[{"id":5863,"url":"https:\/\/www.artsjournal.com\/engage\/2020\/02\/radical-empathy\/","url_meta":{"origin":6586,"position":0},"title":"Radical Empathy","author":"Doug Borwick","date":"February 19, 2020","format":false,"excerpt":"New and unfamiliar can be terrifying. Arts organizations need to understand the fear of the unknown to make it as comfortable as possible for new communities.","rel":"","context":"In &quot;Principles&quot;","block_context":{"text":"Principles","link":"https:\/\/www.artsjournal.com\/engage\/category\/principles\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/www.artsjournal.com\/engage\/wp-content\/uploads\/2020\/02\/Empathy.jpg?resize=350%2C200&ssl=1","width":350,"height":200},"classes":[]},{"id":4263,"url":"https:\/\/www.artsjournal.com\/engage\/2015\/10\/making-my-peace-with-sales\/","url_meta":{"origin":6586,"position":1},"title":"Making My Peace with Sales","author":"Doug Borwick","date":"October 28, 2015","format":false,"excerpt":"The case must be made for why someone should choose the arts experience over other options. To do so, we must have a relationship with them that can inform our messages.","rel":"","context":"In &quot;Customer-Client-Collaborator Series&quot;","block_context":{"text":"Customer-Client-Collaborator Series","link":"https:\/\/www.artsjournal.com\/engage\/category\/customer-client-collaborator-series\/"},"img":{"alt_text":"CashRegister","src":"https:\/\/i0.wp.com\/www.artsjournal.com\/engage\/wp-content\/uploads\/2015\/07\/CashRegister-e1438012800963.jpg?resize=350%2C200","width":350,"height":200},"classes":[]},{"id":3169,"url":"https:\/\/www.artsjournal.com\/engage\/2013\/10\/magical-thinking\/","url_meta":{"origin":6586,"position":2},"title":"Magical Thinking","author":"Doug Borwick","date":"October 30, 2013","format":false,"excerpt":"In discussion of the need for change in the arts industry, I am often met with responses that can only be classified as magical thinking. Such comments generally fall into one of two categories. The first holds that, while serious problems exist, all will be well if someone else does\u2026","rel":"","context":"In &quot;Overview&quot;","block_context":{"text":"Overview","link":"https:\/\/www.artsjournal.com\/engage\/category\/overview\/"},"img":{"alt_text":"MagicWand","src":"https:\/\/i0.wp.com\/www.artsjournal.com\/engage\/wp-content\/uploads\/2013\/09\/MagicWand-300x225.jpg?resize=350%2C200","width":350,"height":200},"classes":[]},{"id":6624,"url":"https:\/\/www.artsjournal.com\/engage\/2022\/05\/we-wish-a-lot-of-things\/","url_meta":{"origin":6586,"position":3},"title":"We Wish (A Lot of Things)","author":"Doug Borwick","date":"May 11, 2022","format":false,"excerpt":"Far too few people to see the arts as important to them. The only solution available to us is to DO things that make the arts important to more people.","rel":"","context":"In &quot;Principles&quot;","block_context":{"text":"Principles","link":"https:\/\/www.artsjournal.com\/engage\/category\/principles\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/www.artsjournal.com\/engage\/wp-content\/uploads\/2022\/05\/Fantasyland.jpg?resize=350%2C200&ssl=1","width":350,"height":200},"classes":[]},{"id":4101,"url":"https:\/\/www.artsjournal.com\/engage\/2015\/05\/parsing-engage\/","url_meta":{"origin":6586,"position":4},"title":"Parsing &#8220;Engage&#8221;","author":"Doug Borwick","date":"May 13, 2015","format":false,"excerpt":"Parsing \"Engage\": considering definitions and implications of similar sounding concepts.","rel":"","context":"In &quot;Principles&quot;","block_context":{"text":"Principles","link":"https:\/\/www.artsjournal.com\/engage\/category\/principles\/"},"img":{"alt_text":"EngagementRing","src":"https:\/\/i0.wp.com\/www.artsjournal.com\/engage\/wp-content\/uploads\/2015\/04\/EngagementRing-e1429555281389.jpg?resize=350%2C200","width":350,"height":200},"classes":[]},{"id":436,"url":"https:\/\/www.artsjournal.com\/engage\/2011\/09\/winds-of-change-yerba-buena-center-for-the-arts\/","url_meta":{"origin":6586,"position":5},"title":"Winds of Change: Yerba Buena Center for the Arts","author":"Doug Borwick","date":"September 14, 2011","format":false,"excerpt":"Yerba Buena Center for the Arts is taking community engagement seriously and to an extremely individual level. The Center's YBCA: YOU program provides one-on-one introductions to YBCA and contemporary art. (Once again, and clearly not for the last time, I am indebted to Nina Simon's Museum 2.0 for highlighting an\u2026","rel":"","context":"In &quot;Examples&quot;","block_context":{"text":"Examples","link":"https:\/\/www.artsjournal.com\/engage\/category\/examples\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/www.artsjournal.com\/engage\/wp-content\/uploads\/2011\/08\/WindmillsAtSeaCropped.jpg?resize=350%2C200","width":350,"height":200},"classes":[]}],"_links":{"self":[{"href":"https:\/\/www.artsjournal.com\/engage\/wp-json\/wp\/v2\/posts\/6586","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.artsjournal.com\/engage\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.artsjournal.com\/engage\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.artsjournal.com\/engage\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/www.artsjournal.com\/engage\/wp-json\/wp\/v2\/comments?post=6586"}],"version-history":[{"count":5,"href":"https:\/\/www.artsjournal.com\/engage\/wp-json\/wp\/v2\/posts\/6586\/revisions"}],"predecessor-version":[{"id":6593,"href":"https:\/\/www.artsjournal.com\/engage\/wp-json\/wp\/v2\/posts\/6586\/revisions\/6593"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.artsjournal.com\/engage\/wp-json\/wp\/v2\/media\/6589"}],"wp:attachment":[{"href":"https:\/\/www.artsjournal.com\/engage\/wp-json\/wp\/v2\/media?parent=6586"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.artsjournal.com\/engage\/wp-json\/wp\/v2\/categories?post=6586"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.artsjournal.com\/engage\/wp-json\/wp\/v2\/tags?post=6586"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}